EMI Production Music partners with Goldsmiths to release music by students 03 Jul 2019
EMI Production Music has partnered with Goldsmiths, University of London to release and market film and TV music composed by the university’s students.
The leading production music business, which is a division of Sony/ATV Music Publishing, launches the new partnership this week with the release of Goldsmiths: Sounds One, a compilation album of 18 tracks composed by 15 students and recent graduates from the Department of Music’s postgraduate programmes.
The album is being made available through EMI Production Music’s search system, which is used by media clients worldwide who are looking for music for film, TV and other media projects. It will sit within the company’s KPM catalogue, which is the most prestigious name in library music. Going forward, the aim is for EMI Production Music to release further albums of music composed and recorded by the University’s students.
The Goldsmiths album is the brainchild of EMI Production Music Content and Distribution Manager Paul Sandell and is co-produced by the University’s Associate Music Lecturer James Ewers and his colleague Ian Gardiner, who is Senior Lecturer and convenor for MMus module Composition and Moving Image Media. The album covers a number of genres, including traditional piano, classical, world music, ambient and electronic.
James Ewers said: “Paul Sandell approached us with the idea of publishing an album that would represent the sheer variety of cutting-edge work created by our students and place it on an international platform. At least 50 submissions from postgraduate students and recent alumni were whittled down to a final 18. It’s such a strong body of work. It’s fresh and eclectic, and has great potential to enhance all types of media.”
EMI Production Music Global Director Alex Black said: “Giving talented composers the opportunity to create new copyrights and masters for our catalogues is at the heart of what we do at EMI Production Music. Goldsmiths University has a very strong history with the arts and it’s a real privilege for us to be able to forge creative connections on a project like this.”
EMI Production Music Content and Distribution Manager Paul Sandell said: “The students learn all about production music composition at the University so they have the skills to help them flourish as composers. The music submitted by the Goldsmiths students did not disappoint and we hope this is the first of many collaborations with Goldsmiths which will give many students the opportunity to start their professional composition careers.”
Goldsmiths: Sounds One can be previewed here: https://soundcloud.com/emiproductionmusic/sets/goldsmiths-sounds-one
The album will be available for all film, TV and media clients to access on the EMI Production Music website. https://www.emipm.com/en/browse/labels/KPM/2114
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THE HEADLINES
Lisa Nandy MP addressed the UK Music Summer Party (see News)
Building fandom is about the journey, not the destination (see Opinion)
Industry calls for streaming sites to tag music created by AI-generated acts (see News)
“Content is king” say analysts - so why is Spotify worth more than the entire music rights industry? (see Comment)
Where’s the next wave of working-class rock stars? (see Features)
Populists vs. tech titans: The battle over AI and the future of music (see Comment)
Can TikTok revive classic songs? A statistical analysis (see Analysis)
UMG’s Michael Nash: ‘AI can be instrumental to the future of music’ (see Digital)
In the post-music streaming era, do artists and labels give too much away? (see Comment)
Songwriters ‘missing millions in royalties from more than 100,000 UK gigs’ (see News)
Merck Mercuriadis plots comeback with Hipgnosis remix (see Business)
V&A East Storehouse to open the David Bowie Centre (see News)
ESCA calls on the EU to block Universal Music’s deal to buy Downtown (see News)
Virgin Music CEOs push back against critics of Downtown Music deal (see News)
Record labels are running on empty (see Opinion)
AI music is going viral, but it’s not what fans want (see Comment)