AIM report explores the changing face of modern distribution 13 Nov 2019
AIM (The Association of Independent Music) is launching a groundbreaking new report in partnership with CMU Insights today, that will provide a benchmark study of the music distribution market and demystify the 21st century digital music supply chain.
‘Distribution Revolution’ is the first industry report to undertake a comprehensive analysis of the modern distribution landscape. It explores how the role of the music distributor has evolved over the last two decades as distribution businesses have diversified the ways that they work with independent music businesses, increasingly moving into so-called artist and label services. It then dissects the options now available to anyone who is releasing music, outlining the essential knowledge required before selecting any new partner for distribution and more.
You can sign up to download a free digital copy here: bit.ly/distributionrevolution
The report follows the recent announcement of AIM’s Knowledge Partnership with the BBC, which was kickstarted with the launch of AIM’s ‘Start-Up Guide to Music Business’ at BBC Music Introducing LIVE at the end of October. The guide was downloaded over 1,000 times during the three-day event.
‘Distribution Revolution’ identifies eight challenges for the rightsholder community:
• Transparency issues relating to DSP deals
• Questions around the sharing of value from DSP deals
• Balancing upfront and long-term benefits
• The allure of the advance - is it worth it?
• The need to plan for an exit strategy
• The risks and complexities of competition with distribution partners
• The short and long term impact of new models in the market
The report concludes with a number of recommendations, including that the independent music community should:
• Agree on codes of conduct for rightsholder-distributor partnerships to make existing best practice become an industry standard
• Learn to identify the whole digital supply chain to increase transparency of choice
• Promote a distribution checklist to help all rightsholders make informed decisions when selecting distribution partners
An official launch event for the report is taking place today in London, where Chris Cooke will present the report’s key findings and recommendations, and AIM’s Head of Legal & Business Affairs, Gee Davy, will cover the next steps AIM intends to take.
Gee Davy, AIM’s Head of Legal & Business Affairs, says: “Anyone who wants to build a career or business in releasing music must find a route for the music to reach fans. Distribution is arguably the least understood aspect of releasing music, and yet a good distributor is key to maximising reach and financial return, and plays an essential part in its success, or failure, of a release. The report’s findings provide vital insights and knowledge which can be used to help musicians and music businesses, and their distributors to be better business partners.”
Report author and CMU Insights MD Chris Cooke said: "As the digital music market has grown over the last two decades, most attention has been given to the evolution of the consumer-facing digital platforms. However, behind the scenes, the companies that help labels and artists deliver their music to those platforms have also been evolving. It's great to be able to put the spotlight on that side of the business. Based on a survey of the independent music community and interviews with experts from across the distribution sector, 'Distribution Revolution' provides a thorough overview of the world of music distribution as we head into 2020, while summarising some of the issues and challenges both rights-holders and their distribution partners continue to tackle".
Simon Wills, Director, Absolute Label Services said: “With the distribution model in so many different forms, understanding what an individual needs and who can best deliver it for them is tricky. This report allows for an informed starting point.”
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THE HEADLINES
Concord set to acquire Hipgnosis Songs Fund (see Business)
Is the music industry gaslighting artists? (see Comment)
BPI’s new Yearbook highlights an independent sector growing for a sixth consecutive year (see Reports)
Can’t cross the moat? Walk around it. (see Comment)
The conversation around Fandom needs to change (see Opinion)
Viagogo: Carrying on ticketing, despite the controversy (see News)
Taylor Swift songs return to TikTok (see Digital)
Spotify plans new remixing tools for the TikTok generation (see Digital)
Is Spotify plotting a largescale push into short-form video? (see Digital)
AIM CEO Silvia Montello resigns for personal reasons (see News)
The techification of entertainment (and why it needs to reverse) (see Comment)
AI music startup Udio launches backed by artists and Instagram’s co-founder (see Digital)
Artists are seeing their music removed from DSPs for streaming fraud they didn’t commit (see Features)
Is there any room for fantasy in pop music these days? (see Features)
Warner Music declines to bid for Believe (see Business)
Napster dispute with photographer puts the spotlight on industry’s artwork deals (see News)
TikTok reports small businesses drove $600m in revenue for the music and entertainment industry in 2023 (see Reports)