Rajar Q1 2024 - editorial 17 May 2024
Now here's a stat to confound and bemuse all the naysayers who'll try to convince you that nobody listens to the radio anymore. Almost 50 million UK adults do every single week. That's the highest number ever recorded and represents 89% of the population. Ok, so it's also true that the population is bigger than it's ever been, but that top-line stat from the latest official RAJAR quarterly listening figures shows just how unwavering our love for radio is in this country, despite the ever-growing slew of other entertainment distractions we have at our disposal. The latest survey covers Q1 2024, taking us from New Year's Day through to Easter. And it's a broadly strong and stable picture throughout, with all the major players having a good news story to tell.
Firstly, can you hear that audible sigh of relief emanating from the eighth floor at New Broadcasting House in London? The ship has steadied at Radio 1, Radio 2 and 6 Music, and listener loyalty across all three stations remains solid. All three have faced choppy waters over the past 12 months, so bosses will be encouraged to see stability and even a few encouraging areas of growth, despite the constant challenges from the emboldened commercial radio sector.
Radio 2 remains the UK's biggest radio station and is still second only to Heart's network. R2's share of listening (in basic terms, how big is their chunk of the overall radio pie) has increased slightly to 13.7%. That growth can partly be attributed to the fact that their average listening hours (time spent solely with that station) are noticeably up by 24 minutes per week and now stand at 10 hours and 37 minutes. That figure is one of the highest in British radio, and it shows that people are liking what they hear, so keep coming back more often, and for longer. There's another interesting stat showing that 6 million of their 13.2m listeners don't listen to any other station, even though the choice and variety on offer elsewhere has never been greater. Breaking down that 13.2m by age demographic, they hit 4.28m people aged 35-54 each week, with the older 55+ core now sitting at 6.8m. But it's also noteworthy that there are 870k people aged 15-25 opting for Radio 2 every week, which is 7% of the station's total audience, despite being the same crowd that Radio 1 are still keen to attract.
Radio 1 itself has seen its weekly reach fall to 7.31m, but that's a fractional drop of just 20k listeners, meaning their overall share stays the same at 4.5%. What's interesting though is that both Bauer and Global's PR have used Radio 1 to compare the performance of their respective Greatest Hits Radio and Heart brands, where they're ahead in terms of overall listener numbers, rather than using Radio 2, where they're still way behind, even though the audience they're chasing for advertisers on both commercial stations is completely different to the one the BBC's youth service has. When it comes to press release spin, those big banner headline-grabbing stats are always out in full effect. Which means that GHR are trumpeting that they've overtaken Radio 1. That much is true, but it's hardly likely that they've taken any significant dent out of R1's numbers, and their GHR network growth continues to come mostly from their rebranded landgrab of local stations that used to be called something else.
Back in the day, breakfast was the real battleground for listeners, and although it remains an important part of any stations schedule, aiming to lock listeners in for hours on end, habits seemed to significantly change during the Covid lockdowns beginning in 2020. At that time, we were stuck at home, getting up later, and starting our daily radio listening later in the morning. That trend continues with mid-morning shows now scooping up big audiences across the board. Ken Bruce's move to GHR from R2 just over a year ago was hugely disruptive and significantly changed the landscape, with R2 losing a sizeable chunk of their older demographic in the process, and GHR seeing significant gains. The news that Ken's increased the audience in that 10am-1pm slot by 73% in the last 12 months and stuck on an extra 1.6m listeners isn't the whole story, of course, even though it's one that creates an attention- grabbing headline for the press to latch onto. As mentioned earlier, you can't fully extrapolate how much of that rise has entirely come from his move and how much had been driven by GHR simply increasing that transmission footprint. We won't know that kind of figure for another six months now that Bauer's pretty much run out of established local stations that they can still under that brand umbrella. And remember, Ken's replacement, Vernon Kay at Radio 2, still has the biggest show on UK radio overall, with almost 3 million more listeners than Ken each week. If you want to be even more brutal, Ken himself has more than 4.5 fewer listeners now that he used to have at R2. That's a story that rarely gets reported amongst all the hype surrounding the move, funnily enough.
