Rajar Q1 2024 - editorial 17 May 2024
Now here's a stat to confound and bemuse all the naysayers who'll try to convince you that nobody listens to the radio anymore. Almost 50 million UK adults do every single week. That's the highest number ever recorded and represents 89% of the population. Ok, so it's also true that the population is bigger than it's ever been, but that top-line stat from the latest official RAJAR quarterly listening figures shows just how unwavering our love for radio is in this country, despite the ever-growing slew of other entertainment distractions we have at our disposal. The latest survey covers Q1 2024, taking us from New Year's Day through to Easter. And it's a broadly strong and stable picture throughout, with all the major players having a good news story to tell.
Firstly, can you hear that audible sigh of relief emanating from the eighth floor at New Broadcasting House in London? The ship has steadied at Radio 1, Radio 2 and 6 Music, and listener loyalty across all three stations remains solid. All three have faced choppy waters over the past 12 months, so bosses will be encouraged to see stability and even a few encouraging areas of growth, despite the constant challenges from the emboldened commercial radio sector.
Radio 2 remains the UK's biggest radio station and is still second only to Heart's network. R2's share of listening (in basic terms, how big is their chunk of the overall radio pie) has increased slightly to 13.7%. That growth can partly be attributed to the fact that their average listening hours (time spent solely with that station) are noticeably up by 24 minutes per week and now stand at 10 hours and 37 minutes. That figure is one of the highest in British radio, and it shows that people are liking what they hear, so keep coming back more often, and for longer. There's another interesting stat showing that 6 million of their 13.2m listeners don't listen to any other station, even though the choice and variety on offer elsewhere has never been greater. Breaking down that 13.2m by age demographic, they hit 4.28m people aged 35-54 each week, with the older 55+ core now sitting at 6.8m. But it's also noteworthy that there are 870k people aged 15-25 opting for Radio 2 every week, which is 7% of the station's total audience, despite being the same crowd that Radio 1 are still keen to attract.
Radio 1 itself has seen its weekly reach fall to 7.31m, but that's a fractional drop of just 20k listeners, meaning their overall share stays the same at 4.5%. What's interesting though is that both Bauer and Global's PR have used Radio 1 to compare the performance of their respective Greatest Hits Radio and Heart brands, where they're ahead in terms of overall listener numbers, rather than using Radio 2, where they're still way behind, even though the audience they're chasing for advertisers on both commercial stations is completely different to the one the BBC's youth service has. When it comes to press release spin, those big banner headline-grabbing stats are always out in full effect. Which means that GHR are trumpeting that they've overtaken Radio 1. That much is true, but it's hardly likely that they've taken any significant dent out of R1's numbers, and their GHR network growth continues to come mostly from their rebranded landgrab of local stations that used to be called something else.
Back in the day, breakfast was the real battleground for listeners, and although it remains an important part of any stations schedule, aiming to lock listeners in for hours on end, habits seemed to significantly change during the Covid lockdowns beginning in 2020. At that time, we were stuck at home, getting up later, and starting our daily radio listening later in the morning. That trend continues with mid-morning shows now scooping up big audiences across the board. Ken Bruce's move to GHR from R2 just over a year ago was hugely disruptive and significantly changed the landscape, with R2 losing a sizeable chunk of their older demographic in the process, and GHR seeing significant gains. The news that Ken's increased the audience in that 10am-1pm slot by 73% in the last 12 months and stuck on an extra 1.6m listeners isn't the whole story, of course, even though it's one that creates an attention- grabbing headline for the press to latch onto. As mentioned earlier, you can't fully extrapolate how much of that rise has entirely come from his move and how much had been driven by GHR simply increasing that transmission footprint. We won't know that kind of figure for another six months now that Bauer's pretty much run out of established local stations that they can still under that brand umbrella. And remember, Ken's replacement, Vernon Kay at Radio 2, still has the biggest show on UK radio overall, with almost 3 million more listeners than Ken each week. If you want to be even more brutal, Ken himself has more than 4.5 fewer listeners now that he used to have at R2. That's a story that rarely gets reported amongst all the hype surrounding the move, funnily enough.
