Symphonic Distribution Hires Stephen Nightingale to Lead A&R and Business in Canada 24 Apr 2024
Symphonic Distribution, a leading music technology and services company for independent labels, managers, and artists, has hired music industry veteran Stephen Nightingale as Vice President, A&R and Business Development, Canada. Reporting to Symphonic’s Chief Creative Officer, Randall Foster, Nightingale will bring his expertise from over 20 years in the industry to Symphonic, including most recently at BMG as Vice President Recorded Music, Canada. Based in Toronto, Nightingale will be responsible for expanding Symphonic's Canadian artist roster and negotiating new business partnerships with Canadian companies to grow Symphonic’s presence in the region.
Nightingale started his music industry career in 2002 as a marketing intern at BMG before moving to Marketing and Business Development at Universal Music Group. There, he worked on major releases from Maroon 5, Rise Against, Guns N’ Roses, Slash, and Alice In Chains, and was responsible for signing new deals with artists including Nine Inch Nails, The Smashing Pumpkins, The Pretty Reckless, Five Finger Death Punch, Felix Cartal, and The Prodigy. After nearly a decade at UMG, he moved into the independent music space, joining Cadence Music Group as Vice President of Business Development and launching their management division. In 2018, Steve co-founded the Canadian marketing and artist management agency ArtistHQ before being tapped to head up the Canadian division for BMG Rights Management in 2021. Over the next 2+ years, BMG Canada almost doubled their gross revenues under Nightingale’s leadership and created a brand new formidable domestic roster including Half Moon Run, Monster Truck, and Dragonette. Nightingale will report to Randall Foster, Chief Creative Officer.
“Expanding our presence in Canada has been something we have been working towards for the past few years at Symphonic. Stephen is the perfect person to lead the charge as we grow Symphonic’s Canadian presence,” said Randall Foster, Chief Creative Officer, Symphonic Distribution. “With all that he has accomplished in the last few years at BMG Canada, we know he will be instrumental in helping us bring new Canadian artists and business partners into the Symphonic family. I look forward to seeing how we grow under his leadership.”
“With Symphonic’s already impressive presence across the globe, I couldn’t be more excited to head up the Canada team,” said Nightingale. “Jorge and the team’s passion and track record for finding top independent talent and setting them up for success made this opportunity a no-brainer for me. I can’t wait to dive in and help Symphonic continue to grow in Canada.”
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THE HEADLINES
Are we still in the music business? When your POV is worth more than your mp3s (see Opinion)
Is rock’n’roll dead? (see Features)
Book extract: Body Of Work: How The Album Outplayed The Algorithm And Survived Playlist Culture (see Comment)
With MTV channels switching off, is the music video under threat? (see Features)
Spotify partnering with multinational music companies to develop ‘responsible’ AI products (see Digital)
Sam Fender wins 2025 Mercury Prize (see News)
Spotify working on ‘SongDNA’ feature that showcases the people behind tracks (see Digital)
How far should cultural boycotts go? (see Features)
How Subvert is building a co-op owned Bandcamp alternative (see Digital)
Lucian Grainge outlines UMG’s strategy for generative AI partnerships and product development (see News)
The future of music streaming: Change or be changed (see Comment)
Sam Altman: the man who stole the rights from copyright. If he’s the future, can we go backwards? (see Features)
Warner Music Group CEO Robert Kyncl discusses the company's “tremendous catalogue” (see Features)
There’s a £1 idea that could save small music venues. Is Live Nation holding it back? (see Features)
Breaking down the arguments around VMG’s Downtown Music acquisition (see Analysis)
Vevo report shows how fandom turns passion into impact and purchasing power (see Reports)
The music industry must plan for the day when AI music-generation tools produce humanlike music in bulk (see Features)