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Music charity The BRIT Trust is delighted to announce the appointment of Tony Wadsworth CBE as its new Chair.

Tony, a BRIT Trustee for 16 years and a hugely respected industry figure including for his tenure as Chairman and CEO of EMI Music UK and Chair of the BPI, takes over from John Craig OBE, who announced in November that he would be standing down from the role.

Reacting to his appointment as new Chair of The BRIT TrustTony Wadsworth CBE said:
“I am honoured to be the new Chair of The BRIT Trust, and to have this opportunity to work with my fellow trustees to build on the outstanding  work of the Trust since its formation in 1989.  

“The BRIT Trust is the music industry’s charity and provides funding to the BRIT School and Nordoff Robbins Music Therapy, among many others, that promote education and wellbeing through music encouraging values of accessibility, diversity and inclusion. The huge challenges created by the pandemic mean that the work of the Trust is now needed more than ever, but while our guiding principles remain the same, this changed landscape means there is now also an opportunity to reset some of the ways we can look to achieve our goals so these are more closely aligned with the needs of our industry and the communities we are here to serve.”

Universal Music UK’s Rebecca Allen (President, EMI Records) and Selina Webb (Executive Vice President of Universal Music UK), who are Co-Chairs of this year’s BRITs Committee, said:
“Music and the creative arts enrich all our lives. Nobody understands this better than the BRIT Trust who do a fantastic job in bringing the industry together behind countless charities and initiatives which amplify the power of music, and support those in need. As Chair, Tony will bring leadership, energy and unrivalled industry experience to help take the work of this important charity to the next level.”

Also welcoming Tony Wadsworth’s appointment, BPI & BRIT Awards Chief Executive, Geoff Taylor, said:
“Having had the privilege of working very closely with Tony when he was Chair of the BPI, I know first-hand the vision, experience and collaborative leadership he will bring to this role. The work of the BRIT Trust has never been more important, at a time when young people face more obstacles than ever in developing their creative careers.

“I’m certain that Tony will take the vital work of the Trust forward with new impetus and a refreshed sense of purpose.”

The BRIT Trust receives much of its funding from the charitable proceeds of music event such as The BRIT Awards and the annual fundraising dinner the Music Industry Trusts Award, which it then distributes as grants to charities and causes that promote education and wellbeing through music.

Around £27 million has been donated through the Trust since it was established by the music industry in 1989, in the process providing thousands of young people of all backgrounds, many of whom have gone on to successful careers, with extensive opportunities to work in the music and the creative industries.  The biggest beneficiaries to date include The BRIT School – the leading performing and creative arts school in the UK that is completely free to attend – which has received nearly £15 million in funding, and Nordoff Robbins, the leading independent music therapy charity in the UK, which has had around £8 million in support.  Other causes to benefit from the Trust include mental health charities Mind and Music Support, youth offending rehabilitation charity Key4Life, and ELAM (East London Arts and Music), as well as funding apprenticeships for young people through the BPI’s BRITs Apprentice Scheme.

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23 Jan 2026

  • Did things really get better in 2025 for the UK's music business? (see Comment)

22 Jan 2026

  • BRIT Awards 2026: Nominations and reactions (see News)

21 Jan 2026

  •  Music Venue Trust annual report highlights ongoing issues, and optimism (see News)

20 Jan 2026

  • Do Spotify’s AI Playlists change how algorithmic discovery actually works? (see Features)

19 Jan 2026

  • A&R 2026: We lost "R" (see Opinion)

16 Jan 2026

  • Do most artists peak with their first album? (see Analysis)

15 Jan 2026

  • Court battle over unpaid royalties could have implications for the industry in the streaming era (see News)

  • Luminate released its 2025 year-end music report (see Reports)

14 Jan 2026

  • Impala sets out crucial questions on UMG/Downtown, AI, sovereignty and more for EU & music sector (see Comment)

13 Jan 2026

  • Spotify’s new co-CEOs highlight what’s ahead for the company (see Digital)

12 Jan 2026

  • Music publishers sued by X in growing licensing battle (see News)

  • Call on EU to clamp down on unauthorised ticket reselling (see News)