The gulf between commercial radio and the BBC overall has widened even further. Almost 40m of us listen to a commercial station for at least 15 minutes each week. Compare that to the 31.3m for the Beeb, and it means the gap of 8.4m is bigger than it's ever been. Time spent with either side remains more than 14 hours each, with the BBC up ever so slightly this quarter. Also of note, there are new highs from DAB listening (almost 62% of the population), and smart speaker listening (almost 15m people), plus a new low for traditional AM/FM analogue services. Absolute Radio has swapped places with KISSTORY (both Bauer brands) to become the UK's no.1 digital commercial station, while 6 Music consolidates its place as the no.1 digital music station overall on 2.548m, up 1% on the last quarter. The much-talked-about Boom Radio saw its first dip in its audience to 602k, down 4% on the last quarter and 5% on the year. However, with 11.8 average hours per listener, that's almost an hour and half longer than Radio 2, and it gives them the highest number for any UK music station, bar none. Now that's loyalty.
Briefly rounding up some of the other big names, Global's Heart network has their best-ever reach with 9.4m, their Capital network rose to 6.2m and their Smooth network hit 5.8m. Bauer's Magic was on 4.4m and Kiss was on 2.3m. Virgin was up on the last quarter, now with 1.5m weekly listeners, but that's still behind Radio X which jumped to 2.1m.
There's no question that there's something for everyone out there, and that's without looking at the huge selection of speech, sport, news and talk services, all of which should see some significant upswings over the next six months with the looming UK General Election, US Presidential campaigns, plus the Olympics and Euro footy tournament all imminent.
We await details of the new BBC spin-off services to compliment Radio 1, 2 and 3, all of which are expected to launch on BBC Sounds later this autumn, before a possible full DAB rollout soon after that if all goes according to plan. All of which means that the UK radio landscape remains fluid and ever-changing. Things rarely stay static for long, and there are disruptors lurking around every corner. But although the growth of podcasts and music streaming services has pulled us in their direction, we as a nation collectively keep coming back to live radio, week in and week out. The resilience of the medium remains extraordinary. See you back here on 1 August for the next set of results.
NEWS & PRESS
Christmas break 2025 - News
News from the break will appear here from 20 December to 4 January. ————————————————————BUSINESS James Steven, Warner Music Group‘s longtime chief communications officer and executive vice president is stepping down from his post. He is thought to be taking on a similar...more
Universal Music Group and Roblox announce strategic agreement to expand creative and commercial music experiences on the platform for artists, labels and fans
Roblox will collaborate with UMG to introduce industry-leading integrations on the platform to music fans and Roblox users globally Universal Music Group (UMG), the world leader in music-based entertainment and Roblox, an immersive gaming and creation platform, today announced a new strategic agreement...more
6 exceptional collaborative new music projects supported to tour across the UK and Republic of Ireland through PRS Foundation's Beyond Borders
PRS Foundation, together with Creative Scotland, Arts Council of Wales, Arts Council of Northern Ireland and Arts Council of Ireland announce the UK and Ireland-based organisations, music groups and composers that will receive funding through the co-commissioning and touring programme Beyond Borders. The...more
PRS for Music and IPRS announce groundbreaking new licensing model to launch Apple Fitness+ in India
PRS for Music and the Indian Performing Right Society (IPRS) have today announced a landmark new licensing model to support the launch of Apple Fitness+ in India. The new initiative marks a significant step forward in how digital music rights are...more
North East Music Leader Named On Influential Government Creative Council
Generator CEO will sit among leading figures from film, TV, design and other creative sectors to champion regional music industry The leader of a North East headquartered music development organisation has been named on an influential Government-led body charged with developing...more
‘The Numbers No Longer Add Up’: Half of Night Time Venues Face 50%+ Business Rate Rises as 2026 Operating Costs Become Unsustainable
Britain’s nightclubs, live music venues, and late-night entertainment spaces are warning that 2026 will bring unsustainable operating costs, with nearly half of venues expecting business rates to rise by 50% or more, according to a flash poll of 345 nightlife business operators. Rising rates...more
