Nominations announced for the The Ivors 2019 25 Apr 2019
The Ivors Academy have announced the nominations for The Ivors 2019. The winners will be revealed at a star-studded ceremony at Grosvenor House, Park Lane, London on 23rd May.
The Ivors, now in their 64th year, celebrate, honour and reward excellence in British and Irish songwriting and composing across categories for songs, albums, film, TV and video game scores. The ceremony will also present Ivor Novello Awards that recognise music creators for their wider contribution to British music.
Music creators nominated to receive an Ivor Novello Award in a judged category are chosen by panels of songwriters and composers, representing true peer recognition.
The nominations for PRS for Music Most Performed Work credit songs having received the most broadcast, online and general performances in the calendar year ending 31 December 2018.
Works eligible for this year’s awards were commercially released in the UK in 2018 and have a British or Irish songwriting or composing contribution of at least a third.
The nominations for The Ivors 2019 represent the work of 48 individual songwriters and composers, 70% of whom are nominated for the first time.
The Ivors Academy Chair, Crispin Hunt, says “The works nominated for The Ivors 2019 are brilliantly diverse, and we’re delighted to see so many first-time nominees recognised. As the only peer-nominated music award in the country, they are a fantastic reflection of the exciting emerging talent of British & Irish music creators today. Our congratulations to all nominated.”
The Ivors are sponsored by PRS for Music.
The 2019 Ivor Novello Awards nominations are:
BEST SONG MUSICALLY AND LYRICALLY
Four Out Of Five
Written by Alex Turner
Performed by Arctic Monkeys
Published in the UK by EMI Music Publishing
Nica Libres at Dusk
Written and performed by Ben Howard
Published in the UK by Warner/Chappell Music Publishing Limited
Nina Cried Power
Written and performed by Hozier
Published in the UK by Sony/ATV Music Publishing – The Evolving Music Company
BEST CONTEMPORARY SONG
Black Rose
Written by Ghetts, Kojey Radical, Daniel Miles, JoJo Mukeza and Jaime Naldo Menezes
Performed by Ghetts ft Kojey Radical
Published in the UK by BMG Rights Management and EMI Music Publishing – Stellar Songs
Blue Lights
Written by Guy Bonnet, Dizzee Rascal, Roland Romanelli and Jorja Smith
Performed by Jorja Smith
Published in the UK by EMI Music Publishing, Universal Music Publishing and Sony/ATV Music Publishing
Love It If We Made It
Written by George Daniel, Adam Hann, Matthew Healy and Ross MacDonald
Performed by The 1975
Published in the UK by Good Solider Songs
PRS FOR MUSIC MOST PERFORMED WORK
Breathe
Written by Jax Jones and Ina Wroldsen
Performed by Jax Jones ft Ina Wroldsen
Published in the UK by Kobalt Music Publishing and Reservoir Reverb Music
Shotgun
Written by George Ezra Barnett, FRED and Joel Pott
Performed by George Ezra
Published in the UK by BMG Rights Management and Sony ATV/Music Publishing – Promised Land Music
These Days
Written by Julian Bunetta, Dan Caplen, Macklemore, John Ryan and Jamie Scott
Performed by Rudimental ft Jess Glynne, Macklemore and Dan Caplen
Published in the UK by Big Deal Music – Peermusic UK, BMG Rights Management, Kobalt Music Publishing and EMI Music Publishing
BEST ALBUM
Cocoa Sugar
Written by Kayus Bankole, Graham Hastings and Alloysious Massaquoi
Performed by Young Fathers
Published in the UK by Just Isn’t Music Limited
I’m All Ears
Written by Jenny Hollingworth and Rosa Walton
Performed by Let’s Eat Grandma
Published in the UK by Blue Raincoat Songs
Joy As An Act of Resistance
Written by Jonathan Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan and Joseph Talbot
Performed by Idles
Published in the UK by Kobalt Music Publishing
BEST ORIGINAL FILM SCORE
American Animals
Composed by Anne Nikitin
Published in the UK by Accorder Music - Peermusic UK
Phantom Thread
Composed by Jonny Greenwood
Published in the UK by Warner/Chappell North America Limited
Spider-Man: Into the Spider-Verse
Composed by Daniel Pemberton
Published in the UK by Sony/ATV Music Publishing
BEST TELEVISION SOUNDTRACK
Flowers (Series 2)
Composed by Arthur Sharpe
Published in the UK by Sony/ATV Music Publishing
Happy New Year, Colin Burstead
Composed by Clint Mansell
Published in the UK by Decca Publishing – Universal Music Publishing
Requiem
Composed by Natasha Khan and Dominik Scherrer
Published in the UK by BMG Rights Management, Du Vinage Publishing and Sony/ATV Music Publishing
BEST ORIGINAL VIDEO GAME SCORE
Assassin’s Creed Odyssey
Composed by Michael Georgiades, Joe Henson and Alexis Smith
Q.U.B.E. 2
Composed by David Housden
Sea of Thieves
Composed by Robin Beanland
The winners in each category will be announced at the awards ceremony at the Grosvenor House, London on Thursday 23rd May 2019.
In addition to the above award categories, the following Ivor Novello Awards will be presented in recognition of a contribution to UK music:
INTERNATIONAL ACHIEVEMENT
OUTSTANDING SONG COLLECTION
PRS FOR MUSIC OUTSTANDING CONTRIBUTION TO BRITISH MUSIC
PRS FOR MUSIC SPECIAL INTERNATIONAL AWARD
SONGWRITERS OF THE YEAR
THE IVORS JAZZ AWARD
THE IVORS INSPIRATION AWARD
For more information visit www.ivorsacademy.com or follow us @IvorsAcademy
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THE HEADLINES
BPI CEO calls on music industry and government to unite around 5 key priorities to support human artistry and sustainably promote British music (see News)
Hipgnosis Song Management fires back at Songs Fund board (see Business)
Blackstone bid for Hipgnosis receives backing from board (see Business)
Taylor Swift’s new album breaks Spotify records (see News)
Independence - what’s up with that BPI press release about 2023 music consumption? (see Comment)
Creator Remuneration Working Group meet for the first time (see News)
Concord's takeover of Hipgnosis (see Analysis)
Concord set to acquire Hipgnosis Songs Fund (see Business)
Is the music industry gaslighting artists? (see Comment)
BPI’s new Yearbook highlights an independent sector growing for a sixth consecutive year (see Reports)
Can’t cross the moat? Walk around it. (see Comment)
The conversation around Fandom needs to change (see Opinion)
Viagogo: Carrying on ticketing, despite the controversy (see News)
Taylor Swift songs return to TikTok (see Digital)
Spotify plans new remixing tools for the TikTok generation (see Digital)
Is Spotify plotting a largescale push into short-form video? (see Digital)
AIM CEO Silvia Montello resigns for personal reasons (see News)
The techification of entertainment (and why it needs to reverse) (see Comment)
AI music startup Udio launches backed by artists and Instagram’s co-founder (see Digital)