The Mechanical Licensing Collective (The MLC) Announces Roll Out of its Data Quality Initiative to Vistex, Inc. Customers 23 Jul 2020
The Mechanical Licensing Collective (The MLC) today announced that it has partnered with Vistex, Inc. to help them successfully enhance Vistex's Music Maestro software package to enable Music Maestro users to participate in The MLC’s Data Quality Initiative (DQI).
The MLC’s Data Quality Initiative (DQI) provides a streamlined way for music publishers, administrators and ex-US collective management organizations (CMOs) to compare their musical works’ data with The MLC’s data and receive reports highlighting the discrepancies between the two sets of data so they can easily identify and correct those discrepancies.
“Vistex’s Music Maestro product is used by copyright owners all over the world,” noted Richard Thompson, The MLC’s CIO. “We wanted to ensure that Vistex’s clients were able to participate in the Data Quality Initiative so that they could see where their works were not being correctly registered with The MLC and take the necessary corrective action.”
More information on the Data Quality Initiative can be found at: https://bit.ly/38Dm6RY
“We were delighted to have an opportunity to work with The MLC as it prepares to launch one of the most important copyright administration services in modern times,” stated Amos Biegun, Global Head of Rights & Royalties for Vistex. “Our team lead by Stephen Carlisle worked with several key customers to test the new functionality we have added to our platform. Those customers were able to export and then compare their data with The MLC’s data, and the results of these tests were very encouraging.”
“Ensuring the accuracy of the musical works data in our portal is a top priority for The MLC, and our team is committed to making this process as efficient and effective as possible for our stakeholders,” stated Kris Ahrend, CEO of The MLC. “We’re pleased to be working with Vistex on the Data Quality Initiative and appreciate both their participation and support.”
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THE HEADLINES
Did Sony’s Rob Stringer just hand regulators the case to tank Universal’s Downtown dreams? (see Comment)
Is the Sabrina Carpenter album art really that offensive? (see Features)
Mid-year analysis of the live business (see Analysis)
Sony Music's Rob Stringer talks catalogues, free streaming, AI and more (see News)
Calls on the EC to conduct an investigation into proposed acquisition of Downtown by Universal (see Opinion)
Data (Use and Access) Bill passes without amendment (see News)
Has the time finally come for metered music experiences? (see Opinion)
What moves the needle for artists in 2025? (see Features)
Tributes pour in for Brian Wilson (see News, Features, Showbiz&News)
These touts made millions - and claimed staff at big ticketing firms helped (see Features)
Billboard names its Independent Power Players (see Features)
New report highlights emergence of a two-tier music streaming market favouring scale over diversity and flags need for urgent action (see Reports)
Ministers’ silence on threats to our creatives is bewildering (see News)
Sony Music Publishing set to acquire Hipgnosis Songs Group (see Business)
Manchester's Co-op Live to host the BRIT Awards (see News)
Elliot Grainge has breathed new life into Atlantic Records (see Features)
BPI CEO addressed the SXSW London conference (see News)
Elton John slams Labour over the AI act (see Opinion)
Jim King's 30-year reign (see Features)
TikTok launches TikTok for Artists (see Digital)
Culture secretary Lisa Nandy talks AI policies and regulation (see News)