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Daintree co-wrote the global Number One smash ‘i like the way you kiss me’ by Artemas 


Warner Chappell Music (WCM), the music publishing arm of Warner Music Group, has signed a global publishing deal with songwriter and producer Toby Daintree. 

Daintree has recently made a name for himself as Artemas’ main collaborator, having co-written and co-produced ‘i like the way you kiss me’, as well his mixtape pretty, and the viral single ‘if you think I’m pretty’.

Since its release in March,  ‘i like the way you kiss me’ has become a global phenomenon, amassing 400 million streams and topping Spotify’s Global Chart for three weeks.  The track also charted at Number One in Austria, Switzerland and Germany; Number Three in Australia, Denmark and the UK, and Number 12 on the US Billboard Hot 100 chart.

‘if you think I’m pretty’ was the song that shot Artemas into the mainstream, following its release last October, becoming a viral streaming hit that has been played more than 160 million times across the DSPs.

Daintree has also worked with the likes of Devin Workman, FKA Twigs, Jesse Fink, Joy Crookes, Kamal., Kev White, Matilda Mann, and Two Inch Punch.  He is a multi-instrumentalist and virtuosic guitar player who studied Jazz at Guildhall School of Music & Drama in London. 

Daintree is managed by Fin Kemp (Virgo Management) and through this new partnership, Daintree will work closely with WCM UK’s Managing Director, Shani Gonzales and Head of A&R, Amber Davis.

Toby Daintree said: “I’m delighted to be joining Warner Chappell Music after an exciting few months for me, with ‘if you think I’m pretty’ and ‘i like the way you kiss me’ having blown up all around the world. I’m looking forward to working with George and the wider Warner Chappell team who have shown a passionate interest and understanding in the music I’ve been a part of and I'm excited to see what opportunities and new relationships come from the partnership.”

George Baker, A&R Manager, Warner Chappell Music UK, added: “Toby is a world-class songwriter and producer.  His recent hits have showcased he can write songs that connect with a global audience and we want to help replicate this success by partnering him with the world’s biggest artists and writers. I couldn’t be more excited for Toby’s next steps and to be working alongside his brilliant manager Fin Kemp.”

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24 Mar 2025

  • Ed Sheeran calls for UK to put £250m into music education (see News)

21 Mar 2025

  • What's the perfect song length? (see Analysis)

  • AI is supercharging majors' data analysis. Indies need to assemble or get left behind (see Opinion)

20 Mar 2025

  • IFPI's annual Global Music Report - all the stats and analysis (see Reports)

19 Mar 2025

  • RIAA 2024 Report: On-demand streaming subs top 100m in the US (see Reports)

18 Mar 2025

  • How the DNA of a hit changed in the last five years (see Analysis)

  • Interview: Lola Young’s manager Nick Shymansky (see Features)

17 Mar 2025

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  • UK Music calls for an urgent Government rethink after moves to prevent AI firms stealing music creators' work were blocked in Parliament (see News)

14 Mar 2025

  • Recorded music market 2024: $36.2bn, up 6.5% (see Analysis)

  • Will the next wave of British music stars break through? (see Features)

13 Mar 2025

  • Spotify is trumpeting big paydays for artists – but only a tiny fraction of them are actually thriving (see Comment)

  • Spotify paid over $4.5bn to music publishers over the last two years, so why are songwriters struggling? (see Analysis)

12 Mar 2025

  • UK recorded music market reached a decade of continuous growth in 2024 (see Reports)

  • Spotify says its payouts are getting better, but artists still disagree (see Digital)

  • How to score a No 1 single (it might take 20 years) (see Features)

11 Mar 2025

  • Pop stars used to rail against injustice – now they’re too afraid of getting cancelled (see Features)

  • A global phenomenon: The creative community’s viral outrage against AI theft (see Features)