34% global streaming growth uplift: Luminate releases 2023 year-end music report 10 Jan 2024
Global On-Demand Audio Song Streams Broke the 4 Trillion Mark for the First Time
Share of English-Language Music Consumed Declines, Down Nearly 11% Globally Since 2021 (Amongst Top 10K Most Streamed Songs) as Hindi grows
The Report Includes Genre Analysis in Ex-U.S. Markets with Dance / Electronic music proving popular in Vietnam and Hungary and K-Pop finding fame with fans in Peru and Turkey
VIEW AND DOWNLOAD THE FULL REPORT
Today, Luminate, the entertainment industry's most essential data partner, released its 2023 Year-End Music Report. As in previous years, this report provides a quantitative look at the top trends that defined the global and U.S. music businesses in 2023, from genre shifts and new super fan insights to global listening trends and the relationship between film, TV and music discovery. The report also includes the definitive Year-End Charts, presented in partnership with Billboard, whose charts Luminate (formerly operating as Nielsen Music/SoundScan) has been fueling since 1991.
Luminate's new country-level streaming data, a new offering for Luminate's industry partners in its new data platform, was used to create the report, providing genre analysis for a myriad of markets outside of the U.S. The new offering follows last year's unveiling of Luminate's new global data platform, operating now in Beta.
Speaking on the release of the report and the new international data offering, Rob Jonas, CEO, Luminate, said, "As the trend of global streaming expands, evidenced by a +34% surge in 2023 according to our data, Luminate is committed to enhancing the international scope of the data and insights we provide. We're pleased to present this report, fueled predominantly by our new country-level streaming data and amplified by insights from our audience research. We aim to capture the trends that defined the music industry over the past year across 50 diverse markets. It also reflects the innovative strategies our team applied in managing data in 2023, including new partnerships with companies such as Deezer, Melon, Flo and Anghami. We look forward to continuing that collaborative approach in 2024."
Global music streaming volumes reached new records in 2023 while Taylor Swift dominated US consumption
The global total on demand song streams (audio+video) was 7.1 trillion (up 33.7% year on year), while global on-demand audio song streams broke the four trillion mark for the first time in 2023, totalling 4.1 trillion streams (up 22.3%). 436k tracks (ISRCs) were streamed 1 million or more times globally in 2023, up 16.7% from 373.5k tracks in 2022.
In the U.S., On-Demand Audio streaming grew +12.7% to 1.2 trillion in 2023, accounting for approximately a quarter of all songs streamed globally. Consumption of Catalog music[1], i.e. tracks older than 18 months, continued to grow in the territory, increasing by 0.4% to 72.6% compared to 27.4% of Current music consumption. A closer look at the US market revealed:
â— Taylor Swift made up 1.79% of the U.S. market (Albums w/ TEA w/ SEA On-Demand Audio) and 1 in every 78 U.S. Audio streams.
â— Female artist representation in audio stream volume within the Top 500 most streamed artists in the U.S. grew +4.2 percentage share points between 2022 and 2023.
â— The U.S. average music streaming spend increased in 2023, but Gen Z listeners reported spending 11% less on music streaming services per month when compared to 2022.
â— Tracks released in the last 5 years (2019-2023) make up 48.3% of U.S. audio streaming when analyzing the Top 500k tracks.
Concert films and music documentaries boosted music streaming
In 2023, the increasing influence of film, TV and on-demand platforms like Netflix boosted music discovery and streaming metrics for both current and heritage artists:
· The release of the Wham! Netflix documentary in July had a positive impact on the music streaming metrics of both Wham! and George Michael. In the three weeks following the documentary's release, there was a 21.2% surge in combined global music streaming, and the duo secured their first Christmas Number 1 with 'Last Christmas,' 37 years after the song's initial release.
· Taylor Swift, Talking Heads and Beyonce also enjoyed a significant boost in their on-demand global audio streaming performance in the three weeks after the release of their concert films in 2023: Taylor Swift with an astonishing 42.46% increase, Talking Heads with 14.10% and Beyonce with 24.57%.
Continued rise of world music adding downward pressure on English language streams
The share of English language on-demand audio and video in the Top 10K Global Tracks continued to decline since 2021 (-11%), while Hindi-language content grew alongside India's streaming market in the same period (+4%).
