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Music charity The BRIT Trust is delighted to announce the appointment of Tony Wadsworth CBE as its new Chair.

Tony, a BRIT Trustee for 16 years and a hugely respected industry figure including for his tenure as Chairman and CEO of EMI Music UK and Chair of the BPI, takes over from John Craig OBE, who announced in November that he would be standing down from the role.

Reacting to his appointment as new Chair of The BRIT TrustTony Wadsworth CBE said:
“I am honoured to be the new Chair of The BRIT Trust, and to have this opportunity to work with my fellow trustees to build on the outstanding  work of the Trust since its formation in 1989.  

“The BRIT Trust is the music industry’s charity and provides funding to the BRIT School and Nordoff Robbins Music Therapy, among many others, that promote education and wellbeing through music encouraging values of accessibility, diversity and inclusion. The huge challenges created by the pandemic mean that the work of the Trust is now needed more than ever, but while our guiding principles remain the same, this changed landscape means there is now also an opportunity to reset some of the ways we can look to achieve our goals so these are more closely aligned with the needs of our industry and the communities we are here to serve.”

Universal Music UK’s Rebecca Allen (President, EMI Records) and Selina Webb (Executive Vice President of Universal Music UK), who are Co-Chairs of this year’s BRITs Committee, said:
“Music and the creative arts enrich all our lives. Nobody understands this better than the BRIT Trust who do a fantastic job in bringing the industry together behind countless charities and initiatives which amplify the power of music, and support those in need. As Chair, Tony will bring leadership, energy and unrivalled industry experience to help take the work of this important charity to the next level.”

Also welcoming Tony Wadsworth’s appointment, BPI & BRIT Awards Chief Executive, Geoff Taylor, said:
“Having had the privilege of working very closely with Tony when he was Chair of the BPI, I know first-hand the vision, experience and collaborative leadership he will bring to this role. The work of the BRIT Trust has never been more important, at a time when young people face more obstacles than ever in developing their creative careers.

“I’m certain that Tony will take the vital work of the Trust forward with new impetus and a refreshed sense of purpose.”

The BRIT Trust receives much of its funding from the charitable proceeds of music event such as The BRIT Awards and the annual fundraising dinner the Music Industry Trusts Award, which it then distributes as grants to charities and causes that promote education and wellbeing through music.

Around £27 million has been donated through the Trust since it was established by the music industry in 1989, in the process providing thousands of young people of all backgrounds, many of whom have gone on to successful careers, with extensive opportunities to work in the music and the creative industries.  The biggest beneficiaries to date include The BRIT School – the leading performing and creative arts school in the UK that is completely free to attend – which has received nearly £15 million in funding, and Nordoff Robbins, the leading independent music therapy charity in the UK, which has had around £8 million in support.  Other causes to benefit from the Trust include mental health charities Mind and Music Support, youth offending rehabilitation charity Key4Life, and ELAM (East London Arts and Music), as well as funding apprenticeships for young people through the BPI’s BRITs Apprentice Scheme.

19 Oct 2025 | Press release

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17 Oct 2025 | Press release

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17 Oct 2025 | Press release

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17 Oct 2025 | Press release

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17 Oct 2025 | Press release

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17 Oct 2025 | Press release

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17 Oct 2025 | Press release

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17 Oct 2025 | Press release

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17 Oct 2025 | Press release

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17 Oct 2025 | Press release

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17 Oct 2025 | Press release

BPI response to Spotify announcement on AI

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17 Oct 2025 | Press release

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17 Oct 2025 | Press release

Sam Fender announced as overall winner of 2025 Mercury Prize 'Album of the Year'

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17 Oct 2025 | Press release

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16 Oct 2025 | Press release

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16 Oct 2025 | Press release

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16 Oct 2025 | Press release

Yoto Launches Official KPop Demon Hunters Soundtrack Card

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16 Oct 2025 | Press release

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16 Oct 2025 | Press release

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16 Oct 2025 | Press release

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16 Oct 2025 | Press release

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16 Oct 2025 | Press release

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16 Oct 2025 | Press release

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16 Oct 2025 | Press release

Sony Music Publishing, Sea Gayle Music, Domain Capital Group Launch Global Admin Partnership

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16 Oct 2025 | Press release

Musixmatch Signs AI Innovation Deals with Sony Music Publishing, Universal Music Publishing Group, and Warner Chappell Music

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16 Oct 2025 | Press release

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15 Oct 2025 | Press release

IFPI shuts down Y2mate.com and 11 other major stream ripping sites in landmark action in Vietnam

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15 Oct 2025 | Press release

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15 Oct 2025 | Press release

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15 Oct 2025 | Press release

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17 Oct 2025

  • Spotify partnering with multinational music companies to develop ‘responsible’ AI products (see Digital)

  • Sam Fender wins 2025 Mercury Prize (see News)

16 Oct 2025

  • Spotify working on ‘SongDNA’ feature that showcases the people behind tracks (see Digital)

15 Oct 2025

  • How far should cultural boycotts go? (see Features)

  • How Subvert is building a co-op owned Bandcamp alternative (see Digital)

14 Oct 2025

  • Lucian Grainge outlines UMG’s strategy for generative AI partnerships and product development (see News)

  • The future of music streaming: Change or be changed (see Comment)

13 Oct 2025

  • Sam Altman: the man who stole the rights from copyright. If he’s the future, can we go backwards? (see Features)

10 Oct 2025

  • Warner Music Group CEO Robert Kyncl discusses the company's “tremendous catalogue” (see Features)

  • There’s a £1 idea that could save small music venues. Is Live Nation holding it back? (see Features)

  • Breaking down the arguments around VMG’s Downtown Music acquisition (see Analysis)

09 Oct 2025

  • Vevo report shows how fandom turns passion into impact and purchasing power (see Reports)

08 Oct 2025

  • The music industry must plan for the day when AI music-generation tools produce humanlike music in bulk (see Features)

07 Oct 2025

  • Price cap on ticket resales set to be introduced (see News)

06 Oct 2025

  • Raye and Sony’s Jon Platt speak out for songwriters at Ivors Academy Honours Ceremony (see News)