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The leading global self-releasing artist development platform surpasses latest milestone of $4 billion earned by artists since the company was founded in 2006
 
 
TuneCore, the leading development partner for self-releasing artists—owned by Believe, one of the world's leading digital music companies—has announced that TuneCore artists have now earned more than $4 billion (since the company was founded in 2006), cementing the company's position as the premier platform for independent artists looking to build their careers.
 
Andreea Gleeson, Chief Executive Officer, TuneCore commented, "It has been less than a year and a half since we announced that TuneCore artists had surpassed $3 billion earned, and already our thriving pool of self-releasing artists has earned yet another billion dollars. Independent artists stand at the forefront of innovation in music, both as pioneers of experimentation and as the trailblazers forging new paths to success in the music industry. Whether artists are recording and releasing their first songs through TuneCore or selling out stadiums internationally, we are proud to provide artists with a distribution and career development platform that puts more money in their pockets and lets them focus on creating the music that moves us."
 
It has been just a year and a half since TuneCore announced that the company had surpassed the milestone of $3 billion earned by self-releasing artists and, in the intervening months, many independent artists all over the world have continued to build sustainable careers using TuneCore. The $4 billion figure represents the cumulative sum of revenue earned by self-releasing artists at all stages of their careers, from hobbyists and new artists earning their first-ever streaming revenue, to established artists and household names for whom writing and performing music is their sole source of income.
 
The massive payout to self-releasing artists is aided by parent company Believe's direct deals with digital service providers and streaming platforms, as well as TuneCore's newly expanded TuneCore Publishing product, and the TuneCore Accelerator program, a suite of tools specifically built to help artists develop their careers, increase their reach and help them find dedicated fans. By offering tools to support independent self-releasing artists, TuneCore has helped channel more money into the pockets of the independent artist community and has provided a means for self-releasing artists to flourish in an increasingly competitive industry landscape.
 
TuneCore and many of its artists share a relentless passion for the freedom provided by artistic independence. Mexican-American rapper & singer Snow Tha Product has also found immense success as a TuneCore artist. Over the course of her career, Snow Tha Product has earned nominations for Latin Grammy's, MTV VMA's, and more, has sold out multiple headlining US tours, and has entered the top 10 on the Billboard Heatseekers Albums chart, establishing herself as a prime example of independent success.
 
Snow Tha Product commented, "Being an artist in the age of streaming brings new, exciting challenges every day and has redefined what it means to be an independent artist.  We have total control over both the artistry and backend music decisions, and new technologies to add into the creative process have been a game-changer. With streaming services, social media, and digital distributors like TuneCore, independent artists can now retain control and reap the financial benefits of our work."
 
As a global platform, many of TuneCore's artists reside internationally with 77% of new TuneCore artists and labels joining TuneCore in 2024 coming from outside of the United States. In India, one of TuneCore's top three global markets and the company's fastest growing emerging market, Delhi-based folktronic duo Tech Panda & Kenzani have utilized the freedom afforded by independence to carve a nontraditional path to success. Rather than following the traditional album release cycle, Tech Panda & Kenzani have released more than one hundred singles, finding success on the Spotify India charts, amassing a loyal fanbase, and even being tapped to record the official Hindi rendition of Post Malone and Swae Lee's "Sunflower" for Spider-Man: Across the Spider-Verse.
 
Kenzani commented, "When I started making music it was just for fun, but I gained a lot of appreciation for it and before I knew it I was putting all of my energy and time into music and started pursuing it professionally. The journey was enriching, it was exciting, it was challenging, it was sometimes frustrating, but extremely rewarding and definitely life-changing. This indie music moment has been very important worldwide because over the last five years, there's been so much musical evolution from independent artists who are pushing our industry forward."
 
TuneCore's roster of international artists also includes Mexican indie-rock group Odisseo, who have cultivated a substantial regional fanbase and are continuing to grow and find new audiences. In the first quarter following the launch of TuneCore Accelerator, Odisseo experienced overall streaming growth of 58%, with streams for their song "Los Imanes" growing by nearly 94%, propelling their career forward and showcasing the power of independent artists.
 
