28 leading A&R professionals confirmed for A&R Sessions at Brighton Music Conference 30 Apr 2025
The award-winning Brighton Music Conference (BMC), the UK’s leading electronic music and networking event, is excited to welcome 28 leading A&R professionals in the electronic music scene to the ‘A&R Sessions’ at BMC25.
Taking place from 21st to 23rd May 2025 at some of Brighton’s best loved seafront venues, BMC will once again bring together Industry-leading professionals and present a packed programme of insightful talks, workshops and networking events.
A&R is an important part of electronic dance music. So many tracks are produced and released every week that there has to be some sort of filtering process. Somebody needs to look for the new talent, nurture it, mentor budding up and coming artists, give feedback on tunes and help a new young producer with their productions.
The ‘A&R Sessions’ at BMC25 is where artists can bring their demos and have some of the most discerning ears in the industry listen to them. Headed up by prolific DJ and music producer Steve Mac, a wide variety of labels covering different genres has been lined up to give more opportunities for immediate feedback on productions and one-to-one meetings with leading A&Rs in the electronic music industry.
Confirmed labels and A&R profesisonals Include; Armada, Axtone, Beatport, Critical, Data Transmission, Defected, Eve Records, Fabric Records, Freakin 909, Helix Records, Inflyte, Krafted, Label Radar, LNADJ Records, Maraki, Mesh, Mixmasters, Perfecto, Prime Direct Distribution, R&S Records, Rinse FM, Shogun Audio, Sleazy Deep, Toolroom Records, Trusted Rhythm Records, We Are The Brave and Wh0 Plays.
“We love supporting the next generation of talent and helping them on their career journey.” says BMC founder Billy Mauseth. “We have an amazing line up of experts that will be on hand to give quality feedback on artists productions and they might even get signed.’
The ‘A&R Sessions’ will take place at The Tempest on Brighton’s beachfront, just a short walk from the main BMC Hub at Players. Last year was a sell-out success, with a high quality of music being submitted and several signings during the event. The sessions will be booked on a first come first served basis. Limited spaces available, book your tickets now here.
Priding itself on being one of the most welcoming and friendly music industry events to attend, BMC is a hub for the next generation of talent in electronic music with an affordable ticket price.
BMC is the place to kick-start your career, keep up to date with the latest industry trends and best practices, build and grow your network, make new connections and immerse yourself in all things related to the electronic music scene.
BMC have already announced the first 100 speakers and session topics for its 12th edition, with more to be announced soon.
More info on BMC here: https://www.brightonmusicconference.co.uk/
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THE HEADLINES
The Velvet Sundown may be the first breakout AI band from Suno (see Digital)
Amid cuts, WMG to "continue to supercharge our capabilities in long-term artist, songwriter, and catalog development" (see Business)
WIN CEO writes to European Commission Vice-President over Universal's acquisition of Downtown (see Comment)
If Spotify truly champions discovery, it should champion fair compensation from the first stream (see Comment)
Selected Glastonbury coverage (see News, Features, Showbiz, Reviews)
Streaming is both retail and radio – it shouldn’t be (see Comment)
Impala’s Helen Smith on UMG's planned Downtown acquisition (see Comment)
Retiring Arista CEO David Massey shares his top 10 career highlights (see Features)
Budweiser’s royalty loophole ad: How AI and social have changed the value of creators (see Comment)
When did making music get so lonely? (see Comment)
How will Taylor Swift’s masters ownership saga be remembered? (see Audio&Visual)
The copyright war between the AI industry and creatives (see Comment)
Interview: Lyor Cohen, the head of YouTube Music (see Features)
The ‘pure’ songwriter is disappearing – and it’s everyone’s problem (see Comment)
What 20 years of YouTube reveals about creativity’s future (see Features)