The Camille Awards 08 Apr 2021
The Camille Awards – European Film Composer Awards are a set of awards given to composers of exceptional pieces of film and audio-visual music.
Best Orchestral Score: Johan Ramström (Sweden) for “Sara with All Her Being”, directed by Gunilla Bresky;
Best Electro-acoustic Score: John Gürtler (Germany) for “Systemsprenger”, directed by Nora Fingscheidt;
Best Original Music for a Series: Labrinth (United Kingdom) for “Euphoria”, created by Samuel Levinson.
The Camille Awards were able to, once again, at the same time, honour the greatest achievements of European composers of pieces of film and audio-visual music, and to expand awareness among the audience, composers and filmmakers on the importance and the power of film music soundtracks.
ECSA also granted a Special Camille Award to Alberto Iglesias, in recognition of his exceptional score for Dolor y Gloria, film directed from Pedro Almodóvar. The score transcended the current categorisations.
The ceremony featured contributions from all the nominees as well as the renowned members of the International Jury. Among them, Patrick Doyle remarks: “It’s just amazing to be part of a community that looks after composers and inspires composers the way this Alliance does” while David Arnold congratulates all nominees for “the extreme breadth of the work, the originality of the work, and the very raw talent that is on show.”
we have to ensure that composers and songwriters can continue to make music in the future” authors often face buyout contracts, which prevent them from benefiting from a fair and proportionate remuneration. The copyright directive could change that - it can deliver better remuneration to authors and improve contracts and working conditions. This is the only way that cultural recovery can be effective and sustainable.”
Mrs. Sabine Verheyen, Chair of the European Parliament’s Culture and Education committee, delivered the welcome speech and expressed her support to the cultural community heavily hit by the current crisis and, in particular to film & audiovisual music composers, which are “crucial in conveying the mood of a film”. She also stressed that “and underlined that “
The 2021 edition of the Camille Awards was organised by ECSA with the support of the Creative Europe Programme. In 2021, seeing as the Awards were taking place online, ECSA partnered with FAME’S Macedonian Symphonic Orchestra. Nominated composers had the opportunity to record their scores with the Orchestra and have them showcased during the online ceremony.
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THE HEADLINES
UMG’s Michael Nash: ‘AI can be instrumental to the future of music’ (see Digital)
In the post-music streaming era, do artists and labels give too much away? (see Comment)
Songwriters ‘missing millions in royalties from more than 100,000 UK gigs’ (see News)
Merck Mercuriadis plots comeback with Hipgnosis remix (see Business)
V&A East Storehouse to open the David Bowie Centre (see News)
ESCA calls on the EU to block Universal Music’s deal to buy Downtown (see News)
Virgin Music CEOs push back against critics of Downtown Music deal (see News)
Record labels are running on empty (see Opinion)
AI music is going viral, but it’s not what fans want (see Comment)
The Velvet Sundown may be the first breakout AI band from Suno (see Digital)
Amid cuts, WMG to "continue to supercharge our capabilities in long-term artist, songwriter, and catalog development" (see Business)
WIN CEO writes to European Commission Vice-President over Universal's acquisition of Downtown (see Comment)
If Spotify truly champions discovery, it should champion fair compensation from the first stream (see Comment)
Selected Glastonbury coverage (see News, Features, Showbiz, Reviews)
Streaming is both retail and radio – it shouldn’t be (see Comment)
Impala’s Helen Smith on UMG's planned Downtown acquisition (see Comment)
Retiring Arista CEO David Massey shares his top 10 career highlights (see Features)
Budweiser’s royalty loophole ad: How AI and social have changed the value of creators (see Comment)