2024 results: Sacem establishes itself as a global digital player, protecting and promoting the development of creativity 13 May 2025
- Sustained international growth with €749 million collected abroad, driven by digital, while collections in France remained stable at €852 million
- 510,000 authors, composers and music publishers receiving royalties worldwide, thanks to Sacem
- More than 3,600 projects supported, and thousands of authors, composers and music publishers assisted to promote musical creation and diversity throughout France
In 2024, Sacem confirmed the strength of its model and the relevance of a strategy combining economic performance, cultural and regional commitment, and digital transformation. In a changing music world -- with increasing technological advances, new uses and global challenges -- Sacem has a clear ambition: to guarantee fair remuneration for authors, composers and publishers, defend cultural diversity, and promote works in France and around the world.
While collections in France have remained virtually stable for several years (€852 million in 2024 compared to €835 million in 2023 and €832 million in 2022), international and digital revenues continue to grow, reaching €749 million in 2024, an increase of 15% compared to 2023 (and up approximately 29% compared to 2022). This performance is driven by an ambitious international development strategy, with a stronger presence on music and audiovisual streaming platforms and social media. Sacem now collects copyright royalties directly in over 180 territories.
In 2024, Sacem developed and consolidated partnerships through 16 new strategic mandates, notably in Côte d'Ivoire with Burida, in India with IPRS and with the publisher Believe Sentric, adding to the 70 mandates already concluded, including Universal Music Publishing International, ASCAP, Socan and the Korean society Komca. By seeking new partners, Sacem pools investments, reducing the levies on the royalty payments of its members and partners (currently 8% on streaming). And, through its international development strategy, Sacem creates more value for its members, who have seen their overall revenues grow by 12%.
This international development is not only a source of growth. It reflects Sacem's desire to extend the scope of French copyright around the world. In 2024, Sacem contributed to the structuring of new ecosystems, particularly in the United Arab Emirates, by supporting the creation of a non-profit collective management organisation. This initiative embodies a constant ambition: to make Sacem a committed player in the defence of universal copyright that respects creators and their works.
A cultural initiative committed to serving local communities
Beyond its economic performance, Sacem constantly reaffirms its commitment to creativity, musical diversity and cultural vitality across France. Sacem is the leading private funder of music in France, with a budget of over €20.3 million in 2024. More than 3,600 projects were backed throughout France, and thousands of creators received support : festivals, concerts, artistic residencies, self-production assistance, educational activities and solidarity initiatives.
∙1,200 concerts were financially supported in cafés, hotels, restaurants, campsites and nightclubs -- 63% of which were organised in municipalities with fewer than 3,500 inhabitants
∙185 performance venues supported
∙478 festivals supported
∙216 authors and composers supported with self-production assistance ∙150 music factory projects rolled out in primary and secondary schools
This support helps revitalise local culture and promotes culture that is accessible to all. It encourages the emergence of new talent, supports diversity in repertoires and strengthens social ties through music. It is all the more meaningful in a context where many cultural organisations are experiencing financial difficulties.
Through its work, Sacem provides practical support to creators at every stage of their careers, while acting as a driving force for cultural organisations (venues, stages, non-
profits) that enrich the region. The launch of the Sacem Endowment Fund, scheduled for the second half of 2025, will reinforce this commitment to the public interest. It will enable new resources to be mobilised for creation, arts education and the transmission of knowledge.
A young and dynamic community of creators
Sacem appeals to new generations and creators around the world. In 2024, 13,400 new members joined the society, nearly 27% of whom were under the age of 25. Today, it supports 240,000 authors, composers and publishers with 177 different nationalities. Nearly 13% of Sacem members come from countries other than France. This generational renewal and diversity reflect the vitality of its model and its ability to attract and guide young creators.
In a constantly evolving ecosystem marked by an increasing number of self producing artists, in addition to the emergence of new formats and the upheavals linked to artificial intelligence, Sacem is stepping up its support for creators by strengthening its professional training offer. The aim is to give them the keys to adapt to these changes.
It has also accelerated royalty distribution schedules, particularly in the fields of concerts and online. Sacem is constantly developing new digital tools, such as a rights simulator, to offer its members greater predictability.
Finally, in a spirit of openness and networking, Sacem encourages collaboration between cultural industries, its members, and creators around the world through the organisation of professional meetings, the Collab + networking platform, which will be launched in the coming six months to connect its authors, composers and music publishers. Sacem also organises international songwriting camps, such as the recent event with CTGA, the music production and publishing company started by the founder of Kpop.
