Liz Phair signs to the re-launched Chrysalis Records 09 Sep 2020
Having returned as a frontline label earlier this year, Chrysalis Records have signed US singer-songwriter and highly influential indie pioneer Liz Phair. Liz has sold close to five million records worldwide and been nominated twice for a Grammy. Her raw lyrical style made her a trailblazer for a whole raft of female artists in alternative music when she began to make records at the start of the ‘90s. Liz’s first album in a decade is due next year.
Liz joins labelmate Laura Marling, who was co-signed to Chrysalis with Partisan Records. As the first project released to Chrysalis’ re-launched frontline label, Laura’s album, Song For Our Daughter, debuted in April to huge critical acclaim and a Mercury Music prize nomination.
Growing out of the American underground scene in the early ‘90s, Liz cemented herself as an empowering singer-songwriter, inspiring female writers and women all over with her confessional lyrics and unflinching take on the world. Debuting with gold-selling album Exile in Guyville, which Rolling Stone ranked as one of the 500 Greatest Albums of All Time, she has since released five more records including the self-titled Liz Phair in 2003, a shift in genre from lo-fi indie rock towards a more pop sound.
Alongside her music, Liz signed a publishing deal with Random House and released her genre-bending memoir Horror Stories in 2019. A debut book as candid as her music, it covers her ground-breaking album, Exile in Guyville, and traces the pivotal moments in her life and career.
Rescheduled for 2021 is a European tour with Alanis Morrissette and a series of North American dates with both Alanis Morrissette and Garbage.
Liz Phair said “I could not be more proud to be signed to Chrysalis, a legendary label that has found a new and exciting iteration with Robin and Jeremy. From our first call, I was struck by their intelligence and musical sensitivity. The level of communication was beyond anything I had hoped for. They hear the way I hear. I feel like I have found a home at Chrysalis and that we will do great work together. I am humbled and honoured to embark on this next part of my career in the sure and steady hands of some of the best in the business.”
Jeremy Lascelles, CEO Chrysalis Records said "When I first heard Liz’s music in the ‘90s I was completely bowled over by the candour and emotional honesty of her song writing. The cultural impact she made, not only in America where she quickly achieved iconic status, but also here in the UK was profound.
Fast forward to earlier this year when I had the opportunity to hear her new album. I was intrigued as to what it would sound like. One track in and I was hooked. There is so much character and personality oozing from every song, she sings better than ever, and the record is a total blast from beginning to end. She is an important artist, with as much to say now as she ever did, and it is a thrill and an honour to have her on Chrysalis Records."
Robin Millar, Chairman Blue Raincoat Chrysalis Group said “Perhaps the most conspicuous thing about my career as a producer is how few records I’ve been involved in. The reason is that I never took a job for money or where I didn’t truly revere the gift of the artists. We wanted to carry the same values into Chrysalis and to have Liz Phair as our first US signing is nothing short of fantasy for me, as I was living and working in Northern California when Liz changed the game for female artists forever. As Jeremy quite rightly indicates, the new record is so much more than a return to form. It’s a truly great album. This record will not only blow Liz Phair fans away but has the potential to entrance a whole army of new fans.”
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THE HEADLINES
Why some artists are rethinking touring (see Analysis)
Spotify reveals its Songs Of Summer predictions (see Digital)
Government defeated for third time in Lords over copyright protection against AI (see News)
Young people are being excluded from live music (see Comment)
Lambeth council acted ‘irrationally’ over approval of summer festivals, High Court rules (see News)
UK Music and Elton John deliver warning about Government’s AI copyright plans (see News)
You can’t put a price on culture—but you can put a price on saving it (see Comment)
SoundCloud backtracks on AI-related terms-of-use updates (see Digital)
Data Bill returns to the Commons today for crucial vote (see News)
Music discovery is not dead, just evolving (see Comment)
The business fundamentals behind DSP's and what this means for music (see Comment)
Artists urge Prime Minister to rethink AI copyright plans (see News)
Tariffs, tours, and trade wars: Why music investment won’t slow down (see Comment)
Unintended consequences – the year ahead for streaming (see Comment)
Spotify’s latest update gives users more control over their listening experience (see Digital)