The streaming share of English language audio and video remains the most popular globally at 54.9%, down from 67% in 2021; Spanish language music follows in second place at 10%, with Hindi at 7.8% (up from 3.8% in 2021), Korean at 2.4% and Japanese at 2.1% (up from 1.5% in 2021).
A snapshot of the listening trends in the U.S. market revealed:
â— The streaming share of English language audio and video amongst the Top 10K streaming tracks in the U.S. decreased by 3.8% since 2021, while Spanish-language content grew +3.8% in that same timeframe.
â— Six Latin Music artists achieved 1B+ On-Demand Audio streams in the U.S. (Bad Bunny, Peso Pluma, Eslabon Armado, Karol G, Junior H, Fuerza Regida) with each of these artists in the U.S. Top 125 for 2023 Audio streaming.
â— 63% of Gen Z and 65% of Millennials agree they "listen to new music to experience new cultures & perspectives."
â— Multilingual music listeners are more likely to discover music via movie soundtracks (+34%), exclusive TV shows from streaming platforms (+36%), and video games (+50%).
â— Multilingual music listeners are 42% more likely than the average music listener to say "having access to music by global artists" is important when choosing a streaming service.
Genres enjoy cultural crossover outside of traditional territories whilst World Music, Latin and Country experience strong growth in the U.S.
A global analysis of the Top 100 songs of a specific genre showed where tracks are performing strongly outside of traditional home regions. Outside of the U.S., Dance / Electronic music accounted for the most proportion of streams in Vietnam, Slovakia, Croatia, Malaysia, and Hungary; whilst K-Pop proved popular outside of APAC with music fans in Peru, Turkey, Bolivia, Romania and Ecuador. The report also highlights the growing global listenership for Afrobeats, Country, U.S. Hip Hop / Rap and Latin music.
In the U.S., World, Latin and Country music saw the fastest growth in on-demand audio streaming activity by percentage change: World, which includes K-Pop and Afrobeats (+26.2%); Latin (+24.1%); Country (+23.7%).
â— Gen Z and Millennials are powering country artists to new streaming heights:
â—‹ Gen Z Country Listeners in the U.S. are 48% more likely to discover new music through video and/or audio streaming services than the average U.S. consumer and +16% more than other Gen Z music listeners.
â—‹ Gen Z Country Listeners in the U.S. are 64% more likely to listen to playlists shared by family and friends than the average U.S. consumer and +16 % more likely than other Gen Z music listeners.
â— Regional Mexican Music grew +60% in U.S. On-Demand Audio streams:
â—‹ U.S. Regional Mexican listeners see higher concentrations along the west coast and through the Southwest in states like Texas. This listenership aligns with Census demographic trends illustrating hispanic population patterns in the U.S. With 47% of Latin fans discovering new music via Friends and Relatives, the tie to culture is evident.
â— U.S. Hip-Hop consumption in 2023:
â—‹ In a year when Hip-Hop celebrated its 50th anniversary, the genre continues to lead all others in U.S. consumption (Albums w/ TEA w/ SEA On-Demand Audio).
â—‹ However, Current vs Catalog U.S. On-Demand Audio streaming reveals that R&B/Hip-Hop Current streaming is down 7.1% in volume since 2022 while Catalog grew 11.3%.
Catalog music paves the way for virtual concerts and other XR experiences
As well as the impact of concert films and audiovisual content on streaming figures, the report highlights further key trends in the consumption and creation of music, focusing on the growth of physical formats and the success of virtual experiences for legacy artists.
The success of the ABBA Voyage virtual concert tour launched in May 2022 for a minimum 2-year run, has opened up new revenue streams for other legacy acts.
· Swedish band ABBA saw a global surge of on-demand audio streams right after the launch of its virtual concert tour ABBA Voyage in London. In 2023, audio streams of the band were 16.7% higher than in 2022.
· More than 20% of Pop Top 40 UK listeners are more likely to tune into a live streamed / virtual music performance or event if the artist is performing top hits and old favorites, when compared to the average UK music listener.