A vision for a sustainable future for human creativity
With its artist-centric approach – a pioneering copyright framework established with Deezer – Sacem marks a major step forward for fairer rights redistribution, promoting professional creators, reaffirming their central role in streaming, and combating fraud and parasitic content such as white noise or 100% AI-generated content.
With generative artificial intelligence already disrupting the creative landscape, Sacem has a clear ambition : to guarantee a sustainable future for human authors and composers. It works with public authorities, digital platforms, and European partners to promote a clear, fair and protective framework for creators, and to ensure that their work is recognised and fairly remunerated.
« In a world where artificial intelligence is redefining the very contours of creation, it is our duty to act with clarity, determination and solidarity. Sacem is not simply a management organisation : it reflects a united community committed to defending the rights of its authors, composers and music publishers and to respecting the value of creative work.
As new challenges emerge, we strongly affirm that innovation must never come at the expense of copyright. Our model is based on essential values: solidarity, mutual support, and transparency. It is thanks to this collective strength, unique in the cultural landscape, that we can continue to protect creators, support them throughout their careers and build a fair, sustainable and equitable future for all.
Sacem is and will remain a key player, both a pillar of the cultural ecosystem and a driver of transformation, serving creativity everywhere and for everyone. » Patrick Sigwalt, composer, Chairman of the Board of Directors of Sacem.
« In recent years, Sacem has made internationalisation and digital technology into key drivers of growth, directly benefiting its members. By seeking new mandates and strengthening our presence in global digital markets, we have expanded our scope of action and generated additional revenue that directly benefits the authors, composers and publishers we represent. The momentum we are seeing reaffirms our strategic choices and provides proof that an independent, non-profit French company can establish itself as a leading global player.
But while our work extends internationally, it is deeply rooted in local communities. Throughout France, Sacem supports thousands of projects -- festivals, concerts, residencies, educational and community initiatives -- to bring music to life where it is created, shared and enjoyed. In a society weakened by social, generational and geographical divisions, we believe that music has an essential role to play: to create bonds, raise awareness and give everyone the opportunity to express themselves and access culture.
We have two ambitions -- to promote the voices of creators in France and internationally while working closely with local communities -- that guide our daily commitment. We will pursue these ambitions with determination, so that Sacem continues to be an efficient organisation for our members and a useful resource for everyone. » Cécile Rap-Veber, CEO of Sacem
APPENDIX
2024 by the numbers:
∙Sustained international growth with €749 million collected abroad, driven by digital
∙€852 million in revenues were collected in France in 2024, remaining nearly stable compared to €835 million in 2023 and €832 million in 2022
∙510,000 authors, composers and music publishers receiving royalties worldwide.
∙€1.379 billion distributed (+12% vs 2023) to creators, music publishers and Sacem's constituents around the world.
∙A net operating expenses/collection ratio of 10.8%, at the same level as 2023 ∙More than 13 400 new members throughout the world.
∙More than 3,600 projects supported via cultural action
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THE HEADLINES
Data (Use and Access) Bill passes without amendment (see News)
Has the time finally come for metered music experiences? (see Opinion)
What moves the needle for artists in 2025? (see Features)
Tributes pour in for Brian Wilson (see News, Features, Showbiz&News)
These touts made millions - and claimed staff at big ticketing firms helped (see Features)
Billboard names its Independent Power Players (see Features)
New report highlights emergence of a two-tier music streaming market favouring scale over diversity and flags need for urgent action (see Reports)
Ministers’ silence on threats to our creatives is bewildering (see News)
Sony Music Publishing set to acquire Hipgnosis Songs Group (see Business)
Manchester's Co-op Live to host the BRIT Awards (see News)
Elliot Grainge has breathed new life into Atlantic Records (see Features)
BPI CEO addressed the SXSW London conference (see News)
Elton John slams Labour over the AI act (see Opinion)
Jim King's 30-year reign (see Features)
TikTok launches TikTok for Artists (see Digital)
Culture secretary Lisa Nandy talks AI policies and regulation (see News)
A study from ICMP on music publishing revenues shows that digital now dominates (see Reports)
Majors in talks to license music to AI firms Udio, Suno (see News)
Taylor Swift has bought back rights to her master recordings, a win for her but also a potentially major win for the industry (see Features)
UK music business power players: 2025 list revealed (see Reports)