Music helped the UK get through lockdown, new insights show 08 Apr 2021
Over a quarter of the British public have listened to more music since the start of lockdown
Music raised the nation’s spirits, helping people to feel better, cope with anxiety, and aiding exercise, work and study
Data published ahead of the BPI’s new “All About the Music” 2021 yearbook, out 14th April
New data revealed today by UK record labels association, the BPI, confirm just how crucial music has been to the British public and to national wellbeing during the COVID pandemic lockdowns of 2020.
These insights are based on data commissioned through AudienceNet’s Audiomonitorsurvey in November 2020, and are taken from All About the Music 2021 – the 42nd edition of the BPI Yearbook, which will be published on 14th April. This authoritative industry annual evaluates 2020 UK music consumption and trends.
Music listening increased during lockdown
These new insights show that well over a quarter (28%) of all those surveyed said they had increased their music listening compared to pre-lockdown. Only 11% of those asked said they listened to less or no music at all. Music listening was most pronounced among 16 – 24 year-olds, with not far from half (45%) of all the respondents within this group saying they listened to more music since the first national lockdown.
The survey results reinforce a BPI market update on 4th January which reported that recorded music consumption in the UK rose by 8.2% in 2020, with 155 million albums or their equivalent either streamed or purchased by fans, including 139 billion audio streams, 16 million CDs, nearly 5 million vinyl LPs, and over 150,000 cassettes.
Why music was so important
Respondents who listened to music were asked why it was so important to them during lockdown. As many as half (50%) said they listened to music to raise their spirits, with 42% citing music’s ability to help them to relax or sleep. Four in 10 (40%) said music helped to alleviate boredom, while 27% used it as an aid to boost concentration when working or studying (a figure that rises to 50% among those aged 16 – 24)
A quarter of music listeners viewed it as an ideal accompaniment to exercise – a figure that’s slightly higher among women (27%) – and music was, of course, also valued for keeping families and households entertained, with just over a fifth (21%) noting the importance of this.
Music as an aid to coping with stress and anxiety
A fifth of the respondents reported having feelings of daily anxiety, although as a weekly figure this rose to 60% of all respondents. Of all those expressing feelings of stress and anxiety over half (55%) said that music helped to ease those feelings (rising to 60% among those aged 16 – 24). And of all those using music to help with stress and anxiety, almost everyone (94%) said that it helped to lift their mood, with 91% adding that it helped them to feel a sense of escape that allowed them to forget their problems.
Over three quarters (78%) of those asked said they felt more motivated after listening to music (rising to 81% among women). A broadly similar figure (73%) said they felt more able to manage their stress and anxiety levels thanks to music listening, while 62% said it made them feel better about themselves and more confident generally (rising to 72% among those aged 16 – 24 and 25 – 34).
Music as an aid to exercise and wellbeing
Music was a key component in keeping people motivated to exercise in lockdown. Of all those who went running, 72% did so with music as an accompaniment, with the figure for those undertaking gym/fitness activities (such as home workouts, interval sessions and yoga) rising to 75%.
Of all those exercising with music, 61% said that having music as an accompaniment had a moderate or major impact on duration (i.e. exercising for longer), while 54% said it had a moderate or major impact on frequency (i.e. exercising more often) and 61% said it had a moderate or major impact on intensity (i.e. working harder). Nearly three quarters (71%) said that it had a moderate or major impact on their enjoyment of the activity.
The music people listened to
In March the Official Charts Company in association with the BBC One “One Show” reported that many people had turned to classic songs and catalogue recordings during the first lockdown, while at the end of 2020 the BPI reported the most consumed new releases of the year (based on Official Charts Company data). This included recordings by Dua Lipa, whose album Future Nostalgia was the most consumed album released in 2020, Kylie Minogue, whose album Disco was the most purchased 2020 release on vinyl, and Lady Gaga, whose album Chromatica was the top seller on cassette. The most consumed single of 2020 year was The Weeknd’s Blinding Lights.
Geoff Taylor, Chief Executive BPI, BRIT Awards and Mercury Prize, said:
“Music has many intrinsic additional benefits, not least in raising spirits and promoting wellbeing, but this new research underscores just how much of a lifeline it’s been for people since lockdown – inspiring and reassuring us and also helping many of us to work, study and exercise to greater effect. The transformational power of music to improve lives has rarely been more pronounced.”
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THE HEADLINES
Has pop music become stagnant? Kind of yes but also no (see Analysis)
Why are we still using Spotify? (see Opinion)
TikTok launches TikTok Songwriter Features (see Digital)
EU Commission reportedly prepares ‘full-scale, four-month investigation’ into UMG’s proposed Downtown purchase (see Business)
Lisa Nandy MP addressed the UK Music Summer Party (see News)
Building fandom is about the journey, not the destination (see Opinion)
Industry calls for streaming sites to tag music created by AI-generated acts (see News)
“Content is king” say analysts - so why is Spotify worth more than the entire music rights industry? (see Comment)
Where’s the next wave of working-class rock stars? (see Features)
Populists vs. tech titans: The battle over AI and the future of music (see Comment)
Can TikTok revive classic songs? A statistical analysis (see Analysis)
UMG’s Michael Nash: ‘AI can be instrumental to the future of music’ (see Digital)
In the post-music streaming era, do artists and labels give too much away? (see Comment)
Songwriters ‘missing millions in royalties from more than 100,000 UK gigs’ (see News)
Merck Mercuriadis plots comeback with Hipgnosis remix (see Business)