Jeremy Abbott joins NME Networks as new Managing Editor 14 Jun 2022
Jeremy Abbott has been appointed as the new Managing Editor of NME Networks. In this new managerial role, Abbott will be responsible for leading the day-to-day editorial operations for all titles such as NME, NME Asia, NME Australia, Guitar.com and MusicTech, with the aim of building and maintaining a world-class music and pop culture new media group.
Over the course of his ten year editorial experience as Global Brand & Content Editor at Mixmag and Editor at Unilad, some of the biggest titles in the UK, Jeremy Abbott, with his combined background of online media production and editorial curation has been able to stay at the forefront of digital media.
“I’m absolutely thrilled to be joining NME Networks as Managing Editor”, says Jeremy Abbott as he speaks on this new endeavor: “To be able to lead numerous world class titles into the future is an honour and I can’t wait to get started. The global team is comprised of talented, knowledgeable and supremely passionate staff who really care about these brands and I’m excited to see what we can create together.”
The Chief Operating & Commercial Officer at NME Networks Holly Bishop calls Jeremy Abbott a “rare find”: “His personable style, matched with a global outlook make him the perfect fit for NME Networks … Jeremy’s contribution will be key to driving forward our ambitious growth plans, as we continue to shape popular culture with world-class content.”
NEWS & PRESS
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AlphaTheta announces Equal Beats podcast series
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UK Music Chief Executive response to BBC Survey
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Introducing the TikTok Awards UK & Ireland 2025 with headline partner Sky: New Era. New icons.
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Scotland’s national music prize - The Say Award - announces 10 albums on shortlist
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Edith Bowman to host BBC Radio 3’s Sound of Cinema from 1 November
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Grassroots trailblazers celebrated at 2025 Youth Music Awards
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Sony Music Group, Universal Music Group, Warner Music Group, Merlin, and Believe to Partner With Spotify to Develop Artist-First AI Music Products
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BPI response to Spotify announcement on AI
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Hannah Carlen Joins Nonesuch Records as Vice President of Marketing and Communications
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Sam Fender announced as overall winner of 2025 Mercury Prize 'Album of the Year'
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beatBread Launches $100 Million Global Independence Fund in Association with Leading Independent Music Organizations
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Brandon Burch wins National Album Day’s mural competition
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Yoto Launches Official KPop Demon Hunters Soundtrack Card
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Jukebox Launches Inaugural $15M Early-Stage Venture Fund to Back Innovation Across Music, Tech & Culture
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Karma Artists Unveils Two Senior Appointments
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Association of Independent Festivals and British Arts Festivals Association announce alliance
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TikTok crowns global champions of TikTok LIVE: Music On Stage
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End ghostwriting: A call for fair credit in music for film, TV and games
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Sony Music Publishing, Sea Gayle Music, Domain Capital Group Launch Global Admin Partnership
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Musixmatch Signs AI Innovation Deals with Sony Music Publishing, Universal Music Publishing Group, and Warner Chappell Music
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Believe appoints Kazunari Imai as Chairman & Strategic Business Relations Senior Executive Director of Believe Japan
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IFPI shuts down Y2mate.com and 11 other major stream ripping sites in landmark action in Vietnam
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First LIVE Trust grant making strategy published
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First speakers for ESNS conference confirmed
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Growing indie Minds On Fire signs admin deal with Sony Music Publishing and Exclusive Writer deal with Jay Gilbert
Minds On Fire today announced a new partnership with Sony Music Publishing (SMP), the world’s leading music publisher, which will provide worldwide administration services for Minds On Fire’s acclaimed catalogue and roster of songwriters and producers. Minds On Fire’s roster includes...more
Concord Music Publishing ANZ Signs Global Publishing Deal with Floodlights
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October's Bandcamp Friday Generates Over $3 Million for Independent Artists and Labels in Just 24 Hours
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THE HEADLINES
Spotify working on ‘SongDNA’ feature that showcases the people behind tracks (see Digital)
How far should cultural boycotts go? (see Features)
How Subvert is building a co-op owned Bandcamp alternative (see Digital)
Lucian Grainge outlines UMG’s strategy for generative AI partnerships and product development (see News)
The future of music streaming: Change or be changed (see Comment)
Sam Altman: the man who stole the rights from copyright. If he’s the future, can we go backwards? (see Features)
Warner Music Group CEO Robert Kyncl discusses the company's “tremendous catalogue” (see Features)
There’s a £1 idea that could save small music venues. Is Live Nation holding it back? (see Features)
Breaking down the arguments around VMG’s Downtown Music acquisition (see Analysis)
Vevo report shows how fandom turns passion into impact and purchasing power (see Reports)
The music industry must plan for the day when AI music-generation tools produce humanlike music in bulk (see Features)
Price cap on ticket resales set to be introduced (see News)
Raye and Sony’s Jon Platt speak out for songwriters at Ivors Academy Honours Ceremony (see News)
Does Daniel Ek deserve to be the richest ever man in music? (see Comment)
Independent music community publishes '100 Voices' on why Universal’s acquisition of Downtown should be blocked (see News)