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Now here's a stat to confound and bemuse all the naysayers who'll try to convince you that nobody listens to the radio anymore. Almost 50 million UK adults do every single week. That's the highest number ever recorded and represents 89% of the population. Ok, so it's also true that the population is bigger than it's ever been, but that top-line stat from the latest official RAJAR quarterly listening figures shows just how unwavering our love for radio is in this country, despite the ever-growing slew of other entertainment distractions we have at our disposal. The latest survey covers Q1 2024, taking us from New Year's Day through to Easter. And it's a broadly strong and stable picture throughout, with all the major players having a good news story to tell. 

Firstly, can you hear that audible sigh of relief emanating from the eighth floor at New Broadcasting House in London? The ship has steadied at Radio 1, Radio 2 and 6 Music, and listener loyalty across all three stations remains solid. All three have faced choppy waters over the past 12 months, so bosses will be encouraged to see stability and even a few encouraging areas of growth, despite the constant challenges from the emboldened commercial radio sector.

Radio 2 remains the UK's biggest radio station and is still second only to Heart's network. R2's share of listening (in basic terms, how big is their chunk of the overall radio pie) has increased slightly to 13.7%. That growth can partly be attributed to the fact that their average listening hours (time spent solely with that station) are noticeably up by 24 minutes per week and now stand at 10 hours and 37 minutes. That figure is one of the highest in British radio, and it shows that people are liking what they hear, so keep coming back more often, and for longer. There's another interesting stat showing that 6 million of their 13.2m listeners don't listen to any other station, even though the choice and variety on offer elsewhere has never been greater. Breaking down that 13.2m by age demographic, they hit 4.28m people aged 35-54 each week, with the older 55+ core now sitting at 6.8m. But it's also noteworthy that there are 870k people aged 15-25 opting for Radio 2 every week, which is 7% of the station's total audience, despite being the same crowd that Radio 1 are still keen to attract.

Radio 1 itself has seen its weekly reach fall to 7.31m, but that's a fractional drop of just 20k listeners, meaning their overall share stays the same at 4.5%. What's interesting though is that both Bauer and Global's PR have used Radio 1 to compare the performance of their respective Greatest Hits Radio and Heart brands, where they're ahead in terms of overall listener numbers, rather than using Radio 2, where they're still way behind, even though the audience they're chasing for advertisers on both commercial stations is completely different to the one the BBC's youth service has. When it comes to press release spin, those big banner headline-grabbing stats are always out in full effect. Which means that GHR are trumpeting that they've overtaken Radio 1. That much is true, but it's hardly likely that they've taken any significant dent out of R1's numbers, and their GHR network growth continues to come mostly from their rebranded landgrab of local stations that used to be called something else. 

Back in the day, breakfast was the real battleground for listeners, and although it remains an important part of any stations schedule, aiming to lock listeners in for hours on end, habits seemed to significantly change during the Covid lockdowns beginning in 2020. At that time, we were stuck at home, getting up later, and starting our daily radio listening later in the morning. That trend continues with mid-morning shows now scooping up big audiences across the board. Ken Bruce's move to GHR from R2 just over a year ago was hugely disruptive and significantly changed the landscape, with R2 losing a sizeable chunk of their older demographic in the process, and GHR seeing significant gains. The news that Ken's increased the audience in that 10am-1pm slot by 73% in the last 12 months and stuck on an extra 1.6m listeners isn't the whole story, of course, even though it's one that creates an attention- grabbing headline for the press to latch onto. As mentioned earlier, you can't fully extrapolate how much of that rise has entirely come from his move and how much had been driven by GHR simply increasing that transmission footprint. We won't know that kind of figure for another six months now that Bauer's pretty much run out of established local stations that they can still under that brand umbrella. And remember, Ken's replacement, Vernon Kay at Radio 2, still has the biggest show on UK radio overall, with almost 3 million more listeners than Ken each week. If you want to be even more brutal, Ken himself has more than 4.5 fewer listeners now that he used to have at R2. That's a story that rarely gets reported amongst all the hype surrounding the move, funnily enough.  

The gulf between commercial radio and the BBC overall has widened even further. Almost 40m of us listen to a commercial station for at least 15 minutes each week. Compare that to the 31.3m for the Beeb, and it means the gap of 8.4m is bigger than it's ever been. Time spent with either side remains more than 14 hours each, with the BBC up ever so slightly this quarter. Also of note, there are new highs from DAB listening (almost 62% of the population), and smart speaker listening (almost 15m people), plus a new low for traditional AM/FM analogue services. Absolute Radio has swapped places with KISSTORY (both Bauer brands) to become the UK's no.1 digital commercial station, while 6 Music consolidates its place as the no.1 digital music station overall on 2.548m, up 1% on the last quarter. The much-talked-about Boom Radio saw its first dip in its audience to 602k, down 4% on the last quarter and 5% on the year. However, with 11.8 average hours per listener, that's almost an hour and half longer than Radio 2, and it gives them the highest number for any UK music station, bar none. Now that's loyalty. 