· In The U.S., live music attendees are +170% more likely to attend a virtual concert than the average U.S. music listener.
- Millennials who attend live events and virtual concerts on average spend 3X more per month on music activities than the average U.S. listener.
Super Fans drive music sales in CDs, vinyl and merch
A closer look at the world's largest recorded music market – the U.S. – reveals the influential role that Super Fans play in driving the surge in sales for CDs, vinyl records, and music merchandise.
â— U.S. direct-to-consumer (D2C) market sales were up 38.6% in 2023 to amount 11.8m; vinyl D2C sales were up 39.8% year-over-year and CDs up 12.9%. Additionally, over 60% of all U.S. D2C sales were current titles.
â— 18% of U.S. music listeners are Super Fans.
â— Super Fans spend +76% more on music per month than the average U.S. music listener.
â— Super Fans spend +126% more on artist merch than the average music listener.
â— The average K-Pop fan is 50% more likely to purchase merch for a music event they did not attend and reported $30.20 as the optimum price for T-shirt merch.
Soundtracks and syncs are key sources for music discovery
â— Movie theater goer behaviors in relation to music:
â—‹ U.S. movie theater goers are 70% more likely to have attended a live concert in the last 12 months than the average U.S. consumer.
â—‹ 59% of U.S. movie theater goers say they like watching live streamed performances by music artists, which is 13% more than the general population.
â— Millennials who listen to predominantly Black music genres (Afropop, Gospel, Hip-Hop/Rap, Jazz, R&B and Reggae) are more likely to choose entertainment content that helps "connect with my culture/identity/values."
â— 42% of female Gen Z consumers are likely to discover new music through film and film soundtracks, which is 20% more than the general population.
The Music Plays Forever
Note: This section details the smaller number of publicly reported music acquisition deals this year (citing PitchBook) and offers a look at how interest rates affect loan costs. There is then an immediate case study of the ABBA Voyage Tour and how this avatar / virtual experience impacts streaming activity. To cite our own data for this executive summary we've included stats on US virtual attendees.
NEWS & PRESS
PRS for Music and IPRS announce groundbreaking new licensing model to launch Apple Fitness+ in India
PRS for Music and the Indian Performing Right Society (IPRS) have today announced a landmark new licensing model to support the launch of Apple Fitness+ in India. The new initiative marks a significant step forward in how digital music rights are...more
North East Music Leader Named On Influential Government Creative Council
Generator CEO will sit among leading figures from film, TV, design and other creative sectors to champion regional music industry The leader of a North East headquartered music development organisation has been named on an influential Government-led body charged with developing...more
‘The Numbers No Longer Add Up’: Half of Night Time Venues Face 50%+ Business Rate Rises as 2026 Operating Costs Become Unsustainable
Britain’s nightclubs, live music venues, and late-night entertainment spaces are warning that 2026 will bring unsustainable operating costs, with nearly half of venues expecting business rates to rise by 50% or more, according to a flash poll of 345 nightlife business operators. Rising rates...more
Universal Music Group and Splice to Collaborate on the Next Generation of AI-powered Music Creation Tools for Artists
Universal Music Group (UMG), the world leader in music-based entertainment, and Splice, the world's most popular music creation platform, have agreed to collaborate on joint exploration of the next generation of AI-powered music creation tools for musical artists. UMG and Splice are...more
Global Nightlife Leaders from Over 30 Countries Converge on Liverpool for Night Time Economy Summit 2026
Liverpool will take centre stage in the global nightlife conversation as night-time economy leaders from more than 30 countries converge on the city for the Night-Time Economy Summit 2026, taking place on 11th and 12th February 2026. Hosted at Blackstock Market, the two-day Summit...more
European Talent Exchange presents final results 2025
ESNS Alumni make international impact across festivals in 2025 European Talent Exchange proudly presents the final results of 2025, a year in which emerging European artists crossed borders at an exceptional pace. Throughout the year, the programme supported 352 shows by 150...more
Independent music publishers generated €2.7bn in 2024 globally - up 5.1% YoY
