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In Place Of War has been named official charity partner to the Score Relief 2022 international film scoring competition. 

 

In Place Of War, the global organisation that uses creativity, especially music, to bring positive change and provide a voice to marginalised communities in areas of conflict in 26 countries, has been announced as official charity partner for this year’s Score Relief film scoring competition. Described as, “the composing contest with a heart”, Score Relief was founded in 2020 by The Cue Tube, a UK-based global community for composers for film, TV and gaming.

Score Relief is a free-to-enter scoring contest, open to composers worldwide, offering a choice of two engaging visual content clips for which composers can create music. Judges include Oscar-winning composer Mychael Danna. The winning composer will have their score performed and recorded by Northern Film Orchestra. This year’s competition also includes a prize pool worth more than $35,000, thanks to the generosity of more than 21 music industry partners including Native Instruments, Orchestral Tools, Spitfire Audio and others. Composers will also have the chance to win money-can’t-buy opportunities, such as a one-to-one feedback session with Carlos Rafael Rivera, Emmy and SCL winning composer of scores including the huge Netflix hit, The Queen’s Gambit.

The competition is also used to shine a light on Score Relief’s crowdfunder, which this year will support In Place of War through voluntary donations by competition entrants and those in the industry supporting the cause. Funds raised will support the charity’s #HackMusic music education program, offering mentoring & education to artists across the Global South on developing their craft, making a living from music and hacking the music industry. Last year’s competition raised more than $15,000 in donations, which organisers hope to smash with the 2022 edition.

In Place Of War CEO and Creative Director, Ruth Daniel, says, “We’re so happy to be partnering with Score Relief 2022. Giving composers worldwide the amazing opportunity of having their score recorded by a prestigious film orchestra is so aligned with our #HackMusic program, opening up access to the music industry to artists across the Global South. So it’s completely fitting that the Score Relief crowdfunder will support that initiative.”

Score Relief and The Cue Tube Founder, Bryan Waters, says, "I'm really excited to be partnering with In Place Of War this year, not just as a charity partner, but opening the door to potential artistic collaboration between our community and those supported by their work. Huge thanks to our sponsors and judges, making Score Relief 2022 what it is. Good luck to all participants and thank you for your generosity in supporting our fundraiser!"

Entries to Score Relief 2022 are now being accepted until January 31st. Entry is free and open to all composers and aspiring composers worldwide. Full details and Entry Pack can be found on The Cue Tube website

03 Nov 2025 | Press release

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03 Nov 2025 | Press release

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31 Oct 2025 | Press release

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31 Oct 2025 | Press release

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31 Oct 2025 | Press release

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31 Oct 2025 | Press release

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31 Oct 2025 | Press release

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31 Oct 2025 | Press release

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31 Oct 2025 | Press release

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31 Oct 2025 | Press release

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31 Oct 2025 | Press release

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31 Oct 2025 | Press release

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31 Oct 2025 | Press release

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30 Oct 2025 | Press release

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30 Oct 2025 | Press release

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29 Oct 2025 | Press release

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29 Oct 2025 | Press release

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29 Oct 2025 | Press release

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29 Oct 2025 | Press release

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29 Oct 2025 | Press release

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03 Nov 2025

  • Spotify perfected the business of distraction — and now we’re paying the price (see Features)

  • Remasters, deluxe editions and greatest hits show back catalogues are a goldmine (see Features)

31 Oct 2025

  • Universal Music Group and Stability AI announce strategic alliance to co-develop professional AI music creation tools (see News)

30 Oct 2025

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  • The last days of Utopia (see News)

29 Oct 2025

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28 Oct 2025

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  • The music industry remains divided on generative AI. Where will that leave us? (see Comment)

27 Oct 2025

  • How fan power is reshaping pop (see Features)

24 Oct 2025

  • The “forever” stakes of generative AI ownership (see Comment)

23 Oct 2025

  • Lyor Cohen: AI won’t replace artists — it will make them unstoppable (see Opinion)

22 Oct 2025

  • Omdia tips music publishers’ revenues to hit $10bn this year (see Reports)

  • Unit1 Studio launches offering potential for immersive avatar concerts through lower production costs (see Digital)

21 Oct 2025

  • Are we still in the music business? When your POV is worth more than your mp3s (see Opinion)