European Parliament votes in digital rules with major impact on secondary ticketing 05 Jul 2022
- Landmark Digital Services Act sees EU countries catch up with the UK legislation on ticket resale
- Online marketplaces will be required to identify and verify professional sellers, be prohibited from using “dark patterns,” and produce annual reports on content take-downs revealing the scale of illegal activity – which search engines cannot ignore
- Will directly impact all UK artists who tour Europe and make it harder for UK touts to operate
- Crucial recommendations adopted following 2 years of lobbying by the Face-value European Alliance for Ticketing (FEAT)
The Face-value European Alliance for Ticketing welcomes news that the European Parliament has voted to approve a new Regulation to better tackle online harms — the Digital Services Act (DSA) — with 539 votes in favour, 54 votes against and 30 abstentions.
The new rules will help prevent abuses on online marketplaces, including ticket resale sites. They include measures to ensure professional sellers are identifiable, prevent certain manipulative sales tactics, and require regular reporting to improve transparency for consumers.
Identifying and verifying professional sellers
Online marketplaces will be required to obtain essential information about third party professional sellers, from their name and contact details, to their bank details and ID, before traders are allowed to list tickets on the platform. They will also be required to make best efforts to assess whether the information is reliable and complete, and ensure that the seller’s name, contact and trading details appear on the listing, as well as conduct random checks to prevent the resurfacing of listings that contravene national laws.
Increased accountability for marketplaces
Whilst ticket resale platforms can claim to be exempt from liability for content provided by third parties, provided they are not active hosts, they could now be held responsible for tickets listed in contravention of national laws, where fans are led to believe that the ticket is provided by the platform itself or that the seller is acting under its control. As a result, resale platforms should make it clear throughout the buying process that the tickets listed are provided by a third party.
Prohibition of dark patterns
Dark patterns (user interfaces designed in such a way as to trick users into making certain decisions, such as “pop-ups” or giving prominence to specific choices) will be prohibited. As such, ticket resale sites will be banned from using design tricks that manipulate consumers.
Annual reporting
Online hosting platforms such as ticket resale sites will be required to produce easily comprehensible and publicly-available annual reports on any content moderation activities relating to infringements of the law or the platform’s terms and conditions. This will give an indication of the scale of harmful activity taking place – important in helping enforcement agencies and advertising partners such as Google comprehend the scope of the problem. The reporting measures will be coupled with a simplified notice and action procedure for illegal listings.
Increased oversight
Every Member State will be required to appoint a Digital Services Coordinator (DSC) to enforce the rules laid out in the DSA, with far-reaching powers of investigation, including to carry out on-site inspections, interview staff members and require the production of documents and information. Penalties for non-compliance can reach up to 6% of platforms’ global turnover.
The DSA will now go through the formal adoption procedures by the European Council before it is published in the EU Official Journal. It will enter into force 20 days after its publication in the Official Journal of the European Union, and its provisions will mainly apply fifteen months after entry into force or from 1 January 2024, whichever comes later.
While pleased that the legislation has finally been passed, FEAT recognises that the text could have gone further and will continue to campaign for tougher legislation to prohibit profiteering on uncapped resale sites at the expense of fans and the live industry.
Sam Shemtob, Director of FEAT, stated “The introduction of the Digital Services Act is a key moment for the live events sector in the UK, as well as across Europe. The new legislation regulating online marketplaces will see EU countries catch up with the UK in terms of stricter rules for verifying professional sellers and making sure fans know who they’re buying from. This will directly impact all UK artists who tour Europe, as well as make it harder for UK touts to operate under the guise of anonymity on European ticket resale sites.”
Per Kviman, CEO of Versity Music and Chair of the European Music Managers Alliance (EMMA), which represents 1800 music managers in 10 European countries, states: “The European Music Managers Alliance (EMMA) is very pleased to see new rules which protect both artists and the ticket-buying public have been approved by the European Parliament. This is an important step towards increasing accountability and to prevent scams, which will contribute towards a healthier European touring industry.”
Despite COVID-19, the European secondary ticketing market was estimated to be worth €1.83bn in 2021, with predictions to grow to €2.29bn by 2023; money that is drained from consumers and the sports and cultural industries. FEAT has spent two years engaging with policy-makers over the DSA, including spearheading an open letter with other concerned groups. This called on the EU to compel online marketplaces to act responsibly and was signed by nearly 150 representatives throughout the cultural industries and was recognised by commissioners in charge of the DSA.
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THE HEADLINES
- Universal Music Group and Stability AI announce strategic alliance to co-develop professional AI music creation tools (see News) 
- UMG and Udio settle lawsuit; announce agreement for new licensed AI music creation platform (see News) 
- The last days of Utopia (see News) 
- UK Music introduces 'Five Ps' guide to boost diversity and inclusion across the music industry (see News) 
- Reservoir Media: A hidden gem? (see Features) 
- The music industry remains divided on generative AI. Where will that leave us? (see Comment) 
- How fan power is reshaping pop (see Features) 
- The “forever” stakes of generative AI ownership (see Comment) 
- Lyor Cohen: AI won’t replace artists — it will make them unstoppable (see Opinion) 
- Omdia tips music publishers’ revenues to hit $10bn this year (see Reports) 
- Unit1 Studio launches offering potential for immersive avatar concerts through lower production costs (see Digital) 
- Are we still in the music business? When your POV is worth more than your mp3s (see Opinion) 
- Is rock’n’roll dead? (see Features) 
- Book extract: Body Of Work: How The Album Outplayed The Algorithm And Survived Playlist Culture (see Comment) 
- With MTV channels switching off, is the music video under threat? (see Features) 