Universal Music Group and Splice to Collaborate on the Next Generation of AI-powered Music Creation Tools for Artists
Universal Music Group (UMG), the world leader in music-based entertainment, and Splice, the world's most popular music creation platform, have agreed to collaborate on joint exploration of the next generation of AI-powered music creation tools for musical artists. UMG and Splice are...more
Global Nightlife Leaders from Over 30 Countries Converge on Liverpool for Night Time Economy Summit 2026
Liverpool will take centre stage in the global nightlife conversation as night-time economy leaders from more than 30 countries converge on the city for the Night-Time Economy Summit 2026, taking place on 11th and 12th February 2026. Hosted at Blackstock Market, the two-day Summit...more
European Talent Exchange presents final results 2025
ESNS Alumni make international impact across festivals in 2025 European Talent Exchange proudly presents the final results of 2025, a year in which emerging European artists crossed borders at an exceptional pace. Throughout the year, the programme supported 352 shows by 150...more
Independent music publishers generated €2.7bn in 2024 globally - up 5.1% YoY
The latest edition of IMPF's Global Market View also confirms that the collective global market share of the independent music publishing community held firm at 26.3% in 2024. Independent music publishers generated €2.7bn globally in 2024, representing a 5.1% increase year-on-year. The...more
PPL distributes £54.3 million to 147,000 performers and recording rightsholders bringing payments in 2025 to £277.7 million
PPL is paying £54.3 million to 147,000 performers and recording rightsholders today, either as direct members of PPL or indirectly through other collective management organisations (CMOs), including over 8,500 first time payees. This final distribution of the year also includes...more
Beggars Group
We are pleased to confirm that the shares in the Beggars Group were transferred into a Trust in October 2024. This strategic decision aims to preserve the company's independence and help to ensure continuity over future generations, in the interests...more
France’s music publishing market was up 6% in 2024 to €597 million boosted by strong revenues in Digital, Public Performance and Live
The music publishing market in France has posted record revenues of €597 million in 2024, up 6% compared to 2023, according to the yearly report ‘Focus on Music Publishing in France 2024′, unveiled today by music publishers’ associations CSDEM (pop...more
Bandcamp Fridays in 2025 Deliver Over $19 Million to Independent Artists and Labels, Surpassing Last Year's Total
Final Bandcamp Friday of the Year Was the Strongest of the Year – Driving More Than $3.8 Million in 24 Hours Since Its 2020 Launch, the Initiative Has Routed Over $154 Million Directly to Artists and Labels Bandcamp, the world's largest online music...more
BMG and TikTok expand partnership to advance songwriter recognition and digital rights management
BMG has renewed and expanded its direct music publishing agreement with TikTok, marking the next phase in a partnership focused on evolving digital rights, creating deeper value for songwriters, and supporting continued innovation across the platform. The new agreement strengthens BMG's...more
BPI opens nominations for election of Independent Representatives on its Council
The BPI is holding elections for two independent representative places on its Council BPI Council plays a key role in determining the trade association’s strategy and policy goals Deadline for nominations is 1pm Thursday 15 January 2026, with voting opening in early...more
PRS for Music pays out record £274.9 million in final royalty distributions of 2025
Nearly 400 music creators receive a royalty payment for the first time PRS for Music has announced its largest-ever royalty payout, distributing £274.9 million to rightsholders worldwide. The December distributions mark a 4% increase on last year, cementing its role as...more
Music Venue Trust Announces New Co-Chairs and Expanded Board Governance as Sector Faces Critical Year Ahead
Music Venue Trust (MVT), the charity which represents hundreds of UK grassroots music venues (GMVs), has announced key changes to its Board of Trustees as the organisation prepares for the challenges of 2026. Chris Prosser and Jane Beese have been...more
Beatchain deepens emerging market presence with West African launch of WAVVI in partnership with Tom Russell & Y’akoto, Founders of AFROSON1C X
New platform will connect talent from one of the world’s fastest growing music regions with global opportunities Beatchain, the AI-driven A&R, artist and label services platform for the independent music sector, is expanding into West Africa through a collaboration with British...more
