Scottish Alternative Music Awards (SAMA) announce 2020 winners 18 Nov 2020
The Scottish Alternative Music Awards (SAMA) recognise the best new Scottish music, annually shining a spotlight on an eclectic range of artists.
The 11th edition of the awards took place online on Wednesday 18 November. The virtual ceremony was streamed globally via Twitch, with viewers from across Europe and as far away as USA and Brazil. Radio presenter and DJ Jim Gellatly hosted the evening's proceedings alongside spoken word artist and theatre maker Leyla Josephine, with performances from Glasgow quintet Walt Disco and 2020 SAY Award winner Nova.
Following the three-day public ballot receiving over 10 000 votes, the 2020 SAMA winners are:
Best Acoustic sponsored by BTO BeCreative
Jenny Sturgeon
Singer-songwriter and multi-instrumentalist Jenny Sturgeon is known for her stunning presentation of evocative folk music doused in rich imagery and atmospheric charm. Her music has been featured on BBC Radio Scotland, Radio 3, Radio 6 Music, Radio 2, and Radio Nan Gaidheal. In 2018 she was nominated as Composer Of The Year at the Scots Trad Music Awards.
Best Electronic sponsored by citizenM hotels
and
Best Newcomer sponsored by The Academy of Music & Sound
TAAHLIAH
The first black trans artist to be nominated, and the first artist to ever be nominated and win in two categories in the same year, TAAHLIAH is a powerhouse performer whose foundations lie in the underground queer dance scene. As an artist, producer and DJ, she works within fluid and vivid electronic genres, creating art and music that is both captivating and politically charged.
Best Hip Hop sponsored by Help Musicians Scotland
India Rose
A rising star of the Scottish hip hop scene, Dundee's India Rose is only just getting started, having been recording and releasing music for two years. The young rapper grew up on the road and is inspired by her upbringing, travelling around Europe with her parents, before they settled in Scotland over a decade ago. Her music is composed of a heady mix of emotive vocals, a passionate lyrical identity and an infectious flow.
Best Live Act sponsored by Musicians Union
Callum Easter
Edinburgh musician Callum Easter has built up a strong reputation as one of the most eclectic and original singer-songwriters working in Scotland right now. With his gripping voice and matching minimalist allure, Callum has received plaudits from the likes of BBC 6 Music's Marc Riley and Gideon Coe and BBC Radio Scotland's Vic Galloway, with his debut album Here Or Nowhere recently shortlisted for the 2020 SAY Award.
Best Metal sponsored by Hard Rock Cafe Glasgow
Saor
Meaning 'free' in Scottish Gaelic, Saor create self-proclaimed Caledonian metal - an expressive blend of black metal, Celtic folk and traditional Scottish sounds. The band's founder Andy Marshall is accompanied by an ensemble of talented musicians who all contribute to providing the intensity behind Saor's powerful songs, as well as their gripping live performances.
Best Rock/Alternative sponsored by Rock Rose Gin
Fauves
Glasgow six-piece Fauves describe their sound as art funk, merging elements of indie, pop, R&B and electronica. They take their name and visual identity from the early 20th Century French art movement Fauvism, which is characterised by strong, vibrant colours and distinctive brushwork. With a similarly colourful, warm and inviting energy to their music, the group has already received radio play and press from around the world.
Run in partnership with Creative Scotland, Drygate Brewing, Help Musicians, Musicians' Union and more, the SAMA are a chance for the Scottish music community to come together to celebrate the strength of its talent.
TAAHLIAH, winner of the Best Newcomer and Best Electronic awards said: "I'm delighted to have won! Especially, winning twice. It is a real honour to be the first black trans artist to win, but I know and hope I will not be the last. It means a lot to be recognised so highly, so early on my career as an artist."
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THE HEADLINES
Has music reached peak fragmentation? (see Analysis)
How LA is rebuilding the music industry after the fires (see Features)
Ministers reconsider changes to UK copyright law ahead of vote (see News)
How Ticketmaster swallowed the live entertainment scene (see Features)
Spotify executive on why 'per-stream rate' is one of the most misleading metrics in music (see Opinion)
BPI responds to government’s proposed amendments to the Data Bill related to AI and copyright (see News)
‘AI and intellectual property — a pivotal moment for the UK’s creative industries’ (see Opinion)
BPI's new Yearbook reveals Country music's surging popularity (see News)
How Live Nation calls the tune for the live music industry (see Features)
How economic volatility will impact US labels’ fandom monetisation push (see Comment)
Spotify is said to be raising its subscription prices across Europe and Latin America (see Digital)
Culture Secretary to review the Music Export Growth Scheme (see News)
The music industry wants solutions. But do listeners see problems? (see Comment)
The next generation of independent music tastemakers (see Features)
BPI survey confirms music consumers believe human creativity is fundamental to music (see Reports)