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BONO, THE EDGE, ADAM CLAYTON AND LARRY MULLEN JR. BECOME THE FIRST IRISH SONGWRITERS TO BE BESTOWED WITH THE IVORS ACADEMY'S GREATEST ACCOLADE 
 
SELECTED BY FELLOW SONGWRITERS, FELLOWSHIP RECOGNISES U2'S ENDURING INFLUENCE AND IMPACT ON THE CRAFT OF SONGWRITING

U2 will be inducted into Fellowship at the 70th edition of the world's biggest and most prestigious celebration of songwriters, The Ivors with Amazon Music, which takes place at Grosvenor House in London on Thursday 22 May 2025


The Ivors Academy has today announced U2 as the latest songwriters to become Academy Fellows, the highest honour the organisation bestows. With this, Bono, The Edge, Adam Clayton and Larry Mullen Jr. become the first-ever Irish songwriters that the Academy has inducted into Fellowship during its 81-year history.
 
Formed in Dublin in 1978, U2 is one of the greatest songwriting partnerships and most influential bands of all time. The band's songwriting is marked by an emotional authenticity that has crafted some of the most powerful songs in the history of rock spanning nearly five decades, including 'I Will Follow', 'Pride (In The Name of Love)', 'Bad', 'I Still Haven't Found What I'm Looking For', 'With or Without You', 'One', 'Beautiful Day', 'Walk On', 'Vertigo', 'Magnificent' and 'Ordinary Love'.
 
Their distinctive sound and constant innovation has resulted in 15 iconic studio albums, more than 175 million records sold worldwide and 28 industry-defining landmark tours. The only band in history to have topped the Billboard 200 in the US in four successive decades, they have also achieved 10 UK no 1 albums. U2 have received countless accolades including 22 GRAMMYs and Amnesty International's Ambassador of Conscience award, as well as four Ivor Novello Awards – winning the Special Award for International Achievement in 1994, Best Song Musically and Lyrically for 'Walk On' in 2002, Outstanding Song Collection in 2003 and International Hit of the Year for 'Vertigo' in 2005.
 
U2's early songs announced a band unafraid to tackle issues of social unrest and human rights, shaping rock's engagement with political activism. Their achievements as songwriters are marked by the ability to blend anthemic melodies with socially and politically charged lyrics, addressing both personal and universal issues such as love, faith, war, politics and religion. Having written many of the most enduring and iconic songs and lyrics in modern rock history, U2's songwriting legacy continues to expand and resonate with audiences worldwide.
 
Bono said: "We were a band before we could play, let alone write songs... In fact it was our inability to play other people's songs that kicked off our own songwriting. Early musical heroes like The Ramones, Patti Smith, The Clash were our inspiration. There's alchemy at play, turning base metals into gold... your shite into gold would be another way of putting it."
 
The Edge said: "Songs are kind of magic. The best ones feel like gifts from some other dimension, but to catch them you have to make yourself available. I'm not sure songs can change the world but they sure have changed mine."
 
Adam Clayton said: "To be recognised in this way by The Ivors Academy feels very special indeed. The appreciation of one's peers is a humbling honour and we are immensely grateful. We've been playing our songs in this country for over 45 years, thank you to all those who have not just supported us, but carried us... producers, engineers, crew, fans, management, label."
 
Larry Mullen Jr. said: "Making music collectively, as we've done for close to 50 years, has been an incredible experience and privilege for the four of us and I believe it's a testament to a band that values individual creativity and independence of mind. We are grateful to each other and very grateful to The Ivors Academy for recognising us with this award."
 
Induction into Fellowship of The Ivors Academy is a prestigious honour reserved for legendary songwriters and composers who have mastered and defined their craft. With U2's inclusion, the total number of Fellows rises to 32. As the highest tier of Academy membership, Fellowship places U2 alongside pioneering songwriters such as Paul McCartney, Kate Bush, Joan Armatrading and Bruce Springsteen – who became the first international songwriter to receive the honour last year.
 
Tom Gray, Chair of The Ivors Academy said: "With fearless poetic lyricism always centre-stage in panoramic musical vistas, the sound of U2 has redefined the fabric of popular music. Their songs are sweeping catalysts: hymnals and rallying cries. U2's induction into Fellowship honours their seminal contributions to music through exceptional songwriting craft."
 
Roberto Neri, CEO of The Ivors Academy said: "We are proud to welcome U2 to Fellowship of The Ivors Academy as era-defining songwriters whose legacy continues to propel musical innovation and inspire social progress. As U2's politically charged anthems have sparked global change, The Ivors Academy is committed to championing creative integrity with the same unwavering passion. At a time when AI threatens to undermine human creativity, U2's Fellowship stands as a testament to the irreplaceable role of songwriters and composers in shaping culture and inspiring change."
 
Recognised as a pinnacle of creative musical achievement since they were first presented in 1956, winning an Ivor Novello holds a special place in music as they are judged by acclaimed songwriters and composers from The Ivors Academy, with winners joining a roll call of greats that includes Adele, Stormzy, RAYE, Lana Del Rey, Annie Lennox, Amy Winehouse, Dave, Skepta and John Lennon.
 
Listen to a U2 takeover of The Ivors playlist here, and find more Ivors-related content on the songwriters and producers homepage here.
 
This year's nominees will be announced on Wednesday 23 April and the winners will be revealed at The Ivors with Amazon Music at Grosvenor House in London on Thursday 22 May 2025.

 

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23 Jan 2026 | Press release

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23 Jan 2026 | Press release

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23 Jan 2026 | Press release

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23 Jan 2026 | Press release

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23 Jan 2026 | Press release

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22 Jan 2026 | Press release

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22 Jan 2026 | Press release

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22 Jan 2026 | Press release

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22 Jan 2026 | Press release

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22 Jan 2026 | Press release

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22 Jan 2026 | Press release

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22 Jan 2026 | Press release

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21 Jan 2026 | Press release

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21 Jan 2026 | Press release

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21 Jan 2026 | Press release

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21 Jan 2026 | Press release

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20 Jan 2026 | Press release

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20 Jan 2026 | Press release

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20 Jan 2026 | Press release

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20 Jan 2026 | Press release

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20 Jan 2026 | Press release

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20 Jan 2026 | Press release

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20 Jan 2026 | Press release

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20 Jan 2026 | Press release

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23 Jan 2026

  • Did things really get better in 2025 for the UK's music business? (see Comment)

22 Jan 2026

  • BRIT Awards 2026: Nominations and reactions (see News)

21 Jan 2026

  •  Music Venue Trust annual report highlights ongoing issues, and optimism (see News)

20 Jan 2026

  • Do Spotify’s AI Playlists change how algorithmic discovery actually works? (see Features)

19 Jan 2026

  • A&R 2026: We lost "R" (see Opinion)

16 Jan 2026

  • Do most artists peak with their first album? (see Analysis)

15 Jan 2026

  • Court battle over unpaid royalties could have implications for the industry in the streaming era (see News)

  • Luminate released its 2025 year-end music report (see Reports)

14 Jan 2026

  • Impala sets out crucial questions on UMG/Downtown, AI, sovereignty and more for EU & music sector (see Comment)

13 Jan 2026

  • Spotify’s new co-CEOs highlight what’s ahead for the company (see Digital)

12 Jan 2026

  • Music publishers sued by X in growing licensing battle (see News)

  • Call on EU to clamp down on unauthorised ticket reselling (see News)