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2024 BRITs TROPHY DESIGN & ARTIST REVEALED - RACHEL JONES

NEW R&B GENRE AWARD INTRODUCED

NUMBER OF NOMINEES FOR BRITISH & INTERNATIONAL ARTIST OF THE YEAR AWARDS EXTENDED TO TEN

BRITs RISING STAR SHORTLIST TO BE ANNOUNCED NEXT WEEK

 

THE BRIT AWARDS 2024 WITH MASTERCARD

SATURDAY 2ND MARCH, LIVE FROM THE O2 ARENA, BROADCAST ON ITV1 AND ITVX

 

The BRIT Awards with Mastercard 2024 will return for its 44th show on Saturday 2nd March, and today reveals the design of the 2024 BRIT Award, along with the identity of the artist behind the new creative. The BRITs also today confirm an update to next year's Awards categories, which will open up opportunities for even more artists to be in the running for the biggest accolade in UK music.

The 2024 BRIT Awards, under the stewardship of Damian Christian as BRIT Committee Chair for a second year, is gearing up to deliver yet another unmissable show. For the millions tuning in from home in the UK and all over the world, the show will once again be held on a Saturday primetime TV slot, following the success of the 2023 event.

Highly acclaimed British visual artist Rachel Jones (recently labelled by Time Out as 'the most interesting abstract painter working today' has designed this year's BRIT awards trophy, and today The BRITs unveils the look of the new award. Rachel completed her BA Fine Art at Glasgow School of Art in 2013 and an MA Fine Art at the Royal Academy Schools, London, in 2019. She was included in Mixing It Up: Painting Today at the Hayward Gallery, London (2021), followed by solo exhibitions at the Chisenhale Gallery, London (2022) and the Long Museum, Shanghai (2023). Alongside her performance practice, which most recently took form as an operatic based work titled 'Hey, Maudie', Rachel has garnered an impressive reputation for her expressive, abstract and brightly coloured paintings. Rachel's work is housed in prominent institutional collections including those of the Stedelijk Museum Amsterdam; Museum of Contemporary Art (MOCA), Los Angeles; The Studio Museum in Harlem, New York; the Long Museum, Shanghai; The Arts Council England; and the Tate, where her piece 'lick your teeth, they so clutch' (2021) is currently on display as part of the Tate Britain's rehang.

On being asked to design the 2024 BRIT trophy, Rachel said, "There's such a major legacy around the position of being asked to design the award, so it was a huge honour to be chosen for this year. Designing the award is especially exciting because people will be able to see my interest in working with other mediums. I don't want to be known as just a 'painter', and having collaborated recently with a composerand a poet on my opera [Joseph Howard and Victoria Adukwei for Hey, Maudie], I'm finally starting to enter different spaces and develop new perspectives on my work. It's really incredible that this is part of that journey."

Speaking further about the award design: "I work really intuitively so there weren't any plans or sketches. It was a similar process to how I make paintings, which are always in layers. I worked from the base up, I covered up to the chest in a variety of colours and then I started to focus on how to develop certain patterns, textures and colour combinations. From there I was able to figure out where I wanted certain areas of density or space and things started to fall into place."

"I would say there is a very strong link between the way I make paintings and the way that I approached making this award. They're different because of the format, but through the steps that I took, it was really inspiring to translate one way of working to another."

"I feel like it's my voice in the form of a trophy, it's colourful and chaotic, and this was really important because all the other trophies were so distinctive, and you know immediately who made them. I'm really happy that what we've ended up with is a reflection of my visual language".

Rachel joins an illustrious list of British artists and creative powerhouses who for over ten years have been giving the BRIT awards status a different look and makeover; from Dame Vivienne Westood, Tracey Emin, Pam Hogg to Sir Phillip Treacy, Damien Hirst and Anish Kapoor. She inherits the honour from 2023 trophy designer Slawn.

Damian Christian, Managing Director and President of Promotions at Atlantic Records (part of Warner Music UK) and Chair of the BRIT Committee for 2024 said: "This year we once again wanted an exciting and progressive artist to capture the essence of the award. I was a massive fan of Rachel's work and once I'd met her, she instantly became my number one choice to design 2024's statue. I'm delighted she agreed to come on board and throw her artistic style behind the iconic trophy. Her design perfectly reflects the vibrant and spirited British music industry."