The gulf between commercial radio and the BBC overall has widened even further. Almost 40m of us listen to a commercial station for at least 15 minutes each week. Compare that to the 31.3m for the Beeb, and it means the gap of 8.4m is bigger than it's ever been. Time spent with either side remains more than 14 hours each, with the BBC up ever so slightly this quarter. Also of note, there are new highs from DAB listening (almost 62% of the population), and smart speaker listening (almost 15m people), plus a new low for traditional AM/FM analogue services. Absolute Radio has swapped places with KISSTORY (both Bauer brands) to become the UK's no.1 digital commercial station, while 6 Music consolidates its place as the no.1 digital music station overall on 2.548m, up 1% on the last quarter. The much-talked-about Boom Radio saw its first dip in its audience to 602k, down 4% on the last quarter and 5% on the year. However, with 11.8 average hours per listener, that's almost an hour and half longer than Radio 2, and it gives them the highest number for any UK music station, bar none. Now that's loyalty.
Briefly rounding up some of the other big names, Global's Heart network has their best-ever reach with 9.4m, their Capital network rose to 6.2m and their Smooth network hit 5.8m. Bauer's Magic was on 4.4m and Kiss was on 2.3m. Virgin was up on the last quarter, now with 1.5m weekly listeners, but that's still behind Radio X which jumped to 2.1m.
There's no question that there's something for everyone out there, and that's without looking at the huge selection of speech, sport, news and talk services, all of which should see some significant upswings over the next six months with the looming UK General Election, US Presidential campaigns, plus the Olympics and Euro footy tournament all imminent.
We await details of the new BBC spin-off services to compliment Radio 1, 2 and 3, all of which are expected to launch on BBC Sounds later this autumn, before a possible full DAB rollout soon after that if all goes according to plan. All of which means that the UK radio landscape remains fluid and ever-changing. Things rarely stay static for long, and there are disruptors lurking around every corner. But although the growth of podcasts and music streaming services has pulled us in their direction, we as a nation collectively keep coming back to live radio, week in and week out. The resilience of the medium remains extraordinary. See you back here on 1 August for the next set of results.
NEWS & PRESS
Nile Rodgers honoured with Outstanding Achievement Award at 65th MPA Christmas lunch
Iconic CHIC co-founder and global hitmaker recognised for five decades of musical innovation as the MPA celebrates a Disco-themed 2025 Christmas Lunch The Music Publishers Association (MPA) today presented the legendary Nile Rodgers with its prestigious Outstanding Lifetime Achievement Award for Songwriting &...more
FAC & Amazon Music offer a step up boost to five more UK artists
Gigi Moss, lleo, Maya Lane, Nia Wyn and Richard Carter will all receive three days of studio time at The Breakthrough Lab - the bespoke, state-of-the-art production facility operated by Amazon Music and Metropolis Studios This expansion of Step Up Fund...more
‘You could go for years without knowing you can earn a penny’: Kojey Radical on songwriter royalties
Exclusive recording of 101 Part Time Jobs podcast with BRIT, Ivor Novello and Mercury Prize-nominated Kojey Radical out now. The launch of the Livelihood campaign from PRS for Music highlights the crucial need for greater education around live performance royalties. An...more
Over 137,000 Hate Crimes in England and Wales Last Year - Ask For Clive Leads the Charge Against Hate and Builds Inclusive Nightlife Spaces
Hate crime isn’t just a statistic, it’s a harsh reality affecting thousands daily. Over 137,000 hate crimes were recorded in England and Wales last year, though the true figure is closer to 176,000. Marginalised communities, including LGBTQ+ people and disabled...more
rekordbox for iOS/Android now supports SpotifyDJ on mobile devices – rekordbox for Mac/Windows supported
AlphaTheta announces that its DJ application rekordbox for iOS/Android is now compatible with Spotify. Spotify is the world’s most popular audio streaming subscription service, offering over 100 million tracks and billions of playlists. With this update, in addition to rekordbox for...more
Rebecca Allen promoted to Chief Artist and Strategy Officer at Universal Music Group UK
ALLEN TAKES ON BRAND NEW LEADERSHIP ROLE FOLLOWING SUCCESS AT THE HELM OF EMI, DECCA, AND UMG UK’S AUDIENCE, MEDIA & STRATEGY DIVISION Universal Music Group UK (UMG UK), the UK’s leading music company, has today announced the promotion of Rebecca...more
Ticket Fairy announces deal to provide millions in funding for promoters worldwide