Briefly rounding up some of the other big names, Global's Heart network has their best-ever reach with 9.4m, their Capital network rose to 6.2m and their Smooth network hit 5.8m. Bauer's Magic was on 4.4m and Kiss was on 2.3m. Virgin was up on the last quarter, now with 1.5m weekly listeners, but that's still behind Radio X which jumped to 2.1m.

There's no question that there's something for everyone out there, and that's without looking at the huge selection of speech, sport, news and talk services, all of which should see some significant upswings over the next six months with the looming UK General Election, US Presidential campaigns, plus the Olympics and Euro footy tournament all imminent. 

We await details of the new BBC spin-off services to compliment Radio 1, 2 and 3, all of which are expected to launch on BBC Sounds later this autumn, before a possible full DAB rollout soon after that if all goes according to plan. All of which means that the UK radio landscape remains fluid and ever-changing. Things rarely stay static for long, and there are disruptors lurking around every corner. But although the growth of podcasts and music streaming services has pulled us in their direction, we as a nation collectively keep coming back to live radio, week in and week out. The resilience of the medium remains extraordinary. See you back here on 1 August for the next set of results. 

 

31 Oct 2025 | Press release

UK Music Video Awards 2025 winners announced

FKA TWIGS WINS BEST POP & BEST ALTERNATIVE VIDEO A$AP ROCKY’S ‘TAILOR SWIF’ NAMED VIDEO OF THE YEAROK GO’S DAMIAN KULASH ACCEPTS ICON AWARD, GABRIEL MOSES WINS BEST DIRECTOR, LUNA CARMOON NAMED BEST NEW DIRECTOR FKA twigs and A$AP Rocky were the...more

31 Oct 2025 | Press release

Downtown Artist & Label Services Expands in Brazilian Phonk with Major Label Renewals and Viral Wins

Follows long-term renewal deals with Enarma Records and Polaris Records as well as the viral success of tracks from DJ FNK, TRXVELER, and DJ ANXVAR. Downtown Artist & Label Services (DA&LS) has deepened its commitment to the fast-growing Brazilian Phonk and...more

31 Oct 2025 | Press release

Songpact Announces India Launch: Bringing Fast, Transparent and Accessible Music Contracts to Creators

India’s music industry is having its global moment. Streaming has reshaped listening habits, Indian artists are finding audiences far beyond their home borders, and the country is now one of the world’s fastest-growing music markets - with more than 185...more

31 Oct 2025 | Press release

BRIT Awards 2026: Stacey Tang announced as BRITs Committee Chair

New era for UK's biggest night in music as ceremony moves to Manchester BRITs Committee Chair announced as Stacey Tang Creative team for 2026 show revealed Awards categories & criteria evolve for 2026 Ceremony to take place at Co-op Live on Saturday 28th February     Following the...more

31 Oct 2025 | Press release

Universal Music Group and Stability AI announce strategic alliance to co-develop professional AI music creation tools

  Universal Music Group (UMG), the world leader in music-based entertainment and Stability AI, the leading independent multi-modal generative AI company, today announced a strategic alliance to develop next-generation professional music creation tools, powered by responsibly trained generative AI and built...more

31 Oct 2025 | Press release

Applications now open for Manchester’s £245,000 Grassroots Music Venue Fund

Manchester sets a new national benchmark for local cultural leadership Music Venue Trust call on other councils to actApplications for grants open on Tuesday 28 October   Manchester City Council’s £245,000 discretionary fund to support the city’s Grassroots Music Venues is now...more

31 Oct 2025 | Press release

Sony Music Publishing Invests in Elements Music & Launches Creative Partnership

Collaboration marks significant milestone for the Finnish music industry Sony Music Publishing (“SMP”) today announced it has acquired a significant stake in the Finnish company Elements Music, as well as the company’s music publishing catalog of approximately 10,000 works. Additionally, the parties have established a...more

31 Oct 2025 | Press release

SourceAudio Promotes Weston McGowen to Global Head of Catalog Services

  SourceAudio, the music industry’s most widely adopted sync platform and a leader in AI music dataset licensing, has promoted Weston McGowen to Global Head of Catalog Services. He is based in New Orleans and will report to SourceAudio Co-Founder & CEO Andrew...more