 

R&B genre award introduced
The BRIT Awards today announce a new addition to the genre awards categories, which were first introduced in 2022. In 2024, R&B will be one of five genre awards, along with Alternative/Rock, Dance, Pop and Hip Hop/Grime/Rap, ensuring visibility for UK R&B artists at The BRIT Awards, with the five genre awards collectively showcasing the tremendous versatility, creativity and diverse musical styles of British music. Eligibility for the R&B Award will cover a 24-month period as opposed to the usual 12 months to ensure that artists that released music in those two years qualify and are eligible.

YolanDa Brown OBE DL, BPI Chair, said:"British music is special, the secret ingredient is its rich diversity of genre bending sounds created by the most eclectic artists of all backgrounds. It was this that prompted The BRIT Awards to introduce genre-based awards in 2022, and we are delighted to continue this with the addition of a new standalone R&B category to join the four other genres that we will celebrate in 2024. Our best wishes to all the artists who are eligible." 

Artist of the Year / International Artist of the Year
For 2024, The BRITs will increase the number of nominees for both Artist of the Year and International Artist of the Year from five, to ten. This change, aimed at improving representation and inclusion, along with the introduction of the new R&B award, follows extensive consultation within the BRITs organisation, relevant industry and Equality, Diversity & Inclusion (EDI) groups, including the BPI's own Equity & Justice Advisory Group (EJAG), and was a key part of The BRITs' annual review of all show elements, following the 2023 ceremony.

Dr. Jo Twist OBE, BPI Chief Executive said: "We look forward to celebrating another brilliant year in music, and we are all working hard to deliver another memorable show that will promote the incredible breadth of British and international talent that we have seen flourish and succeed over the past twelve months. The BRITs is committed to making the show as inclusive and representative as possible, the changes to this year's categories are part of an ongoing process of evolution, and we will continue to review, listen and learn."

 

The full category list for 2024 will be as follows:

Artist of the Year

Group of the Year

BRITs Rising Star

Best New Artist

Song of the Year with Mastercard

Mastercard Album of the Year

International Artist of the Year

International Song of the Year

International Group of the Year

Alternative/Rock Act

Pop Act

R&B Act

Dance Act

Hip Hop/Grime/Rap Act

Producer of the Year (honorary award as decided by a separate expert panel)

Songwriter of the Year (honorary award as decided by a separate expert panel)

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29 Feb 2024 | Press release

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29 Feb 2024 | Press release

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27 Feb 2024 | Press release

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04 Mar 2024

  • BRITs 2024 (see News, Comment, Features, Showbiz)

  • Why don’t the BRITs value songwriters? (see Opinion)

  • The music industry’s over-reliance on TikTok shows how lazy it has become (see Comment)

01 Mar 2024

  • How could the Official Singles Chart be improved? (see Comment) 

  • Universal Music Publishing on TikTok: "Every indication is that they simply do not value your music" (see Comment)

29 Feb 2024

  • UMG/TikTok talks stumble over money, copyright and use of AI (see News)

  • ERA reports streaming and vinyl propels UK music business to new all-time high (see Reports)

28 Feb 2024

  • British pop is slowly dying and all hope now rests with one band (see Opinion)

  • Spotify paid out nearly $4.5bn to independent rights holders in 2023 (see Digital)

27 Feb 2024

  • A glimpse into post-entertainment society... it's not pretty (see Opinion)

  • TikTok claims UMG catalogue, including publishing, is ‘approximately 30% of popular music on our platform’ (see Digital)

26 Feb 2024

  • Grassroots events are going under. That’s bad news for our cultural ecosystem (see Features)

23 Feb 2024

  • Apple reveals new details about Spotify’s business as possible EU fine nears (see Digital)

  • MU: Government announces Equitable Remuneration Working Group dominated by labels (see News)

  • Jeff Smith talks about Radio 2's ongoing commitment to new music (see Media)

22 Feb 2024

  • Spotify launches in-house music advisory agency for brands (see Digital)

  • How K-Pop took over the global charts in 2023 (see Reports)

21 Feb 2024

  • Universal Music Group acquires minority stake in Chord Music Partners (see Business)

20 Feb 2024

  • Why labels need to redefine their purpose and refresh their measures of success (see Opinion)

  • IPO publishs its research findings into possible intervention models in streaming; BPI responds (see News)

  • Hipgnosis Songs Fund launches High Court claim against investment adviser and former CEO (see Business)