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New Board members elected 

Strategic education framework launched including the first ever Masters Degree co-created by a music industry trade body 

Leading independent distributors agree new ‘Digital Distribution Switch Code’ 

 

Today the Association of Independent Music announced a raft of new initiatives to support the independent music community’s business and personal development, and the election of its new Board members at its Annual General Meeting. 

Five new Board members were elected as part of the formal proceedings: 

Alice Whittington, General Manager, Soundway Records 

Jamie Oborne, Owner/CEO, Dirty Hit 

Jason Rackham, Managing Director, [PIAS] 

Ruth Barlow, Director of Live Licensing, Beggars Group 

Stella Reid, Co-Founder/Co-Director/Creative Lead, Rough Bones 

 

They join Despa Robinson, Founder & CEO of BE83 and Power Up participant, who was appointed using CEO’s discretionary powers. 

Nadia Khan, AIM’s Chair and Founder of CTRL Music said: “I am delighted to welcome AIM’s new Board members, each of them brings a wealth of experience and expertise in their leadership of the independent sector. 

It’s been so encouraging to see how engaged and passionate the AIM community are about representing independents and having their seat at the table.  This year saw AIM’s most diverse and longest candidate list of 23 nominees, and with only 5 seats available it was disappointing to see that some great people didn’t make it this time around.  

I’d also like to thank our retiring Board members for their years of work and service. Achal, Emily, Fred, Nigel & Yvette you will be missed.” 

The theme of the AGM was ‘Lifelong Learning’, with a focus on the need for businesses to stay ahead of fast-paced innovation and market developments in music. 

Following the education theme, the key announcements include a strategic partnership with international accreditation organisation CLOCK, co-creation of a new master’s degree in music business with Middlesex University, access to exclusive short courses with world leading universities via the online platform Emeritus and an ambitious reboot of the AIM Academy, their in-house education programme. 

The education announcements build on AIM’s goals to grow its members’ knowledge base, break down barriers and deliver accessible support to the independent music community to help them to create, build and win in the 21st century music market. 

As part of this work, AIM reported on the successful completion of the pilot phase of its new free Associate Membership tier, which was announced last year.  

Over 2000 users were given access to the platform during beta testing. This included the artist, label and management clients of four AIM Distributor Members – EmuBands, Label Worx, MTMusic and Secretly Distribution – as well as community groups, Power Up programme applicants and AIM Ireland Members. Following successful completion of the initial phase, AIM is now rolling out access to the clients of its Distributor Members so that they can benefit from this free membership. Clients of !K7, 3Tone Records, Absolute Label Services and FUGA will shortly be invited to join. 

Benefits include the Associate Knowledge Base, with 400+ pieces of education content, and the ‘Platinum Gateway,’ a direct line of information between AIM’s members and Amazon Music, Facebook, Merlin, PPL, Spotify and YouTube Music. Associate Membership is rolled out to the clients of more distributors, this will continue to grow. 

After a successful first year co-curating Sound City+ in Liverpool, AIM also announced that it would be returning as ‘Knowledge Partner’ for the in-person conference in May 2022. 

David Pichilingi, CEO of Sound City and MD of Modern Sky for UK, Europe and USA said: “We are delighted to be working alongside AIM to further grow and develop Sound City+. Sound City+ is the heartbeat of everything we do. It is the place where those entering the music industry take their first steps into the business. It is the platform where lifetime unions are created and deals are done. Next year is our 15th anniversary and this bond between Sound City and AIM is a bold statement towards the next 15 years.” 

Paul Pacifico, CEO of AIM said: “A ‘lifelong learning’ approach and the growth mindset it helps reinforce are at the core of independent community's ongoing success at the cutting edge of music in the 21st century. The new education partnerships we are announcing today provide a robust framework for learning and skills recognition across different styles and at all levels. They reinforce the great work already done in-house across our conference and AIM Academy programming.  Alongside our AI-driven knowledge base for Associate members, these initiatives give AIM members a unique and world-leading lifelong learning opportunity that breaks down barriers and democratises access.” 

Another key announcement was the creation of a new ‘Digital Distribution Switch Code’ - a statement of agreed best practice that Distributors should follow to help foster positive working relationships and to prevent avoidable difficulties when a label or artist moves from one distributor to another.  

The Code and accompanying explainers and resources were developed by AIM’s COO, Gee Davy, alongside AIM’s Distribution Action Group, with inspiration for the project drawn from the Current Account Switch Guarantee in the finance sector. The project highlights the high standards and leadership shown in independent distribution, working in partnership with their clients - not just when signing up and day-to-day but, also, at what could otherwise be a difficult time, when the contractual relationship is ending.  

A number of leading independent Distributors have already signed up to the code including: Absolute Label Services, Believe, Cargo, CI (Consolidated Independent), EmuBands, FUGA, Identity Music, !K7 Music, Kudos, Kycker, [PIAS], Proper Music Distribution, and Secretly Distribution. AIM encourages all those operating digital distribution to adopt the Code as a new industry standard.  

Sitting alongside the Code and building on the theme of knowledge sharing, AIM has published guidance for labels, artists and others releasing music, including a checklist covering key points to consider when entering into a distribution agreement and onboarding or switching Distributor. The Digital Distribution Switch Code and Guide can be viewed here. Distributors can use the same link to sign up.  

Further resources about distribution are available to AIM’s Rightsholder and Associate members via AIM’s website and the Associate Knowledge Base. 

Simon Wills, Managing Director of Absolute Label Services and Chair of the AIM Distribution Action Group said: “It’s great to see the ‘Digital Distribution Switch Code’ come to life and hopefully it will encourage many distribution companies to sign up an engage with this belief. Well done all at AIM and let’s hope there’s more to come.” 

