NTIA Comment on the Queens Speech 10 May 2022
Mike Kill NTIA CEO says:
"Today’s Queen’s Speech had important aspects but is still a missed opportunity as far as the Night Time Economy is concerned. We welcome the announcement of the Levelling Up and Regeneration Bill which the Government hopes will drive local growth and empower residents to transform their local areas. It is welcome that the Government plans to allow councils to offer permanent pavement licenses, and also that councils will be given new powers to ensure empty premises are brought back into use. But we feel there is an opportunity missed to include the agent of change principle in legislation, which would safeguard and nourish grassroots music. We will continue to lobby the Government for the inclusion of this principle as this legislation makes its way through Parliament.”
“More widely, it was welcome the Government focussed on the cost of living and the economic picture facing businesses, but there was a dearth of solutions that will provide meaningful relief to consumers and businesses. In truth, what is needed is an emergency Budget. The Chancellor says he is waiting until there is less volatility in the markets before taking a decision on intervention, but the truth is that might be much too late for large parts of our sector. Businesses are facing soaring energy bills and still have debt hangovers from the pandemic, and are being forced to put up their prices even while they know, that as the cost of living crisis increasingly bites, consumers will be looking to cut down on their monthly expenses and night’s out are likely to be among the first things they choose not to spend on. Given this context, we need urgent action from the Chancellor.”
NEWS & PRESS
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Blue Raincoat Music/Reservoir strikes publishing deal with Molly Drake Estate
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Building on the momentum of its inaugural landmark edition SXSW London Announces it is Open for Business for 2026
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Independent Venue Week announce Nova Twins as 2026 Artist Ambassadors
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Leading Entertainment Execs Launch Unit1 Studio, The World's First Independent Avatar Concert Producer
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PPL announces Dr. Richard James Burgess MBE as new Chair
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2AM introduces Lenny, the first AI agent redefining audience engagement in live entertainment
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Tickets For Good bolsters international growth with appointment of veteran ticketing executive Henk Schuit as European board advisor
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KiTbetter and Duran Duran Deliver First-Ever Dolby Atmos Upgrade to a Physical Album
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Yoto Launches David Bowie Card: Introducing the Legendary Artist to a New Generation
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The Other Songs announce team expansion
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Day Fever partners with Ticketmaster’s Universe
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Simon Dunmore Partners with Armada Music to Launch New Label, NBT Records
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Moises and Cory Henry Launch Global Music Competition with $50,000 in Prizes
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rightsHUB unveils tool to transform data ingestion process, signs Artist Theory alongside deal renewals with Believe, Defected and others
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FEAT AGM: Confirms promoter-approved resale policy and continued campaign for stronger enforcement of DSA
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THE HEADLINES
Lyor Cohen: AI won’t replace artists — it will make them unstoppable (see Opinion)
Omdia tips music publishers’ revenues to hit $10bn this year (see Reports)
Unit1 Studio launches offering potential for immersive avatar concerts through lower production costs (see Digital)
Are we still in the music business? When your POV is worth more than your mp3s (see Opinion)
Is rock’n’roll dead? (see Features)
Book extract: Body Of Work: How The Album Outplayed The Algorithm And Survived Playlist Culture (see Comment)
With MTV channels switching off, is the music video under threat? (see Features)
Spotify partnering with multinational music companies to develop ‘responsible’ AI products (see Digital)
Sam Fender wins 2025 Mercury Prize (see News)
Spotify working on ‘SongDNA’ feature that showcases the people behind tracks (see Digital)
How far should cultural boycotts go? (see Features)
How Subvert is building a co-op owned Bandcamp alternative (see Digital)
Lucian Grainge outlines UMG’s strategy for generative AI partnerships and product development (see News)
The future of music streaming: Change or be changed (see Comment)
Sam Altman: the man who stole the rights from copyright. If he’s the future, can we go backwards? (see Features)
Warner Music Group CEO Robert Kyncl discusses the company's “tremendous catalogue” (see Features)
There’s a £1 idea that could save small music venues. Is Live Nation holding it back? (see Features)
Breaking down the arguments around VMG’s Downtown Music acquisition (see Analysis)