Tracklib Increases the Value of it’s current Subscriptions 5X, for Artists and Producers Sampling Real, Original Music
30 August 2022 - Press releaseTracklib has greatly increased the value of their subscription tiers, without cost increases. With 5 times more downloads, Tracklib now grants producers access to more tracks when compared to Tracklib’s previous subscription tiers.
Tracklib is the only online service available for artists and producers to automatically sample and legally clear real, original music that is accessible to every music creator. Tracklib levels the playing field with affordable options, so anyone can mix like the top producers, and have tools to help them do so.
Tracklib has now improved its subscription model, adding additional track allowances to each tier, without increasing the cost of any level. Plans still begin at $5.99 per month, but now at the most affordable Essential tier, producers receive 25 track downloads instead of the previous 5 tracks. Their other subscription tiers reflect similar changes, offering more tracks to enable creativity and inspiration in producers worldwide.
“Tracklib has become the go-to service for sampling producers and artists – both upcoming and established,” says Pär Almqvist, Co-Founder & CCO at Tracklib. “This upgrade will only prompt more creativity and inspiration, and we’re excited to be a part of that.”
Producers and artists have access to an impressive catalog of 100,000+ previously released songs and multitracks from amazing labels, artists and publishers such as Bob James, Isaac Hayes, Bandai Namco, Karen Records, Luaka Bop, Sun Records, Acid Jazz, Habibi Funk / Jakarta Records, and Tru Thoughts, who join many more on tracklib.com. Artists including Kendrick Lamar, IDK, KAYTRANADA, Felix Jaehn and many others have released new music with samples from Tracklib, in recent months.
“To the benefit of all the producers and artists that use Tracklib, and all the labels and publishers that supply music to our catalog, we decided to look further into how the model could be improved,” adds Almqvist. “With more tracks at their fingertips, producers can dive broader and deeper into music discovery.”
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