ATC Group promote Ric Salmon to the new position of Chief Growth Officer 20 Mar 2025
ATC Group is pleased to announce the promotion of Ric Salmon to the newly-created position of Chief Growth Officer.
A highly experienced music executive and entrepreneur, Ric has worked with ATC for ten years, representing a wide range of artists, including Laura Marling, Glen Hansard, Trevor Horn, and Frank Carter. He is also co-founder of the BAFTA award winning livestream business Driift, the market-leader in the production and promotion of premium pay-per-view live events, and now part of the ATC Services business segment.
Prior to this, Ric managed globally established artists including Seal and Morrissey through his management company Harvest Entertainment, and held senior A&R roles at Sony Music, Ministry of Sound and Warner Music International, where he worked with artists as diverse as Eric Prydz, Rod Stewart, Beverley Knight, The Corrs, and Boyzone among many others.
In his new position, Ric will play a key role in ATC's senior management team as the company continues to globally expand its unique full-service model by securing new acquisitions and partnerships.
With well-established divisions in artist management (ATC Management) and live concert bookings (ATC Live), alongside a range of other in-house services - from merchandising, livestreaming, synchronization and music promotion, to brand partnerships, digital innovation, and live experiences - this model is already providing tailored support to more than 860 unique clients, helping them capitalise on new innovations and changing market dynamics to build successful and self-sustaining creative businesses.
Following an Initial Public Offering (IPO) in December 2021, ATC's expertise has been boosted by a recent series of strategic acquisitions, including direct-to-fan merchandising company Sandbag, live music promoter Joy Entertainment, and Raw Power Management, home to artists such as Bring Me The Horizon, Bullet For My Valentine, Jordan Adetunji, You Me At Six and Heartworms.
As a result, ATC Group's annual revenues grew by 107% in 2024.
Adam Driscoll, CEO, ATC Group:
"Ric's deep understanding of the music industry and the needs of artists makes him the ideal person for this newly created role. We look forward to seeing the immediate positive impact his appointment will undoubtedly have on the Group."
Ric Salmon, Chief Growth Officer, ATC Group:
"These are exciting times at ATC. We are building a new type of global music company, one with music management at its core, but with scope to capitalise on new technologies and market innovation, and provide a comprehensive range of services to help artists reach their creative and commercial potential. Among my responsibilities as Chief Growth Officer will be to continue to secure new acquisitions and partnerships that can expand this full-service model. I'm absolutely delighted to take up this new role, and to continue working with such a phenomenal team."
More details on the ATC Group can be found at: www.atcgroupplc.com
ATC's existing management clients include Nick Cave, PJ Harvey, The Smile, Sleaford Mods and Yaeji, while ATC Live books shows for more than 570 artists, including Amyl & The Sniffers, Big Thief, Black Pumas, English Teacher, Faye Webster, Fontaines D.C., Good Neighbours, Jungle, Nick Cave & The Bad Seeds, PJ Harvey, Royel Otis, Squid, The Lumineers and Yard Act.
ATC Group is headquartered in London, with offices in the key industry hubs of Los Angeles and New York, and also in Europe.
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THE HEADLINES
Omdia tips music publishers’ revenues to hit $10bn this year (see Reports)
Unit1 Studio launches offering potential for immersive avatar concerts through lower production costs (see Digital)
Are we still in the music business? When your POV is worth more than your mp3s (see Opinion)
Is rock’n’roll dead? (see Features)
Book extract: Body Of Work: How The Album Outplayed The Algorithm And Survived Playlist Culture (see Comment)
With MTV channels switching off, is the music video under threat? (see Features)
Spotify partnering with multinational music companies to develop ‘responsible’ AI products (see Digital)
Sam Fender wins 2025 Mercury Prize (see News)
Spotify working on ‘SongDNA’ feature that showcases the people behind tracks (see Digital)
How far should cultural boycotts go? (see Features)
How Subvert is building a co-op owned Bandcamp alternative (see Digital)
Lucian Grainge outlines UMG’s strategy for generative AI partnerships and product development (see News)
The future of music streaming: Change or be changed (see Comment)
Sam Altman: the man who stole the rights from copyright. If he’s the future, can we go backwards? (see Features)
Warner Music Group CEO Robert Kyncl discusses the company's “tremendous catalogue” (see Features)
There’s a £1 idea that could save small music venues. Is Live Nation holding it back? (see Features)
Breaking down the arguments around VMG’s Downtown Music acquisition (see Analysis)
Vevo report shows how fandom turns passion into impact and purchasing power (see Reports)