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Over 400 top creatives, media and creative business leaders, and creative businesses have written to the Prime Minister, urging him to give Government support to proposals that would protect copyright in the age of AI. This comes ahead of a crunch vote on the plans in the House of Lords on Monday 12th May.

Signatories to the letter represent a who's who across the creative industries, and include Elton John, David Furnish, Paul McCartney, Florence Welch, Kate Bush, Coldplay, Antonia Fraser, Tom Stoppard, Richard Curtis, Ian McKellen, Kazuo Ishiguro, Moira Buffini, Russell T Davies, Rachel Whiteread, Shirley Bassey, Antony Gormley, Emily Eavis, Tom Dixon, John Pawson, Justine Roberts, amid hundreds of others.

The letter warns:
"We will lose an immense growth opportunity if we give our work away at the behest of a handful of powerful overseas tech companies and with it our future income, the UK's position as a creative powerhouse, and any hope that the technology of daily life will embody the values and laws of the United Kingdom."

The letter calls on Sir Keir Starmer to back Baroness Beeban Kidron's amendment to the Data (Use and Access) Bill, which would give the UK creative industries urgently needed transparency over the copyright works ingested by AI models. This transparency would allow creators and creative businesses to hold AI firms accountable for the mass theft of creative works that continues to take place.

The letter, which has also been signed by Oliver Sim, Simon Rattle, Nicholas Hytner, Jimmy McGovern, Lucy Kirkwood, Dua Lipa, Alan Ayckbourn, and scores of business leaders and award-winning artists, tells the Prime Minister:

"The first job of any government is to protect its citizens. So, we urge His Majesty's Government to accept the Lords Amendments in the name of Baroness Kidron that put transparency at the heart of the copyright regime and allow both AI developers and creators to develop licensing regimes that will allow for human-created content well into the future. These amendments recognise the crucial role that creative content plays in the development of generative AI. They will spur a dynamic licensing market that will enhance the role of human creativity in the UK, positioning us as a key player in the global AI supply chain."

The amendments have been tabled ahead of the first day of 'Ping Pong' in the Lords, where provisions that would make copyright law enforceable were passionately supported on a cross-party basis earlier this year. The amendment creates a requirement for AI firms to tell copyright owners which individual works they have ingested. Copyright law is not broken, but you can't enforce the law if you can't see the crime taking place. Transparency requirements would make the risk of infringement too great for AI firms to continue to break the law.

Baroness Kidron said:
"The creative industries welcome the new frontier of creativity offered by advances in AI, but how AI is developed and who it benefits are two of the most important questions of our time.

"The UK creative industries reflect our national stories, drive tourism, create wealth for the nation and provide 2.4 million jobs across our four nations. They must not be sacrificed to the interests of a handful of US tech companies. Nor should we underestimate the role of human creativity in the joy of being human nor the need for common facts to cement our collective experience.

"The UK is in a unique position to take its place a global player in the international AI supply chain, but to grasp that opportunity requires the transparency provided for in my amendments, which are essential to create a vibrant licencing market.

I am grateful to the extraordinary list of signatories to today's letter to the Prime Minister. Behind them stands the thousands of technicians, roadies, agents, costumers, make up, set designers, production and post-production staff, sub- editors, and many more who make their work possible. Today they are raising their voice for all those who make the UK an economic powerhouse of creativity and innovation. Most importantly, they are speaking out to ensure a positive future for the next generation of creators and innovators."

Government amendments requiring an economic impact assessment and reports on the feasibility of an 'opt-out' copyright regime and transparency requirements do not meet the moment, but simply leave creators open to years of copyright theft.

Lord Brennan of Canton, former MP and Labour Peer, said:
"We cannot let mass copyright theft inflict damage on our economy for years to come. Transparency over AI inputs will unlock tremendous economic growth, positioning the UK as the premier market for the burgeoning trade in high-quality AI training data. If the government cannot accept Baroness Kidron's amendments, I urge them to introduce provisions which will allow transparency measures to be developed in months, not years. It is never 'too soon' to protect millions of workers and defend our national interest."

Lord Black of Brentwood, a Conservative Peer, said:
"The Government amendments set us on a timeline that will not see any transparency provisions introduced until the very tail end of this Parliament at the earliest. Opt-out solutions simply do not exist, and the Government must not rush into a rash decision on copyright law, but transparency is feasible and necessary now. Rather than leaving creative and media businesses defenceless for years to come, transparency will protect UK citizens' property rights against Big Tech and kickstart a highly lucrative UK market for AI training data."

Lord Clement-Jones, Liberal Democrat Spokesperson for Science, Innovation and Technology in the Lords, said:
"Transparency isn't just an ethical obligation - it's the foundation for a vibrant licensing system where creators are respected and compensated. When AI developers acknowledge copyright through clear licensing frameworks, both innovation and creativity can flourish side by side. This dynamic marketplace doesn't hinder progress but accelerates it, transforming potential conflict into collaboration and shared prosperity between our creative and tech sectors."

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13 Jun 2025

  • Data (Use and Access) Bill passes without amendment (see News)

  • Has the time finally come for metered music experiences? (see Opinion)

12 Jun 2025

  • What moves the needle for artists in 2025? (see Features)

  • Tributes pour in for Brian Wilson (see News, Features, Showbiz&News)

  • These touts made millions - and claimed staff at big ticketing firms helped (see Features)

11 Jun 2025

  • Billboard names its Independent Power Players (see Features)

10 Jun 2025

  • New report highlights emergence of a two-tier music streaming market favouring scale over diversity and flags need for urgent action (see Reports)

09 Jun 2025

  • Ministers’ silence on threats to our creatives is bewildering (see News)

  • Sony Music Publishing set to acquire Hipgnosis Songs Group (see Business)

  • Manchester's Co-op Live to host the BRIT Awards (see News)

06 Jun 2025

  • Elliot Grainge has breathed new life into Atlantic Records (see Features)

  • BPI CEO addressed the SXSW London conference (see News)

05 Jun 2025

  • Elton John slams Labour over the AI act (see Opinion)

04 Jun 2025

  • Jim King's 30-year reign (see Features)

  • TikTok launches TikTok for Artists (see Digital)

  • Culture secretary Lisa Nandy talks AI policies and regulation (see News)

03 Jun 2025

  • A study from ICMP on music publishing revenues shows that digital now dominates (see Reports)

02 Jun 2025

  • Majors in talks to license music to AI firms Udio, Suno (see News)

  • Taylor Swift has bought back rights to her master recordings, a win for her but also a potentially major win for the industry (see Features)

  • UK music business power players: 2025 list revealed (see Reports)