Jeremy Abbott joins NME Networks as new Managing Editor 14 Jun 2022
Jeremy Abbott has been appointed as the new Managing Editor of NME Networks. In this new managerial role, Abbott will be responsible for leading the day-to-day editorial operations for all titles such as NME, NME Asia, NME Australia, Guitar.com and MusicTech, with the aim of building and maintaining a world-class music and pop culture new media group.
Over the course of his ten year editorial experience as Global Brand & Content Editor at Mixmag and Editor at Unilad, some of the biggest titles in the UK, Jeremy Abbott, with his combined background of online media production and editorial curation has been able to stay at the forefront of digital media.
“I’m absolutely thrilled to be joining NME Networks as Managing Editor”, says Jeremy Abbott as he speaks on this new endeavor: “To be able to lead numerous world class titles into the future is an honour and I can’t wait to get started. The global team is comprised of talented, knowledgeable and supremely passionate staff who really care about these brands and I’m excited to see what we can create together.”
The Chief Operating & Commercial Officer at NME Networks Holly Bishop calls Jeremy Abbott a “rare find”: “His personable style, matched with a global outlook make him the perfect fit for NME Networks … Jeremy’s contribution will be key to driving forward our ambitious growth plans, as we continue to shape popular culture with world-class content.”
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THE HEADLINES
Warner Music Group CEO Robert Kyncl discusses the company's “tremendous catalogue” (see Features)
There’s a £1 idea that could save small music venues. Is Live Nation holding it back? (see Features)
Breaking down the arguments around VMG’s Downtown Music acquisition (see Analysis)
Vevo report shows how fandom turns passion into impact and purchasing power (see Reports)
The music industry must plan for the day when AI music-generation tools produce humanlike music in bulk (see Features)
Price cap on ticket resales set to be introduced (see News)
Raye and Sony’s Jon Platt speak out for songwriters at Ivors Academy Honours Ceremony (see News)
Does Daniel Ek deserve to be the richest ever man in music? (see Comment)
Independent music community publishes '100 Voices' on why Universal’s acquisition of Downtown should be blocked (see News)
Universal and Warner said to be close to landmark AI licensing deals (see News)
Industry leaders outline challenges to Creative Industries Minister (see News)
Spotify isn’t broken, it’s working exactly as intended (see Comment)
Spotify is completely unserious about combating AI music (see Comment)