Ticket Fairy expands global financing, unlocking funding of up to £5M in the UK, €3M across Europe and $3M in the US, for venues, festivals and events promoters Ticket Fairy has announced a significant expansion of its global financing capabilities that...more
Warner Chappell unifies music publishing and production music sync teams under Rich Robinson
Well respected creative leader also adds Audio Asset team to remit Warner Chappell Music (WCM) today announced it has unified its global sync operations, bringing its frontline, catalog, and now Production Music sync teams together under Rich Robinson, EVP, Global Synchronization and...more
MIT Climate Machine with support from Coldplay, Warner Music Group, Live Nation, and Hope Solutions release first ever total emissions of live music in US and UK
Findings from over 80,000 shows across the U.K. and U.S. provide a foundation to decarbonize the future of live entertainment Click HERE for the full report The Massachusetts Institute of Technology’s Climate Machine (formerly part of the MIT Environmental Solutions Initiative) with support from Coldplay,...more
2025 Through Music Video: Sabrina Carpenter’s “Manchild” Was the Biggest U.K. Premiere on Vevo
Skye Newman and Olivia Dean were also among the chart newcomers in the UK on Vevo A first for K-Pop, JENNIE’s “like JENNIE” was the most watched premiere on Vevo globally UK fans rewatch “Die With a Smile”, “BIRDS OF A FEATHER”,...more
It's Beginning to Sound A Lot Like Last Year - new analysis finds Christmas music is on repeat
New study finds 63% of the songs in the 2024 Christmas Top 40 were exactly the same as the year before In contrast no songs were repeated in any of the Christmas Top 40s between 2000 and 2005 Fairytale of New York has...more
Music Studios Business Rates
The Rt Hon Rachel Reeves 11 Downing Street London SW1A 2AA Dear Chancellor, 7 December 2025 As you are doubtless aware, the United Kingdom is famous for its music industry, and part of that is being home to the finest recording studios in the...more
Chancellor's budget sparks alarm as nightlife businesses say Treasury modelling fails reality, new flash poll shows
The lights are dimming on Britain’s night-time economy. From buzzing pubs to packed music venues, local businesses are sounding the alarm after a new flash survey of 345 night-time economy businesses revealed that the Chancellor’s latest Budget will hit them...more
Producer/musician/multi-instrumentalist Terrace Martin signs worldwide publishing deal with Peermusic
Global independent music publishing company, Peermusic, has signed producer, musician, and multi-instrumentalist Terrace Martin to a worldwide publishing administration deal as announced today by Jamie Cerreta, President U.S. and Canada, Peermusic and Tuff Morgan, Vice President of A&R, Peermusic. Through the deal, Peermusic will also represent Terrace Martin...more
Drowned in Sound Announces Partnership with Qobuz
25 year old music publication and ethical streaming platform partner to support mission-driven journalism and music discovery Drowned in Sound, the independent music publication, podcast and online community, has today announced a new partnership with Qobuz, the independently-owned high-quality music streaming...more
Saudi Arabia’s EIF and Legends Global score big joint venture announcement
Saudi Arabia’s Event Investment Fund (EIF) and Legends Global have announced a joint venture to support the Kingdom’s vision and investment in its fast-growing venue industry. This partnership will become the venue operator for venue projects within the Kingdom of Saudi...more
Angry Mob Music Signs Foreign Sub-Publishing Agreement With D-Version Music Publishing in Greece
Angry Mob Music, an independent music publisher boldly serving songwriters, composers, artists, and creatives, has signed a new sub-publishing agreement with D-Version Music Publishing to represent their catalog in Greece, bringing the Angry Mob Music catalog to the Greek market for...more
Universal Music Group announces new UMusic shops in New York and London
Today, Universal Music Group (UMG), the world-leader in music-based entertainment has announced the launch of two UMusic Shop locations in New York and London, dedicated to reimagining the fan experience. Each UMusic Shop offers exclusive custom collections and pieces inspired by UMG's iconic artists,...more
Jeff Sosnow named President of Reprise Records
Widely admired exec takes on new role alongside his post as EVP of A&R for Warner Records Warner Records Group today announced that Jeff Sosnow has been promoted to President, Reprise Records, in addition to continuing in his role as EVP...more
Openstage Puts Artists in Control of Fan Relationships by Uniting Once Fragmented Data