31 Oct 2025 | Press release

The IMPF Global Music Summit receives honour at the AUPA! Awards

The Summit recently finished its fourth edition, attracting 650 executives from around the world.   The IMPF Global Music Summit Palma has been honoured at AUPA! Awards in Bilbao, Spain.  The AUPA! Awards are the closing highlight of BIME Bilbao (Bizkaia International Music...more

31 Oct 2025 | Press release

Beatport and Youth Music Join Forces to Empower Young Electronic Music Creators

Beatport is proud to announce a new partnership with Youth Music, building on the success of Beatport's Diversity + Parity Fund and Youth Music's ‘Rescue the Roots’ campaign. Together, the two organisations are collaborating to support grassroots electronic music projects...more

31 Oct 2025 | Press release

Dan Rosen to lead Warner Music Australasia & Southeast Asia

Unified approach creates bigger opportunities for artists in a region of over 550 million people   Dan Rosen has been appointed to lead Warner Music Group's recorded music businesses in Southeast Asia - Indonesia, Malaysia, Philippines, Singapore, Thailand and Vietnam - as...more

31 Oct 2025 | Press release

Music Streaming Services Call On National Assembly of Québec For "Cultural Sovereignty with Listener Choice" Over Bill 109

DIMA – the Digital Media Association – representing Canada's leading music services including Amazon, Apple Music, Spotify and YouTube, yesterday (October 29th) submitted evidence to the National Assembly of Québec's special consultation on Bill 109. The bill seeks to affirm the cultural sovereignty of Québec by...more

31 Oct 2025 | Press release

Impala elects new executive board in Zagreb, holds first European independent music summit

IMPALA elected a new board and set its priorities for the next two years at its Annual General Meeting (AGM) in Zagreb this week. The meeting was hosted as part of RUNDA Digital Day, RUNDA Adria's annual conference supported by Merlin, which was represented by Shrina Patel, Merlin's Senior Director of Business Affairs and...more

31 Oct 2025 | Press release

Universal Music Group N.V. Reports Financial Results for the Third Quarter and Nine Months Ended September 30, 2025

  Summary Q3 2025 Results Revenue of €3,021 million increased 5.3% year-over-year, or 10.2% in constant currency, with growth in all segments. Recorded Music revenue grew 3.6% year-over-year, or 8.3% in constant currency, Music Publishing revenue grew 8.6% year-over-year, or 13.6% in constant...more

30 Oct 2025 | Press release

Anti Social Camp UK schedule reveal — pinkpantheress, glass animals, nathan sykes headline free major uk music festival next week

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30 Oct 2025 | Press release

SAY Award prizes made of repurposed skateboard decks unveiled with 1 week to go

With just one week to go until The Scottish Album of the Year (SAY) Award announces 2025's winner, Scotland's national music prize has revealed a first look at this year's prizes – handcrafted by local Dundee makers No Comply, and made completely from...more

30 Oct 2025 | Press release

Warner Music Italy Launches Warner Records Italy and Atlantic Records Italy

Eleonora Rubini elevated to Label Director, Warner Records Italy; Marco Masoli upped to Label Director, Atlantic Records Italy  ADA Italy moves under the leadership of Renato Tanchis   Warner Music (WM) Italy announces that it’s evolving the structure of the company on its...more

30 Oct 2025 | Press release

Bandsintown launches marketplace with 30+ partners to help independent artists reach billions of fans and own their data

Bandsintown now connects its 700,000 independent artists with music distribution, CRM tools, and marketing partners like CD Baby, Community, Groover, Musixmatch, ROSTR, TuneCore — expanding on existing integrations like Google, Linktree, Shazam, Shopify, Spotify, Squarespace, and YouTube   Trusted by 100 million...more

30 Oct 2025 | Press release

Universal Music Group and Udio announce Udio's first strategic agreements for new licensed AI music creation platform

Companies settle copyright infringement litigation and collaborate on groundbreaking new creative product suite  Universal Music Group (UMG), the world leader in music-based entertainment, and Udio, an AI-powered music creation platform, today announced industry-first strategic agreements, under which the companies settled copyright...more

29 Oct 2025 | Press release

War Child’s ‘Day of the Girl’ Concert Series Raises Over £40,000 to Support Girls and Women Affected by Conflict

Through Intimate Live Shows Featuring English Teacher, girli & Katy J Pearson   War Child UK is proud to announce that this year’s Day of the Girl concert series has raised over £40,000 to support girls and women living in conflict zones around the...more

29 Oct 2025 | Press release

My future as an amateur football club coach by Nuno Suraiva, founder, SCL-Lusitanian Label Group