25 Apr 2024 | Press release

IMPF launches 4th edition of Global Market View for Independent Music Publishing

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25 Apr 2024 | Press release

IMS Business Report 2024

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25 Apr 2024 | Press release

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25 Apr 2024 | Press release

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25 Apr 2024 | Press release

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25 Apr 2024 | Press release

Beyond the Bassline: 500 Years of Black British Music opens at the British Library

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25 Apr 2024 | Press release

YolanDa Brown OBE DL becomes University of Kent’s new chancellor

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25 Apr 2024 | Press release

Festivals unite to extend fundraising prize draw closing date

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24 Apr 2024 | Press release

TuneCore Expands Music Publishing Services and User Experience to Aid Independent Songwriters

TuneCore, the leading independent development partner for self-releasing artists—owned by Believe, one of the world’s leading digital music companies—has rolled out a comprehensive suite of music publishing services to help independent songwriters increase their earnings in over 200 countries.   Andreea Gleeson,...more

24 Apr 2024 | Press release

Radio 2 in the Park 2024 to land in Preston

  Radio 2’s flagship annual live music event, Radio 2 in the Park, will take place this year in Moor Park in Preston, Lancashire on Saturday 7th and Sunday 8th September, as revealed this morning by Gaby Roslin on the Radio...more

24 Apr 2024 | Press release

Como No – The UK’s Leading Latin Music Promoter – Announces New Director Amid Major Changes To Organisational Structure

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24 Apr 2024 | Press release

Liana Flores signs to Verve (US) and partners with Fiction (UK)

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24 Apr 2024 | Press release

Amazon Music returns to Primavera Sound to exclusively livestream the festival to audiences around the world

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24 Apr 2024 | Press release

Black Lives in Music - Government ‘Falling Short’ in Helping to Protect Women in the Music Industry

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24 Apr 2024 | Press release

Symphonic Distribution Hires Stephen Nightingale to Lead A&R and Business in Canada

  Symphonic Distribution, a leading music technology and services company for independent labels, managers, and artists, has hired music industry veteran Stephen Nightingale as Vice President, A&R and Business Development, Canada. Reporting to Symphonic’s Chief Creative Officer, Randall Foster, Nightingale will bring his...more

24 Apr 2024 | Press release

Rock icon Dan P Carter joins Spinefarm as Director of Artist Development

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24 Apr 2024 | Press release

Park Avenue Artists Expands Booking Division

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24 Apr 2024 | Press release

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24 Apr 2024 | Press release

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24 Apr 2024 | Press release

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24 Apr 2024 | Press release

The Independent and Music Venue Trust launch major new initiative to support UK grassroots music venues

Main Stage will be led by Music Editor Roisin O’Connor alongside the Music Venue Trust 12 venues around the UK to be recognised over the next yearEach venue to receive editorial coverage and a free ad campaign on The Independent The Independent...more

23 Apr 2024 | Press release

Sony Music Publishing Nashville Signs Randall King to Global Deal

  Sony Music Publishing Nashville today announced the signing of West Texas native Randall King, celebrated by Holler as “the genre's neo-traditional figurehead,” to a global publishing agreement.  King has emerged as one of today’s most promising new voices in country music, amassing over...more

23 Apr 2024 | Press release

Nominations announced for the Ivors with Amazon Music 2024

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23 Apr 2024 | Press release

The Great Escape announces full conference line-up and schedule

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23 Apr 2024 | Press release

FAC boost their community with 20 new Artist Ambassadors

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23 Apr 2024 | Press release

Fairground Attraction partners with Absolute for first album in 35 years

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22 Apr 2024 | Press release

BPI to host ‘In Tune With Tomorrow’

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22 Apr 2024 | Press release

AIM and the BPI appoint Creative Zero’s Roxy Erickson to lead next phase of Music Climate Pact

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22 Apr 2024 | Press release

Leading European PR agencies unite to form PR:E

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22 Apr 2024 | Press release

Bella Figura Music acquires Rak Publishing

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25 Apr 2024

  • Spotify talks growth, bundle royalties and short-video plans (see Digital)

24 Apr 2024

  • BPI CEO calls on music industry and government to unite around 5 key priorities to support human artistry and sustainably promote British music (see News)

23 Apr 2024

  • Hipgnosis Song Management fires back at Songs Fund board (see Business)

22 Apr 2024

  • Blackstone bid for Hipgnosis receives backing from board (see Business)

  • Taylor Swift’s new album breaks Spotify records (see News)

  • Independence - what’s up with that BPI press release about 2023 music consumption? (see Comment)

19 Apr 2024

  • Creator Remuneration Working Group meet for the first time (see News)

  • Concord's takeover of Hipgnosis (see Analysis)

18 Apr 2024

  • Concord set to acquire Hipgnosis Songs Fund (see Business)

17 Apr 2024

  • Is the music industry gaslighting artists? (see Comment)

16 Apr 2024

  • BPI’s new Yearbook highlights an independent sector growing for a sixth consecutive year (see Reports)

  • Can’t cross the moat? Walk around it. (see Comment)

15 Apr 2024

  • The conversation around Fandom needs to change (see Opinion)

  • Viagogo: Carrying on ticketing, despite the controversy (see News)

12 Apr 2024

  • Taylor Swift songs return to TikTok (see Digital)

  • Spotify plans new remixing tools for the TikTok generation (see Digital)

  • Is Spotify plotting a largescale push into short-form video? (see Digital)