Warner Music Italy announce Clemente Zard will join Vivo Concerti as its new Managing Director 11 Aug 2016
Warner Music Italy announced today that Clemente Zard will join Vivo Concerti as its new Managing Director in September.
Clemente Zard is one of the most promising entrepreneurs of his generation in the Italian live entertainment industry. He is the former Managing Director of Saludo Italia, one of the leading production and promotion companies in the musical and family entertainment business. Zard has also promoted the live shows of international artists throughout Italy.
Owned by Warner Music Italy, Vivo Concerti provides booking and promotion services to international and local artists. Outgoing Managing Director Corrado Rizzotto developed Vivo Concerti into a touring powerhouse for international and local artists. In recent years, the company has produced tours for artists such as Radiohead, Florence and the Machine, Arctic Monkeys, Sigur Ros, Franz Ferdinand and Subsonica, as well as working with Warner Music artists including Muse, Linkin Park, Paolo Nutini, Bruno Mars, The Black Keys and David Guetta.
Marco Alboni, CEO of Warner Music Italy, says: “The appointment of Clemente Zard confirms the commitment of Warner Music Italy to the ongoing diversification and enhancement of its services for artists and music fans, with the goal of maintaining its presence in the market at the highest level.”
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THE HEADLINES
SoundCloud backtracks on AI-related terms-of-use updates (see Digital)
Data Bill returns to the Commons today for crucial vote (see News)
Music discovery is not dead, just evolving (see Comment)
The business fundamentals behind DSP's and what this means for music (see Comment)
Artists urge Prime Minister to rethink AI copyright plans (see News)
Tariffs, tours, and trade wars: Why music investment won’t slow down (see Comment)
Unintended consequences – the year ahead for streaming (see Comment)
Spotify’s latest update gives users more control over their listening experience (see Digital)
Has music reached peak fragmentation? (see Analysis)
How LA is rebuilding the music industry after the fires (see Features)
Ministers reconsider changes to UK copyright law ahead of vote (see News)
How Ticketmaster swallowed the live entertainment scene (see Features)
Spotify executive on why 'per-stream rate' is one of the most misleading metrics in music (see Opinion)
BPI responds to government’s proposed amendments to the Data Bill related to AI and copyright (see News)
‘AI and intellectual property — a pivotal moment for the UK’s creative industries’ (see Opinion)