Featured in Complete Music Update. Nuno Saraiva has had a 30 year career in the music industry as an artist, songwriter, music publisher, record label, consultant, music exporter and project manager. He is founder of the SCL-Lusitanian Label Group in Portugal, and...more

29 Oct 2025 | Press release

MIME Conference 2025 unites music leader to bridge the gap between education and industry

As the UK prepares to launch its new National Centre for Arts and Music Education, the Music Industry + Music Education (MIME) Conference will explore music policy and accreditation, plus resources and opportunities for the next generation of music professionals.   Leading figures...more

29 Oct 2025 | Press release

ASCAP, BMI and SOCAN Announce Alignment on AI Registration Policies

The Three Major North American PROs will now accept registrations of partially AI-generated musical works   ASCAP, BMI and SOCAN today announced they have each adopted policies to accept registrations of musical compositions partially generated using artificial intelligence (AI) tools. These works...more

29 Oct 2025 | Press release

Karma Artists Continues to Make Waves in Asia

Writer/Producer Collaborations, Writing Camps and Cultural Exchanges Fueling ‘Extraordinary’ K-pop Success Karma Artists, the London-based independent music company, is celebrating a number of successful creative projects alongside a slate of future activities, which will see it further engage with the fast-growing...more

29 Oct 2025 | Press release

Warner Chappell Music sign rising Portuguese star Maninho

  Warner Chappell Music (WCM), the global music publishing arm of Warner Music Group (WMG), has signed Maninho - one of Portugal’s most in-demand and highly-respected talents.  The singer-songwriter, who also has a record deal with Warner Music Portugal, exploded onto the...more

29 Oct 2025 | Press release

EXIT announces 2026 Global Tour following Government pressure in Serbia - first destinations revealed

 EXIT will tour through Egypt, India, Malta, Croatia, Macedonia and Serbia as part of 'The First Chapter' EXIT, one of the world's leading music festivals, is entering a new chapter in its history. After announcing that it will not be held...more

29 Oct 2025 | Press release

NME’s The Cover 2024-2025: A premium coffee table book spotlighting Kneecap, Lola Young and other breakthrough artists

  NME, the globally renowned music and pop culture brand, announces The Cover 2024–2025, a premium coffee table book celebrating the most exciting emerging artists of the year. The second edition to the annually released collection is a boldly designed hardback featuring bespoke...more

29 Oct 2025 | Press release

UK Music Introduces 'Five Ps' Guide to Boost Diversity and Inclusion Across the Music Industry

  UK Music has introduced its ground-breaking Five Ps guide to bring about enduring change and positive outcomes for diversity and inclusion across the music industry.The Five Ps is a practical guide that follows widespread consultation right across the sector. It maps out five...more

28 Oct 2025 | Press release

Reservoir and PopArabia grow MENA cagalogue with two new acquistions

Reservoir Media, Inc. (NASDAQ: RSVR), an award-winning independent music company, in conjunction with PopArabia, the leading music publisher and independent music company in the Middle East and North Africa (MENA), announced two new acquisitons to expand the Companies’ share of...more

28 Oct 2025 | Press release

LIVE Awards 2025 - Finalists Announced

The annual LIVE Awards, which will take place in association with Skiddle on Wednesday 10th December at Troxy in East London, has announced its category finalists for 2025. Chosen by a panel of industry experts the shortlists cover all sectors of...more

31 Oct 2025

  • Universal Music Group and Stability AI announce strategic alliance to co-develop professional AI music creation tools (see News)

30 Oct 2025

  • UMG and Udio settle lawsuit; announce agreement for new licensed AI music creation platform (see News)

  • The last days of Utopia (see News)

29 Oct 2025

  • UK Music introduces 'Five Ps' guide to boost diversity and inclusion across the music industry (see News)

28 Oct 2025

  • Reservoir Media: A hidden gem? (see Features)

  • The music industry remains divided on generative AI. Where will that leave us? (see Comment)

27 Oct 2025

  • How fan power is reshaping pop (see Features)

24 Oct 2025

  • The “forever” stakes of generative AI ownership (see Comment)

23 Oct 2025

  • Lyor Cohen: AI won’t replace artists — it will make them unstoppable (see Opinion)

22 Oct 2025

  • Omdia tips music publishers’ revenues to hit $10bn this year (see Reports)

  • Unit1 Studio launches offering potential for immersive avatar concerts through lower production costs (see Digital)

21 Oct 2025

  • Are we still in the music business? When your POV is worth more than your mp3s (see Opinion)

20 Oct 2025

  • Is rock’n’roll dead? (see Features)

  • Book extract: Body Of Work: How The Album Outplayed The Algorithm And Survived Playlist Culture (see Comment)

  • With MTV channels switching off, is the music video under threat? (see Features)