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ICE has distributed more than €1bn to rightsholders in a consecutive 12-month period for the first time. 

It took just under 3½ years to reach the first €1bn in distributions, just over 2 more years to pass the second billion and has been closing in on a single year since. With this distribution milestone passed, ICE has now delivered a total of €4.5bn since its first royalty distributions in 2016.

The rate of royalty distributions to musical creators has exponentially increased with ICE serving more Societies & Publishers and processing and licensing even more DSPs and territories.

At the same time, ICE has delivered consistent improvements to systems and processes which have benefited songwriters, with ICE's unique Multi-Stage invoicing bringing in over €180 million more in royalties, paid to writers on an accurate musical works usage basis.

On the licensing side it has pioneered innovations like self-serve licensing for start-ups (Licensr), and a DSP audit program to maximise and assure collections for songwriters.

The scale of the ICE hub allows for investments beyond the level a single society could make, reducing duplication and enabling more automation, which is critical in meeting the modern IT infrastructure challenges around connecting songwriters' remuneration to the digital use of their work.

 

Peter de Mönnink, CEO, ICE
"Distributing €1bn in 12 months to rightsholders is a major achievement, reflecting the hard work, expertise, and innovation of everyone at ICE in ensuring our customers can deliver to their members.

Despite their crucial role, copyright and music publishing often do not receive the recognition they deserve. Music is the cornerstone of today's digital services, with customer experiences built around the value of music and the importance of songwriting.

The increasing scale of the ICE Hub is paramount to offer the highest and most efficient distributions for songwriters and composers. It is ICE's belief that this scale will be evermore important to ensure fair and sustainable royalty flows for rightsholders in the online space. This is not only our mission, but also our passion.

To support our ongoing efforts, and address the complexities of royalty management, ICE has a very strong focus on scalability facilitated by its ongoing platform development. Whilst this innovative undertaking presents significant challenges, we are pleased with the progress we have made. ICE is now moving step by step into deployment phases of this advanced platform.

ICE is on a path of continuous innovation, to deliver more royalties, at less cost, with an even better service."

 

Rachael Naylor, Chief Operating Officer, ICE
"We are extremely proud to have delivered more royalties, faster and with optimised accuracy to our customers, which in turn allows increased onward distributions to their Songwriters and Composers, enabling them to continue creating.

ICE are the touchpoint for a significant portion of distributions across a number of exploitation types in the industry, as well as online processing, and we recognize the vital importance of copyright excellence underpinning every service we offer now and in the future.

Our recent customer survey results, with higher ratings across all service areas, evidences ICE's heightened service performance. This has also been reflected in customers renewing with ICE, increasing the scope of services they take from us and even moving from other service providers. 

We do not underestimate the trust placed in us by our customers to deliver critical and reliable royalty services, and are driven to continue to transform internally to achieve the right mix of technical, service and process optimisation all delivered by truly committed and expert teams."

08 Dec 2025 | Press release

Wilful Publicity to rebrand as Wilful & Sullivan

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08 Dec 2025 | Press release

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08 Dec 2025 | Press release

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08 Dec 2025 | Press release

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08 Dec 2025 | Press release

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08 Dec 2025 | Press release

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08 Dec 2025 | Press release

AIF statement on new inquiry into UK live music industry competition and market functioning

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05 Dec 2025 | Press release

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05 Dec 2025 | Press release

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05 Dec 2025 | Press release

Distiller Music Publishing and Alternative Songs announce joint venture co-signing of Poppy Baskcomb to worldwide publishing deal

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05 Dec 2025 | Press release

Sony Music Publishing Signs Global Deal with Rising Star Sienna Spiro

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04 Dec 2025 | Press release

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04 Dec 2025 | Press release

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04 Dec 2025 | Press release

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04 Dec 2025 | Press release

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04 Dec 2025 | Press release

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04 Dec 2025 | Press release

Ivors Week returns for 2026 as The Ivors opens for entries and the Academy launches its second Summit

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04 Dec 2025 | Press release

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04 Dec 2025 | Press release

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04 Dec 2025 | Press release

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03 Dec 2025 | Press release

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03 Dec 2025 | Press release

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03 Dec 2025 | Press release

ESNS festival line-up complete for 40th Edition

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03 Dec 2025 | Press release

Stars join forces with creative and cultural organisations from across UK and Europe to remove barriers to touring and drive growth

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03 Dec 2025 | Press release

Wise Music Group strikes deal with GoGo Penguin

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03 Dec 2025 | Press release

Songtools announces strategic partnership and platform integration with ONErpm’s OFFstep

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03 Dec 2025 | Press release

YouTube wraps its 20th anniversary year with a new feature announcement & 2025 trends

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03 Dec 2025 | Press release

Apple Music Replay ‘25: A More Personal Look at Your Year in Music

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03 Dec 2025 | Press release

IFPI convenes cross industry panel at UN Copyright Agency to examine the future of music licensing with AI

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02 Dec 2025 | Press release

Independent music labels return a third of revenue to artists, reveals new report from ORCA

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08 Dec 2025

  • UK parliamentarians join call to regulate most powerful AI systems (see News)

  • Martin Mills is trying to thwart a record industry takeover by Universal (see Features)

05 Dec 2025

  • IMPF says members should reject AI deals that do not value songs properly (see News)

  • Which songs do we replay the most? (see Analysis)

04 Dec 2025

  • Spotify Wrapped 2025 goes live (see Digital)

03 Dec 2025

  • Daddy Yankee files lawsuit against former manager and third parties for alleged royalty scheme (see News)

  • EU touring: Impact of Brexit worsening, says UK Music report (see Reports)

02 Dec 2025

  • ORCA released a report analysing the economic investments and social impact of nine leading independent record labels (see Reports)

  • Jorja Smith’s label requests share of royalties from ‘AI-cloned’ song (see News)

01 Dec 2025

  • A creative nation is a thriving nation (see Opinion)

28 Nov 2025

  • Australian report also highlights how other non-US English-speaking countries are hit by algorithms (see Reports)

27 Nov 2025

  • AI slop: Spotify, Tunecore, and credibility (see Comment)

26 Nov 2025

  • Warner Music signs deal with Suno, settles lawsuit (see News)

25 Nov 2025

  • EC sends UMG its statement of objections to Downtown acquisition (see News)