Odisseo members Juan Pablo López (vocals) and Daniel León (guitar) commented, "When we first started earning money from our music it was very exciting because we have invested in music for years, and when you start earning it's like crossing to the other side. It was like 'This is actually a job now and I can dedicate myself to it for the rest of my life.' We feel very proud to be a part of this wave of independent artists, not only in Mexico or Latin America, but all over the world. Thanks to the time we're living in right now, we realized that we can make a living out of music through independent efforts."
 
This latest milestone stands as a testament to TuneCore's commitment on behalf of independent artists around the world. By increasing access to music creation and distribution, supporting self-releasing artists at all stages of their careers, and providing the tools and educational resources necessary for artists to claim the money they've rightfully earned from their music, TuneCore and parent company Believe are continuing to work towards creating a more equitable and sustainable music industry ecosystem for all.

10 Jul 2025 | Press release

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10 Jul 2025 | Press release

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10 Jul 2025 | Press release

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10 Jul 2025 | Press release

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10 Jul 2025 | Press release

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09 Jul 2025 | Press release

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09 Jul 2025 | Press release

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09 Jul 2025 | Press release

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09 Jul 2025 | Press release

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09 Jul 2025 | Press release

Tom Walker signs global publishing deal with BMG

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09 Jul 2025 | Press release

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08 Jul 2025 | Press release

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08 Jul 2025 | Press release

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08 Jul 2025 | Press release

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08 Jul 2025 | Press release

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07 Jul 2025 | Press release

Brazilian music superstar Alok signs global publishing deal with BMG

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07 Jul 2025 | Press release

Independent music company CEOs around the world call for end to further anti-competitive, consolidation attempts in the music industry

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04 Jul 2025 | Press release

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04 Jul 2025 | Press release

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04 Jul 2025 | Press release

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04 Jul 2025 | Press release

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04 Jul 2025 | Press release

Bandcamp Daily's Summer 2025 Hotlist Spotlights Its Most Anticipated New Releases

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04 Jul 2025 | Press release

Universal Music Greater China announces strategic global alliance with "Godfather of Mandarin R&B" David Tao and his company Great Entertainment

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04 Jul 2025 | Press release

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03 Jul 2025 | Press release

WMA announces expansion of UK & European Publicity, Social and Marketing Divisions

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03 Jul 2025 | Press release

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03 Jul 2025 | Press release

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03 Jul 2025 | Press release

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03 Jul 2025 | Press release

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03 Jul 2025 | Press release

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10 Jul 2025

  • Can TikTok revive classic songs? A statistical analysis (see Analysis)

09 Jul 2025

  • UMG’s Michael Nash: ‘AI can be instrumental to the future of music’ (see Digital)

08 Jul 2025

  • In the post-music streaming era, do artists and labels give too much away? (see Comment)

07 Jul 2025

  • Songwriters ‘missing millions in royalties from more than 100,000 UK gigs’ (see News)

  • Merck Mercuriadis plots comeback with Hipgnosis remix (see Business)

04 Jul 2025

  • V&A East Storehouse to open the David Bowie Centre (see News)

  • ESCA calls on the EU to block Universal Music’s deal to buy Downtown (see News)

  • Virgin Music CEOs push back against critics of Downtown Music deal (see News)

03 Jul 2025

  • Record labels are running on empty (see Opinion)

  • AI music is going viral, but it’s not what fans want (see Comment)

02 Jul 2025

  • The Velvet Sundown may be the first breakout AI band from Suno (see Digital)

  • Amid cuts, WMG to "continue to supercharge our capabilities in long-term artist, songwriter, and catalog development" (see Business)

01 Jul 2025

  • WIN CEO writes to European Commission Vice-President over Universal's acquisition of Downtown (see Comment)

  • If Spotify truly champions discovery, it should champion fair compensation from the first stream (see Comment)

30 Jun 2025

  • Selected Glastonbury coverage (see News, Features, Showbiz, Reviews)

27 Jun 2025

  • Streaming is both retail and radio – it shouldn’t be (see Comment)

  • Impala’s Helen Smith on UMG's planned Downtown acquisition (see Comment)