The latest edition of IMPF's Global Market View also confirms that the collective global market share of the independent music publishing community held firm at 26.3% in 2024. Independent music publishers generated €2.7bn globally in 2024, representing a 5.1% increase year-on-year. The...more
PPL distributes £54.3 million to 147,000 performers and recording rightsholders bringing payments in 2025 to £277.7 million
PPL is paying £54.3 million to 147,000 performers and recording rightsholders today, either as direct members of PPL or indirectly through other collective management organisations (CMOs), including over 8,500 first time payees. This final distribution of the year also includes...more
Beggars Group
We are pleased to confirm that the shares in the Beggars Group were transferred into a Trust in October 2024. This strategic decision aims to preserve the company's independence and help to ensure continuity over future generations, in the interests...more
France’s music publishing market was up 6% in 2024 to €597 million boosted by strong revenues in Digital, Public Performance and Live
The music publishing market in France has posted record revenues of €597 million in 2024, up 6% compared to 2023, according to the yearly report ‘Focus on Music Publishing in France 2024′, unveiled today by music publishers’ associations CSDEM (pop...more
Bandcamp Fridays in 2025 Deliver Over $19 Million to Independent Artists and Labels, Surpassing Last Year's Total
Final Bandcamp Friday of the Year Was the Strongest of the Year – Driving More Than $3.8 Million in 24 Hours Since Its 2020 Launch, the Initiative Has Routed Over $154 Million Directly to Artists and Labels Bandcamp, the world's largest online music...more
BMG and TikTok expand partnership to advance songwriter recognition and digital rights management
BMG has renewed and expanded its direct music publishing agreement with TikTok, marking the next phase in a partnership focused on evolving digital rights, creating deeper value for songwriters, and supporting continued innovation across the platform. The new agreement strengthens BMG's...more
Christmas break 2025 - News
News from the break will appear here from 20 December to 4 January....more
BPI opens nominations for election of Independent Representatives on its Council
The BPI is holding elections for two independent representative places on its Council BPI Council plays a key role in determining the trade association’s strategy and policy goals Deadline for nominations is 1pm Thursday 15 January 2026, with voting opening in early...more
PRS for Music pays out record £274.9 million in final royalty distributions of 2025
Nearly 400 music creators receive a royalty payment for the first time PRS for Music has announced its largest-ever royalty payout, distributing £274.9 million to rightsholders worldwide. The December distributions mark a 4% increase on last year, cementing its role as...more
Music Venue Trust Announces New Co-Chairs and Expanded Board Governance as Sector Faces Critical Year Ahead
Music Venue Trust (MVT), the charity which represents hundreds of UK grassroots music venues (GMVs), has announced key changes to its Board of Trustees as the organisation prepares for the challenges of 2026. Chris Prosser and Jane Beese have been...more
Beatchain deepens emerging market presence with West African launch of WAVVI in partnership with Tom Russell & Y’akoto, Founders of AFROSON1C X
New platform will connect talent from one of the world’s fastest growing music regions with global opportunities Beatchain, the AI-driven A&R, artist and label services platform for the independent music sector, is expanding into West Africa through a collaboration with British...more
Eric Wong promoted to EVP, Recorded Music at Warner Music Group
Esteemed Exec Takes On New Post Alongside His Role As President, East West Records US & President, Warner Music Canada Warner Music Group (WMG) today announced that Eric Wong has been promoted to EVP, Recorded Music at WMG alongside his post as President,...more
Alain Lanceron named Chairman Emeritus of Warner Classics & Erato
NONESUCH RECORDS PRESIDENT DAVID BITHER TO OVERSEE WMG'S CLASSICAL DIVISION MARKUS PETERSEN APPOINTED EVP & GENERAL MANAGER, WARNER CLASSICS Veteran music executive Alain Lanceron has been named Chairman Emeritus of Warner Classics & Erato, effective January 1, 2026. The widely admired leader has worked...more
Boomtown appoints new Managing Director
Boomtown Festival has announced the promotion of Toby Gwazdacz to the newly created role of Managing Director, marking an evolution in the festival’s leadership structure. In his new position, Gwazdacz will work strategically alongside Boomtown co-founders Luke Mitchell and Chris...more