Artists struggle with one basic issue: Control. They don't know who their fans are. Even with large followings, most artists struggle to identify real fans, understand who is engaged, or build relationships over time. Fan information is scattered across ticketing platforms,...more
Seventeen live music sector organisations sign open letter to UK Prime Minister calling for urgent review of Business Rates
Dear Prime Minister, We are writing on behalf of the live events sector to urge you to review the devastating, unintended consequences for live venues of changes announced to the Business Rates system at the Budget. The combined impact of disproportionate, inappropriate,...more
Sony Music Publishing Signs Global Deal with BigXthaPlug
Sony Music Publishing today announced it has signed a global publishing deal with award-winning, multi-platinum selling breakout star BigXthaPlug. BigXthaPlug, aka Xavier Landum, has quickly established himself as one of music’s most powerful new storytellers. With an unmistakable sound that delves into...more
The Live Awards 2025 - Winners announced
The LIVE Awards 2025, which took place in association with Skiddle at The Troxy, in East London, on the evening of Wednesday 10th December, has published its full list of winners. Attended by over 500 guests including promoters, venues, agents, festivals,...more
IMPF Key Principles for CMO Licensing Models for Generative AI
Generative AI is rewriting the rules of the music ecosystem, at speed and scale we have never seen before. For independent publishers and the songwriters and composers they represent, this shift brings both opportunity and profound risk. At the core...more
beatBread Surpasses $100 Million in Deal Funding as Company Marks its Fifth Anniversary
1700 Deals Representing 67 Billion Streams Funded,With Platform Expanding To 42 Countries beatBread, a leader in funding for independent labels and musicians, today announced a series of major milestones that underscore its accelerating global scale and industry impact as it celebrates...more
BDi Music signs exclusive worldwide publishing deal with artist, producer and topliner Jack Critchlow
Critchlow has had significant support at radio at DSPs. BDi Music has signed emerging artist, producer and topliner Jack Critchlow to an exclusive worldwide publishing deal. Hailing from the North of England, 22-year-old Critchlow is one of the most exciting upcoming acts...more
Bucks Music Group appoints Rick Lansdell as COO alongside key promotions
Flash Taylor, James Paterson, Rhiannon Bramley, Maria McDonald, Sevana Mehrunnesa and Andrea Loizidou all step up at independent publisher. Bucks Music Group has announced the appointment of Rick Lansdell as the company’s Chief Operating Officer, as well as a number of...more
Tyler West and Chloe Burrows announced for KISS Breakfast Show
KISS have announced that Tyler West will be the new host of the KISS Breakfast Show. However, he won’t be alone as podcaster and TV personality, Chloe Burrows, will be joining KISS as his co-presenter. Tyler and Chloe will be taking over KISS Breakfast when,...more
Live Music Company DHP Family Brings Two Senior Women To The Board
Two senior colleagues have joined the board of DHP Family, the live music company behind a host of iconic live music venues, award-winning festivals and a thriving concerts business. Julie Tippins becomes a non-executive director as she steps away from the...more
Music League and Roxxem Win Music Tectonics’ 2025 Swimming with Narwhals Startup Competition
Music Tectonics is here to shout about the winners of its annual Swimming with Narwhals competition for innovative startups in music tech. These winners show how music is everywhere, shifting the status quo of media, tech, and entertainment. This year, two...more
THE HEADLINES
Music discovery: More channels, more problems (see Reports)
The 10 biggest AI music stories of 2025 (see Features)
Do pop stars write their own hits—and if not, who does? (see Analysis)
TikTok unveils its Year in Music Report (see Digital)
Coldplay, U2, Ed Sheeran named most popular touring artists of the millennium (see News)
King Gizzard, having pulled music from Spotify in protest, find genAI clones on the platform (see Digital)
UK parliamentarians join call to regulate most powerful AI systems (see News)
Martin Mills is trying to thwart a record industry takeover by Universal (see Features)
IMPF says members should reject AI deals that do not value songs properly (see News)
Which songs do we replay the most? (see Analysis)
Spotify Wrapped 2025 goes live (see Digital)
Daddy Yankee files lawsuit against former manager and third parties for alleged royalty scheme (see News)
EU touring: Impact of Brexit worsening, says UK Music report (see Reports)
ORCA released a report analysing the economic investments and social impact of nine leading independent record labels (see Reports)
Jorja Smith’s label requests share of royalties from ‘AI-cloned’ song (see News)