Eric Wong promoted to EVP, Recorded Music at Warner Music Group
Esteemed Exec Takes On New Post Alongside His Role As President, East West Records US & President, Warner Music Canada Warner Music Group (WMG) today announced that Eric Wong has been promoted to EVP, Recorded Music at WMG alongside his post as President,...more
Alain Lanceron named Chairman Emeritus of Warner Classics & Erato
NONESUCH RECORDS PRESIDENT DAVID BITHER TO OVERSEE WMG'S CLASSICAL DIVISION MARKUS PETERSEN APPOINTED EVP & GENERAL MANAGER, WARNER CLASSICS Veteran music executive Alain Lanceron has been named Chairman Emeritus of Warner Classics & Erato, effective January 1, 2026. The widely admired leader has worked...more
Boomtown appoints new Managing Director
Boomtown Festival has announced the promotion of Toby Gwazdacz to the newly created role of Managing Director, marking an evolution in the festival’s leadership structure. In his new position, Gwazdacz will work strategically alongside Boomtown co-founders Luke Mitchell and Chris...more
The BRIT Trust announces its beneficiary charities for 2026
Grants totalling more than £30 million have been awarded by the BRIT Trust since its foundation in 1989, supporting causes that share its mission to improve lives through the power of music and the creative arts The BRIT Trust – the principal charity of...more
Cherry Red Records acquires Gull Records, State Records, and Uproar Entertainment
Cherry Red Records is proud to announce the acquisition and representation of three significant and culturally influential catalogues: Gull Records, State Records, and Uproar Entertainment. Each brings a unique catalogue to the Cherry Red roster, expanding the label’s repertoire in...more
New Study Warns Spotify’s 1,000-Stream Rule Is Silencing Southeast Europe’s Music Scene
Read the study here A comprehensive new report entitled Impact Analysis of Spotify’s 1,000-Stream Rule, conducted by ANMIP-BG - IMPALA member and national association representing Bulgarian independent labels - in association with SoAlive Music Conference and Flat Line Collective, has uncovered...more
UK Music Chief Executive response to Government AI & Copyright Statement of Progress
In response to the Government’s Copyright and Artificial Intelligence Statement of Progress published today, UK Music Chief Executive Tom Kiehl said: “UK Music welcomes the findings from the Government’s AI consultation, which vindicates the position taken by UK Music and the...more
Divo appoints Ashok Parwani as Head Of Music
Strategic Hire Will Accelerate Regional Catalogue Expansion and Strengthen Artist Partnerships in Key South Indian Markets Divo, one of South India's leading digital media and music companies, which is majority owned by Warner Music India, today announced the appointment of Ashok...more
RoEx Announces Studio Pro
Hits 5 Million Track Milestone Audio technology company RoEx has introduced Studio Pro, a premium subscription tier for its Mix Check Studioplatform, marking the release alongside a significant milestone: 5 million tracks enhanced across its suite of AI-driven audio production tools. Studio Pro offers unlimited access to Mastering+...more
[PIAS] Announces Retirement of Nick Hartley, Group Chief Operating Officer & Group Chief Financial Officer
Longstanding Board Director to Step Down after 26 Years [PIAS], one of the world’s leading music groups, has announced the retirement of Nick Hartley, the company’s Group Chief Operating Officer (COO) & Group Chief Financial Officer (CFO). After a distinguished career spanning...more
Nile Rodgers honoured with Outstanding Achievement Award at 65th MPA Christmas lunch
Iconic CHIC co-founder and global hitmaker recognised for five decades of musical innovation as the MPA celebrates a Disco-themed 2025 Christmas Lunch The Music Publishers Association (MPA) today presented the legendary Nile Rodgers with its prestigious Outstanding Lifetime Achievement Award for Songwriting &...more
THE HEADLINES
What’s going to give you the marketing edge in 2026? (see Features)
The global value of music copyright hits an all-time high (see Reports)
The 'metamorphosis' of Atlantic Records (see Features)
Looking ahead to 2026 (see Opinion)
Boost for artists in AI copyright battle as only 3% back UK active opt-out plan (see News)
Music discovery: More channels, more problems (see Reports)
The 10 biggest AI music stories of 2025 (see Features)
Do pop stars write their own hits—and if not, who does? (see Analysis)
TikTok unveils its Year in Music Report (see Digital)
Coldplay, U2, Ed Sheeran named most popular touring artists of the millennium (see News)
King Gizzard, having pulled music from Spotify in protest, find genAI clones on the platform (see Digital)
UK parliamentarians join call to regulate most powerful AI systems (see News)
Martin Mills is trying to thwart a record industry takeover by Universal (see Features)