The BRIT Trust announces its beneficiary charities for 2026
Grants totalling more than £30 million have been awarded by the BRIT Trust since its foundation in 1989, supporting causes that share its mission to improve lives through the power of music and the creative arts The BRIT Trust – the principal charity of...more
Cherry Red Records acquires Gull Records, State Records, and Uproar Entertainment
Cherry Red Records is proud to announce the acquisition and representation of three significant and culturally influential catalogues: Gull Records, State Records, and Uproar Entertainment. Each brings a unique catalogue to the Cherry Red roster, expanding the label’s repertoire in...more
New Study Warns Spotify’s 1,000-Stream Rule Is Silencing Southeast Europe’s Music Scene
Read the study here A comprehensive new report entitled Impact Analysis of Spotify’s 1,000-Stream Rule, conducted by ANMIP-BG - IMPALA member and national association representing Bulgarian independent labels - in association with SoAlive Music Conference and Flat Line Collective, has uncovered...more
UK Music Chief Executive response to Government AI & Copyright Statement of Progress
In response to the Government’s Copyright and Artificial Intelligence Statement of Progress published today, UK Music Chief Executive Tom Kiehl said: “UK Music welcomes the findings from the Government’s AI consultation, which vindicates the position taken by UK Music and the...more
Divo appoints Ashok Parwani as Head Of Music
Strategic Hire Will Accelerate Regional Catalogue Expansion and Strengthen Artist Partnerships in Key South Indian Markets Divo, one of South India's leading digital media and music companies, which is majority owned by Warner Music India, today announced the appointment of Ashok...more
RoEx Announces Studio Pro
Hits 5 Million Track Milestone Audio technology company RoEx has introduced Studio Pro, a premium subscription tier for its Mix Check Studioplatform, marking the release alongside a significant milestone: 5 million tracks enhanced across its suite of AI-driven audio production tools. Studio Pro offers unlimited access to Mastering+...more
[PIAS] Announces Retirement of Nick Hartley, Group Chief Operating Officer & Group Chief Financial Officer
Longstanding Board Director to Step Down after 26 Years [PIAS], one of the world’s leading music groups, has announced the retirement of Nick Hartley, the company’s Group Chief Operating Officer (COO) & Group Chief Financial Officer (CFO). After a distinguished career spanning...more
Nile Rodgers honoured with Outstanding Achievement Award at 65th MPA Christmas lunch
Iconic CHIC co-founder and global hitmaker recognised for five decades of musical innovation as the MPA celebrates a Disco-themed 2025 Christmas Lunch The Music Publishers Association (MPA) today presented the legendary Nile Rodgers with its prestigious Outstanding Lifetime Achievement Award for Songwriting &...more
FAC & Amazon Music offer a step up boost to five more UK artists
Gigi Moss, lleo, Maya Lane, Nia Wyn and Richard Carter will all receive three days of studio time at The Breakthrough Lab - the bespoke, state-of-the-art production facility operated by Amazon Music and Metropolis Studios This expansion of Step Up Fund...more
‘You could go for years without knowing you can earn a penny’: Kojey Radical on songwriter royalties
Exclusive recording of 101 Part Time Jobs podcast with BRIT, Ivor Novello and Mercury Prize-nominated Kojey Radical out now. The launch of the Livelihood campaign from PRS for Music highlights the crucial need for greater education around live performance royalties. An...more
THE HEADLINES
What’s going to give you the marketing edge in 2026? (see Features)
The global value of music copyright hits an all-time high (see Reports)
The 'metamorphosis' of Atlantic Records (see Features)
Looking ahead to 2026 (see Opinion)
Boost for artists in AI copyright battle as only 3% back UK active opt-out plan (see News)
Music discovery: More channels, more problems (see Reports)
The 10 biggest AI music stories of 2025 (see Features)
Do pop stars write their own hits—and if not, who does? (see Analysis)
TikTok unveils its Year in Music Report (see Digital)
Coldplay, U2, Ed Sheeran named most popular touring artists of the millennium (see News)
King Gizzard, having pulled music from Spotify in protest, find genAI clones on the platform (see Digital)
UK parliamentarians join call to regulate most powerful AI systems (see News)
Martin Mills is trying to thwart a record industry takeover by Universal (see Features)
